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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Atwood Magazine's 117th Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 11, 2025<April 11, 2025

Editor’s Picks 117: Dancer, Adam Melchor & Mt. Joy, CMAT, Arcy Drive, Sydney Sprague, and Charlotte OC!

Heaven © 2025
Features, Interviews, Music, Track-by-TrackApril 11, 2025<April 11, 2025

“Sonic Love Consciousness”: NYC’s Heaven ‘Dream Aloud’ on a Sweaty Reverie of Hazy Shoegaze, Spiritual Connection, & Emotional Surrender

Filiah © Marie Schrentewein
Music, PremieresApril 10, 2025<April 11, 2025

Premiere: Filiah’s Enchanting “On & On” Is a Cathartic, Liberating Exhale of Shame, Healing, & Self-Acceptance

Lucette © Sebestian Buzzalino
Features, Interviews, Music, Track-by-TrackApril 9, 2025<April 9, 2025

Feature: Lucette Lets Her Bruises, Boldness, and “Big Messy Feelings” Breathe on ‘Nice Girl From the Suburbs’

Somebody's Child © Jim Fuller
Features, Interviews, Music, Track-by-TrackApril 8, 2025<April 8, 2025

“Rave, Rock, Rebel”: Somebody’s Child Reckons with Time’s Changes on Boldly Defiant Sophomore LP ‘When Youth Fades Away’

mary in the junkyard © Herbie Bone
Columns, Music, Today's SongApril 7, 2025<April 7, 2025

mary in the junkyard’s Hauntingly Raw “bear walk” Reckons with Love, Loss, & Longing

Hannah Cohen © Josh Goleman
Features, Interviews, MusicApril 4, 2025<June 4, 2025

“Anything Can Mean Everything”: Hannah Cohen Plants New Roots with ‘Earthstar Mountain,’ an Intimate Love Letter to the Catskills

Atwood Magazine's 116th Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 3, 2025<April 3, 2025

Editor’s Picks 116: Nami, Borderline, Litany, Lucy Dacus, Social Order, & zzzahara!

Jenner Fox Band "Right Away" © 2025
Music, PremieresApril 3, 2025<April 3, 2025

Premiere: Jenner Fox Band Illuminate Stillness, Distance, & the Warm Glow of Connection in the Radiant “Right Away”

CLOVER © Dani Sundream
Music, PremieresApril 3, 2025<March 12, 2026

Premiere: CLOVER Unravels and Exhales in Her Soul-Baring “Atlas,” a Haunting & Healing Surrender to the Weight We Carry Within

My Morning Jacket © Silvia Grav
Features, Interviews, MusicApril 2, 2025<April 2, 2025

“A Recording Is a Relic; a Show Is Alive”: My Morning Jacket’s Carl Broemel on Music as a Way of Life, the Spirit of Performance, & the Making of ‘is’

Brie Stoner "Topanga" © 2025
Music, PremieresMarch 28, 2025<April 1, 2025

Premiere: Brie Stoner’s Mythic & Cinematic “Topanga” Captures Canyon Dreams & Fleeting Flames

Jo Hill "ZOOM OUT" © Phoebe Fox
Columns, Interviews, Music, Today's SongMarch 28, 2025<March 28, 2025

“You Got This, Babe!”: Jo Hill Breaks Down “ZOOM OUT,” Her Feel-Good Anthem of Empowerment, Girlhood, & Resilience

St. Catherine's Child © 2025
Music, PremieresMarch 27, 2025<March 27, 2025

Premiere: St. Catherine’s Child Transforms Grief into Gold on Soul-Baring “Negative Space”

Pillowprince © Alexia Abarca
Music, PremieresMarch 27, 2025<March 27, 2025

Premiere: Pillowprince Channel Grief, Rage, & Resistance in Their Devastating Anthem “Care About”

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Recent Posts

  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
  • “I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love” May 11, 2026
  • “I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’ May 11, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 11, 2026
  • “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ May 11, 2026
  • A Mirrorball for Modern Times: Duran Duran Reignite the Dancefloor with “Free to Love” ft. Nile Rodgers May 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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