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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Hank Heaven © Danica Robinson
Columns, Music, Today's SongApril 18, 2024<April 18, 2024

“Shining a light on the shadow self”: Hank Heaven’s “Plan 2” Preaches Empathy With a Tender Indie Twang

Essence Martins © Lorraine Khamali
Debut, Features, Interviews, Music, Music VideosApril 18, 2024<April 18, 2024

‘Deer in the Headlights’: Essence Martins’ Inner Light Shines on Her Introspective, Ethereal, & Thought-Provoking Debut EP

Cat Ryan © Will Copley
Debut, Features, Interviews, Music, Track-by-TrackApril 18, 2024<April 18, 2024

Track-by-Track: Cat Ryan Debut With a Sweet Heat in ‘King of the World,’ Their Fun & Frisky Debut EP

Stephanie Lambring © Alysse Gafkjen
Music, Music Videos, PremieresApril 18, 2024<April 18, 2024

Premiere: Stephanie Lambring’s Haunting “Cover Girl” Reckons with Dysmorphia, Authenticity, & the Pressures of Social Media

Kramies "Social Light" © 2024
Music, PremieresApril 17, 2024<April 17, 2024

“Breaking up the airwaves, on and on I go”: The Enchanting Warmth, Weight, & Wonder of Kramies’ “Social Light”

Juice Mazelee © Dennis Thompson & Jeremiah Fristoe
Columns, Music, Today's SongApril 17, 2024<April 17, 2024

“A thug praying for some change”: Chicago’s Juice Mazelee Charts His Turbulent Coming-of-Age on “WISH N A PRAYER”

Leo © Claire Giuffre
Debut, Features, Interviews, Music, Track-by-TrackApril 16, 2024<April 16, 2024

‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP

Brother Bird © Chris Bauer
Features, Interviews, Music, Track-by-TrackApril 16, 2024<April 16, 2024

“I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’

Dust, Pt. 1 - Say Lou Lou
Columns, Music, Today's SongApril 15, 2024<April 15, 2024

“We’re bringing sexy back”: Say Lou Lou Explore Intimate, Unfulfilled Desires in “Dust,” a Hot & Sweaty Alt-Pop Seduction

Humbird © Juliet Farmer
Features, Interviews, Music, Track-by-TrackApril 12, 2024<April 12, 2024

“We could be a break in the chain”: Humbird’s ‘Right On’ Is an Honest, Playful, & Weathered Midwestern Reverie

Heron - Alice Merton
Features, Interviews, Music, Track-by-TrackApril 12, 2024<April 14, 2024

“I want to try everything all at once”: Alice Merton Leans into Change on ‘Heron,’ a Radiant Record of Inner Transformation

Ginger Winn © Alyssa Mancini
Columns, Debut, Music, Today's SongApril 11, 2024<May 1, 2024

“One day I made a wish…”: Ginger Winn Basks in Sweet Dreams on Debut Single “Super 8”

The Ballroom Thieves © Meredith Brockington
Features, Interviews, Music, Premieres, Track-by-TrackApril 11, 2024<April 11, 2024

“My joy breaks windows”: The Ballroom Thieves Shine Bright on ‘Sundust,’ a Tender Album of Love, Healing, & the Human Experience

Dom Malin © Taylor Olson
Music, PremieresApril 11, 2024<April 11, 2024

“Out the darkness, a burning flame”: Midlands Singer/Songwriter Dom Malin Weathers the Storm in “Hurricane,” a Song of Love & Perseverance

Hope Tala © Erica Devin Snyder
Music, Reviews, This Just InApril 11, 2024<April 11, 2024

“Opening my heart ’til the thing is messy”: Hope Tala’s “I Can’t Even Cry” Aches With Love’s Pain & Shines With Its Beauty

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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