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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Mila Degray "Masculine Charm" © Lucas O.M.
Columns, Interviews, Music, Today's SongAugust 13, 2024<August 13, 2024

“A time capsule of my naivety”: Mila Degray Is Channeling Coming-of-Age Angst into Indie Rock Wonders

Kate Prascher © Shervin Lainez
Music, Music Videos, PremieresAugust 12, 2024<August 12, 2024

“All the things we’ve tried have left a mark”: Kate Prascher Weaves Love, Light, & Lilting Folk Together on “The Island”

Sunday (1994) © 2024
Artist to Watch, Columns, Interviews, Music, Today's SongAugust 12, 2024<August 12, 2024

“I swallowed SSRI need you”: Sunday (1994) Maximize Life’s Minimal Moments Through Dreamy, Emotive Love Songs

april june © Ana Albores Prejigueiro
Features, Interviews, Music, Track-by-TrackAugust 9, 2024<August 9, 2024

“Denial, Anger, & Acceptance”: april june Cracks Her Heart Open on Dreamy Sophomore EP ‘baby’s out of luck again’

Mal Not Bad 'This Is Your New Life' © Jacob Boll
Debut, Features, Interviews, Music, Track-by-TrackAugust 9, 2024<August 9, 2024

‘This Is Your New Life’: Mal Not Bad Charts an Intimate Awakening on Soul-Stirring Debut Album

Luke Beling © 2024
Columns, Interviews, Music, Today's SongAugust 9, 2024<August 9, 2024

“If God is a man then God is a man among us”: Luke Beling Embraces a Divine Light in “Shining Like the Sun”

Kat and the Hurricane © Willow Ray
Debut, Music, PremieresAugust 8, 2024<August 8, 2024

Premiere: Wisconsin’s Kat and the Hurricane Get It Out on “Therapy,” a Raucous Anthem of Cathartic Release

Sarah Isabella 'The Keeper' © Salam Zaied
Debut, Features, Interviews, Music, Track-by-TrackAugust 8, 2024<August 8, 2024

“I’ll meet you in the fire”: East London’s Sarah Isabella Emerges on Soulful, Spiritual & Smoldering Debut EP ‘The Keeper’

Font © Rosie Clements
Debut, Features, Interviews, Music, Track-by-TrackAugust 7, 2024<August 7, 2024

Track-by-Track: Austin’s Font Debut With Dance-Punk Fever Dream ‘Strange Burden’

Never Ending Fall © Austin Cieszko
Features, Interviews, MusicAugust 7, 2024<August 9, 2024

“Disco will never die”: Never Ending Fall Find Reinvention Through Rock Songs on ‘American Disco,’ Their Irresistible Sophomore Album

Sunflower Thieves "How Was America" © Nick Porter
Features, Interviews, Music, Today's SongAugust 7, 2024<August 7, 2024

Interview: Leeds’ Sunflower Thieves Talk Friendship, “How Was America,” and the Heavy Weight of Ghosts

Melanie MacLaren "Get it Back" © Blaire Beamer
Music, Music Videos, PremieresAugust 7, 2024<August 7, 2024

“We lost our spark on the FDR”: Melanie MacLaren’s “Get it Back” Aches With the Warm Weight of Love & Grief

Aistis © Sophia Perras
Features, Interviews, Music, Track-by-TrackAugust 7, 2024<August 7, 2024

“Earnest, Manic, & Playful”: Montreal’s Aistis Molds Emotional Turmoil into Musical Excellence on ‘Clay’

Hamish Anderson © Emma Gillett
Music, Music Videos, PremieresAugust 5, 2024<August 5, 2024

Premiere: Hamish Anderson’s “You’re Mine” Is a Smoldering Display of Love & Blues Rock Charm

Abby Holliday 'CRACK A SMILE COME ON STAY A WHILE' © Grace Holliday
Features, Interviews, Music, Track-by-TrackAugust 2, 2024<August 2, 2024

Track-by-Track: Abby Holliday Invites Us to ‘CRACK A SMILE COME ON STAY A WHILE’ With Her Triumphant & Vulnerable Third Album

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
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  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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