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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Head and the Heart 'Aperture' © Jasper Graham
Features, Interviews, MusicJune 17, 2025<July 11, 2025

“A New Beginning”: The Head and the Heart Let the Light in on ‘Aperture,’ an Intrepid Album of Hope, Freedom, & Human Connection

Will Orchard © Jess Kerber
Music, PremieresJune 17, 2025<June 17, 2025

Premiere: Will Orchard Reckons with Raw Emotion in “Something’s Gotta Go,” a Heavy Folk Rock Exhale

Atwood Magazine's 124th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 13, 2025<June 23, 2025

Editor’s Picks 124: Billie Marten, benches, Gatlin, The Happy Fits, BODHI, & quickly, quickly!

Bad Posture Club © Madison Gies-Guy
Music, PremieresJune 12, 2025<June 12, 2025

Premiere: Bad Posture Club Embrace Life’s Quiet Moments on “Handy Girls,” a Song of Love, Home, & Human Connection

Nii by Harvey Pearson
Artist to Watch, Columns, Interviews, Music, Today's SongJune 12, 2025<June 12, 2025

“My music’s for the over-thinkers”: Nii Confronts Social Anxiety with Heart & Heat on “People Talk to People”

Armlock © Phoebe Cockburn
Columns, Interviews, Music, Today's SongJune 11, 2025<June 11, 2025

“And We Do It All Again”: Melbourne’s Armlock Capture the Warmth of Connection in Softly Stirring “Strobe”

Sarah Klang © Fredrika Eriksson
Features, Interviews, MusicJune 5, 2025<June 5, 2025

“Coming into Myself”: Sweden’s Sarah Klang on Girlhood, Gratitude, Self-Love, and the Stories Behind ‘Beautiful Woman’

Atwood Magazine's 123rd Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 5, 2025<June 5, 2025

Editor’s Picks 123: Armlock, S.G. Goodman, Nii, Night Tapes, House of Harm, & snuggle!

Sy Ari da Kid 'The Last Shadow in the Shade' © Chase Gozy
Features, Interviews, Music, Track-by-TrackJune 4, 2025<June 5, 2025

“I’m Going to Be the Last One Standing”: Sy Ari Da Kid on Storytelling, Truth, Independence, & the Legacy of ‘The Last Shadow in the Shade’

Adam Melchor 'The Diary of Living' © Caro Knapp
Features, Interviews, MusicJune 2, 2025<June 2, 2025

“This Is Where I Belong”: Adam Melchor on Finding His Voice, His Truth, & His Heart with ‘The Diary of Living’

The Bones of J.R. Jones © Christian Harder
Music, Music Videos, PremieresJune 2, 2025<June 2, 2025

“Fold us down into this land”: The Bones of J.R. Jones Embraces Renewal, Regret, & Quiet Strength in Soul-Stirring “Start Again”

Tennis "12 Blown Tires" © Darren Vargas
Columns, Music, Today's SongMay 30, 2025<May 30, 2025

Today’s Song: Tennis Say Goodbye in the Devastatingly Beautiful “12 Blown Tires”

Spring Term © Claire Hensley
Features, Interviews, Music, Track-by-TrackMay 29, 2025<May 29, 2025

EP Premiere: Spring Term Shines Bright on ‘Kiddo, Vol. 2,’ a Playful & Profound Coming-of-Age Dreamscape

Atwood Magazine's 122nd Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 23, 2025<May 23, 2025

Editor’s Picks 122: Medium Build, The Head and the Heart, Hudson Thames, Lola Young, DE’WAYNE, & Jack Garratt!

Lucie Glang © Eike Higgen
Music, Music Videos, PremieresMay 22, 2025<May 22, 2025

Premiere: Lucie Glang Finds Peace Beneath the Surface in Her Intimate & Enchanting “Underwater Skies”

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Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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