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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

BODHI © Nettwerk Music Group
Columns, Music, Today's SongJune 19, 2025<June 19, 2025

“This little dove is tired”: BODHI Reckons with Burnout, Self-Sabotage & Survival in a Soul-Baring Confessional

Love, Alexa © Emilie Wilde / Ganguette Co
Features, Interviews, Music, PremieresJune 18, 2025<June 18, 2025

“Brutal, Beautiful, & Reborn”: Love, Alexa Premieres Her Soul-Stirring ‘Spring Cleaning’ EP, a Journey of Reclamation, Renewal, & Release

Wide Orbit © Ben Isaacs
Debut, Music, PremieresJune 18, 2025<June 19, 2025

Premiere: Chicago’s Wide Orbit Shine Bright on “Buddy,” a Jangly, Feel-Good Ode to People, Pets, & Sticking Together

DE'WAYNE © Shai Paul
Columns, Music, Today's SongJune 18, 2025<June 18, 2025

“Her name is June”: DE’WAYNE Struts into a Bold New Era with an Anthem of Love, Liberation, & Seductive Swagger

The Head and the Heart 'Aperture' © Jasper Graham
Features, Interviews, MusicJune 17, 2025<July 11, 2025

“A New Beginning”: The Head and the Heart Let the Light in on ‘Aperture,’ an Intrepid Album of Hope, Freedom, & Human Connection

Will Orchard © Jess Kerber
Music, PremieresJune 17, 2025<June 17, 2025

Premiere: Will Orchard Reckons with Raw Emotion in “Something’s Gotta Go,” a Heavy Folk Rock Exhale

Atwood Magazine's 124th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 13, 2025<June 23, 2025

Editor’s Picks 124: Billie Marten, benches, Gatlin, The Happy Fits, BODHI, & quickly, quickly!

Bad Posture Club © Madison Gies-Guy
Music, PremieresJune 12, 2025<June 12, 2025

Premiere: Bad Posture Club Embrace Life’s Quiet Moments on “Handy Girls,” a Song of Love, Home, & Human Connection

Nii by Harvey Pearson
Artist to Watch, Columns, Interviews, Music, Today's SongJune 12, 2025<June 12, 2025

“My music’s for the over-thinkers”: Nii Confronts Social Anxiety with Heart & Heat on “People Talk to People”

Armlock © Phoebe Cockburn
Columns, Interviews, Music, Today's SongJune 11, 2025<June 11, 2025

“And We Do It All Again”: Melbourne’s Armlock Capture the Warmth of Connection in Softly Stirring “Strobe”

Sarah Klang © Fredrika Eriksson
Features, Interviews, MusicJune 5, 2025<June 5, 2025

“Coming into Myself”: Sweden’s Sarah Klang on Girlhood, Gratitude, Self-Love, and the Stories Behind ‘Beautiful Woman’

Atwood Magazine's 123rd Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 5, 2025<June 5, 2025

Editor’s Picks 123: Armlock, S.G. Goodman, Nii, Night Tapes, House of Harm, & snuggle!

Sy Ari da Kid 'The Last Shadow in the Shade' © Chase Gozy
Features, Interviews, Music, Track-by-TrackJune 4, 2025<June 5, 2025

“I’m Going to Be the Last One Standing”: Sy Ari Da Kid on Storytelling, Truth, Independence, & the Legacy of ‘The Last Shadow in the Shade’

Adam Melchor 'The Diary of Living' © Caro Knapp
Features, Interviews, MusicJune 2, 2025<June 2, 2025

“This Is Where I Belong”: Adam Melchor on Finding His Voice, His Truth, & His Heart with ‘The Diary of Living’

The Bones of J.R. Jones © Christian Harder
Music, Music Videos, PremieresJune 2, 2025<June 2, 2025

“Fold us down into this land”: The Bones of J.R. Jones Embraces Renewal, Regret, & Quiet Strength in Soul-Stirring “Start Again”

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Recent Posts

  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
  • Roundtable Discussion: A Review of Flea’s ‘Honora’ July 10, 2026
  • “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart July 10, 2026
  • “Knowing What We’re Supposed to Be”: Sleeping With Sirens’ Nick Martin on the Cycle of Death and Renewal on ‘An Ending In Itself’ July 10, 2026
  • Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven! July 10, 2026
  • “The Whole Title Is Just Me Trying To Show Up For My Feelings”: The Haunted Youth Confronts Masculinity With Vulnerability on ‘Boys Cry Too’ July 9, 2026
  • “Take a Leap of Faith, or You Can Be Brave”: Portland’s BendreTheGiant Turn a Moment of Crisis into a Spectacular Act of Empathy & Endurance July 9, 2026
  • “Twist the Key to a Brand New Start”: Baby Snakes & The Electric Co. Hit the Gas on Their Debut Single “Dark Horse,” a Cinematic Ode to Electric, Enduring Love July 9, 2026
  • “In the Sun I’m Laughing”: How Babe Rainbow Put a Fresh Twist on Old Tricks With “Acid and Honey,” a Six-Minute Psychedelic Symphony July 9, 2026
  • Atwood Magazine’s Weekly Roundup: July 8, 2026 July 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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