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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Blair "Late To The Party" © Lex Lanez
Columns, Music, Today's SongDecember 13, 2024<December 13, 2024

“Young, wild, and free”: Detroit’s Blair Embraces the Long Game in “Late to the Party,” Her Empowering Alt-Pop Fever Dream

Atwood Magazine Editor's Picks 106
Columns, Editor's Picks, Features, MusicDecember 12, 2024<January 13, 2025

Editor’s Picks 106: Bleach Lab, Soda Blonde, Mara Connor, Witch Post, Arny Margret, & Fright Years!

Dylan Cartlidge © Leo Walton
Columns, Music, Today's SongDecember 12, 2024<December 12, 2024

“When the sun hits the water, it’s a smile on my face”: Dylan Cartlidge Channels Joy into Song on His Hopeful, Sunny, & Soulful “New Day”

Bull © Liam Maxwell
Features, Interviews, Music, Track-by-TrackDecember 12, 2024<December 12, 2024

Track-by-Track: York’s Bull Hit the Sweet Spot With ‘Engines of Honey,’ a Sun-Kissed, Smile-Inducing Fever Dream

total tommy's Jess Holt © Andrea Veltom
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024

“Scuzzy, Gritty, & Grimy”: total tommy’s Jess Holt Bares Her Scars on ‘bruises,’ Her Brutally Raw Debut LP

Casual Male's Tim Lappin © Kevin Condon
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024

“It’s always the red wine that seems to break me”: The Irresistible Cheer, Charm, & Churn of Casual Male’s Debut Album

Will Swinton © Bryce Glenn
Columns, Music, Today's SongDecember 10, 2024<December 10, 2024

“I’ve been lost since you let me go”: Will Swinton Bares His Soul on “Walls,” an Angsty & Aching Breakup Song

Mary Eliza © Katie Oscar
Columns, Music, Today's SongDecember 9, 2024<December 9, 2024

“No matter the occasion, I’ll bring a boxing ring”: Mary Eliza’s “Porcelain” Is a Feverish, Achingly Raw Indie Rock Reckoning

Sonic Incense - Azekel
Features, Interviews, Music, Track-by-TrackDecember 5, 2024<December 9, 2024

Feature: The Deep Heat of Azekel’s Sensual, Provocative, & Spiritual ‘Sonic Incense’

Eden Rain © Anita McAndrew
Features, Interviews, Music, Track-by-TrackDecember 5, 2024<December 5, 2024

“Mess and Love”: Eden Rain Captures Intimacy’s Raw Intensity on Third EP ‘Anyway, how are you?’

Impulsive Hearts © Jovan Landry
Music, Music Videos, PremieresDecember 5, 2024<December 5, 2024

Premiere: Impulsive Hearts’ Irresistible Anthem “Fit 4 the Apocalypse” Is a Fitting Soundtrack for the End of the World

Products Band © Juliet Farmer
Music, Music Videos, PremieresDecember 5, 2024<December 5, 2024

“Attach and Separate”: Basking in the Raw, Feverish Energy of Products Band’s “Steady/Sugarless”

Saint Blonde "Prowl" © 2024
Columns, Music, Today's SongDecember 4, 2024<December 4, 2024

“I heard it goin’ ‘round”: Saint Blonde Catch Feelings & Lean in on “Prowl,” Their Seductive Singalong

The Morning Herald © Jane Mok
Music, Music Videos, PremieresDecember 4, 2024<December 4, 2024

“The rumbles out on the town, and it’s alright”: Brooklyn’s The Morning Herald Premiere “Twenty Somethings,” an Anthemic Indie Rock Ode to Friendship and Good Times

Vlad Holiday © Nicole Mago
Debut, Features, Interviews, Music, Track-by-TrackDecember 4, 2024<December 4, 2024

Feature: Vlad Holiday Chases ‘My Favorite Drug’ on His Darkly Romantic Debut Album

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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