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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Tennis "12 Blown Tires" © Darren Vargas
Columns, Music, Today's SongMay 30, 2025<May 30, 2025

Today’s Song: Tennis Say Goodbye in the Devastatingly Beautiful “12 Blown Tires”

Spring Term © Claire Hensley
Features, Interviews, Music, Track-by-TrackMay 29, 2025<May 29, 2025

EP Premiere: Spring Term Shines Bright on ‘Kiddo, Vol. 2,’ a Playful & Profound Coming-of-Age Dreamscape

Atwood Magazine's 122nd Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 23, 2025<May 23, 2025

Editor’s Picks 122: Medium Build, The Head and the Heart, Hudson Thames, Lola Young, DE’WAYNE, & Jack Garratt!

Lucie Glang © Eike Higgen
Music, Music Videos, PremieresMay 22, 2025<May 22, 2025

Premiere: Lucie Glang Finds Peace Beneath the Surface in Her Intimate & Enchanting “Underwater Skies”

Volena © Julia Durr
Debut, Features, Interviews, Music, Track-by-TrackMay 21, 2025<May 21, 2025

“This Became a Lifeline”: Volena’s Witchy, Yearning, & Expansive Debut EP Is a Raw Coming-of-Age Reckoning

Emily Elbert © Shervin Lainez
Music, Music Videos, PremieresMay 21, 2025<May 21, 2025

“Love sing through me”: The Spiritual, Soul-Stirring Surrender of Emily Elbert’s Smoldering “God Is Change”

Atwood Magazine's 121st Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 16, 2025<May 16, 2025

Editor’s Picks 121: Vienna Vienna, Petey USA, Tennis, Felly, Self Esteem, & JERUB!

hard life's Murray Matravers
Columns, Features, Interviews, Music, Today's SongMay 16, 2025<July 25, 2025

Interview: hard life (FKA easy life) Discuss Their Unapologetic New Era & the Many Layers of Upcoming Third Album, ‘onion’

Little Falls Trophy © Drew Reynolds
Music, PremieresMay 15, 2025<May 15, 2025

Premiere: Little Falls Trophy Lights a Love-Soaked Heatwave on Smoldering “My Little Sunshine” ft. Christy Lynn

Mountain Jam returns June 20–22, 2025, at Belleayre Mountain in the heart of the Catskills
Features, Festival, Interviews, MusicMay 15, 2025<May 15, 2025

“Woodstock Is a State of Mind”: Mountain Jam’s Founder on the Festival’s 2025 Return, the Power of Live Music, & Building Community in the Hudson Valley

Tough Cookie © Sully
Columns, Music, Today's SongMay 15, 2025<May 15, 2025

London’s Tough Cookie Reckon with the Pursuit of “Happiness” in Their Explosive & Existential Second Single

Atwood Magazine's 120th Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 9, 2025<May 12, 2025

Editor’s Picks 120: Reem Mitten, hard life, BEL, Lord Huron, girlpuppy, & Young Gun Silver Fox!

Emily Vaughn "Call It What It Isn't" © 2025
Music, PremieresMay 9, 2025<May 9, 2025

Premiere: Emily Vaughn Flirts with Passion on Fun, Frisky, & Feel-Good “Call It What It Isn’t”

Gizmo Varillas 'The World in Colour'
Features, Interviews, MusicMay 9, 2025<May 8, 2025

“Take a moment and soak it in”: Gizmo Varillas Sees ‘The World in Colour,’ And So Can You

OSKA © Ines Futterknech
Music, Music Videos, PremieresMay 8, 2025<May 8, 2025

Premiere: OSKA Finds Quiet Strength in “Gloria,” a Soul-Stirring Song of Resilience & Self-Liberation

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Recent Posts

  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
  • Roundtable Discussion: A Review of Flea’s ‘Honora’ July 10, 2026
  • “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart July 10, 2026
  • “Knowing What We’re Supposed to Be”: Sleeping With Sirens’ Nick Martin on the Cycle of Death and Renewal on ‘An Ending In Itself’ July 10, 2026
  • Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven! July 10, 2026
  • “The Whole Title Is Just Me Trying To Show Up For My Feelings”: The Haunted Youth Confronts Masculinity With Vulnerability on ‘Boys Cry Too’ July 9, 2026
  • “Take a Leap of Faith, or You Can Be Brave”: Portland’s BendreTheGiant Turn a Moment of Crisis into a Spectacular Act of Empathy & Endurance July 9, 2026
  • “Twist the Key to a Brand New Start”: Baby Snakes & The Electric Co. Hit the Gas on Their Debut Single “Dark Horse,” a Cinematic Ode to Electric, Enduring Love July 9, 2026
  • “In the Sun I’m Laughing”: How Babe Rainbow Put a Fresh Twist on Old Tricks With “Acid and Honey,” a Six-Minute Psychedelic Symphony July 9, 2026
  • Atwood Magazine’s Weekly Roundup: July 8, 2026 July 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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