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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Atwood Magazine's 109th Editor's Picks
Columns, Editor's Picks, Features, MusicFebruary 7, 2025<February 8, 2025

Editor’s Picks 109: Sharon Van Etten & The Attachment Theory, JayWood, Vacation Manor, Mumford & Sons, Dreamer Isioma, & Blind Pilot!

Mary Eliza © Katie Oscar
Debut, Features, Interviews, Music, Track-by-TrackFebruary 6, 2025<February 6, 2025

Loud, Vulnerable, & Raw: Mary Eliza Weaves Quiet Strength into a Sonic Reckoning on Debut Album ‘Spider’

ECHOS © Slater Goodson (Good Media)
Music, Music Videos, PremieresFebruary 6, 2025<February 6, 2025

Premiere: Echos Breaks Herself Open on “QUIET, IN YOUR SERVICE,” an Alt-Rock Anthem of Upheaval & Empowerment

Angie McMahon 'Light Sides' © Young Ha Kim
Features, Interviews, MusicJanuary 31, 2025<January 31, 2025

Growth, Grief, & Gratitude: Angie McMahon Reflects on Her Intimate Journey from Darkness to ‘Light Sides’

Las Nubes © Sal Rispoli
Features, Interviews, Music, Track-by-TrackJanuary 30, 2025<January 30, 2025

Heavy, Cathartic, & Saudade: Las Nubes Brave Life’s Storms on Fiery Sophomore LP ‘Tormentas Malsanas’

CIAO MALZ © Alex SK Brown
Debut, Features, Interviews, Music, Track-by-TrackJanuary 30, 2025<January 30, 2025

Track-by-Track: Brooklyn’s CIAO MALZ Debuts With ‘Safe Then Sorry,’ an Unrestrained Record of Risks & Rewards

Penny and Sparrow © Claire Schaper
Music, PremieresJanuary 29, 2025<January 30, 2025

Premiere: Penny and Sparrow’s “Breakdown” Is an Intimate, Honest, & Fun Indie Folk Confessional

Foley 'That’s Life, Baby!' © Frances Carter
Music, PremieresJanuary 29, 2025<January 31, 2025

Premiere: The Sweaty, Irresistible Heat of Foley’s “Fever”

Atwood Magazine's 108th Editor's Picks
Columns, Editor's Picks, Features, MusicJanuary 28, 2025<January 28, 2025

Editor’s Picks 108: Bria Salmena, TOLEDO, Mon Rovîa, Mary Eliza, jasmine.4.t, & MEGGO!

Salim Nourallah © Gavin Nourallah
Music, PremieresJanuary 22, 2025<January 22, 2025

Premiere: Salim Nourallah’s “Damage” Explores the Universality of Pain & Trauma to the Human Experience

Atwood Magazine Editor's Picks 107
Columns, Editor's Picks, Features, MusicJanuary 17, 2025<January 17, 2025

Editor’s Picks 107: Bartees Strange, Willow Avalon, Sly Jr., The 7:45s, The Zew, & Thee Holy Brothers!

Tom Conneely & Birds of Paradise © Kory Thibeault
Music, PremieresJanuary 16, 2025<January 16, 2025

“Wildfire in your eyes”: Tom Conneely & Birds of Paradise Reminisce on Love Lost in Wistful “I Know It”

Gizmo Varillas © Sebastian Madej
Artist to Watch, Music, Music Videos, PremieresJanuary 15, 2025<January 15, 2025

“One heart, one soul, one life”: Gizmo Varillas’ Inner Light Shines on “Into the Night,” a Sun-Kissed Love Song to Life Itself

Hannah McKittrick © Ollie Cox
Columns, Music, Today's SongDecember 17, 2024<December 17, 2024

Today’s Song: Melbourne’s Hannah McKittrick Cuts Like a Knife in “Utensil,” a Softly Stirring Alt-Rock Upheaval

Thanks a Million - Dino Expedition
Debut, Features, Interviews, Music, Track-by-TrackDecember 13, 2024<December 13, 2024

Feature: Dino Expedition Dwell in Memory & Raw Emotion on ‘Thanks a Million,’ an Intensely Intimate Indie Rock Debut

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Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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