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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Konradsen © Marthe Thu
Features, Interviews, Music, Track-by-TrackMarch 12, 2024<March 12, 2024

Track-by-Track: Konradsen’s Sophomore LP ‘Michael’s Book on Bears’ Is a Cathartic, Shiver-Inducing Nordic Dreamscape

Abby Holliday © Samuel Greenhill
Columns, Music, Today's SongMarch 12, 2024<March 12, 2024

“Don’t turn out the light when I’m in the room”: The Infinite Ache of “Immortal,” Abby Holliday’s Gut-Wrenching Love Song

bog berries © Cooper Evello
Columns, Music, Today's SongMarch 4, 2024<June 20, 2024

“I didn’t expect to be alone this much”: The Gut-Wrenching Vulnerability of bog berries’ Wistful “Nobody Told Me”

Francis of Delirium © Holly Whitaker
Debut, Features, Interviews, MusicFebruary 28, 2024<February 28, 2024

“I hope the song encourages people to let each other in”: Francis of Delirium Is a Lighthouse of Love, Support, & Cathartic Indie Rock

The Mysterines "Stray"
Columns, Music, Today's SongFebruary 28, 2024<February 28, 2024

“Can we just rewind back?”: “Stray” Is The Mysterines’ Achingly Intense, Emotionally Charged Alt-Rock Fever Dream

piggy bank - sly jr
Debut, Interviews, MusicFebruary 26, 2024<February 26, 2024

“Life’s not all bad when I really think”: A Conversation With Sly Jr., Son of Sly

Linn Koch-Emmery © Rory Cole
Columns, Music, Today's SongFebruary 26, 2024<February 26, 2024

“How in the world can we go on?”: Trauma, Grief, & the Raw Ache of Linn Koch-Emmery’s “Ebay Armour”

Speedrun © 2024
Debut, Features, Interviews, Music, Track-by-TrackFebruary 26, 2024<February 26, 2024

Love’s Latest News: Brooklyn’s Speedrun Debuts With a Nostalgic, Introspective, & Electric Indie Rock Reverie

Kareen Lomax © Daniel Wooden
Columns, Music, Today's SongFebruary 23, 2024<February 23, 2024

“My whole life is the proof, live the life that I choose”: Kareen Lomax’s “Remedy” Is an Alt-R&B Self-Love Anthem

Hana Eid 'I Exist Because You Say So' © 2024
Debut, Features, Interviews, Music, Track-by-TrackFebruary 23, 2024<February 23, 2024

“The whole point, to me, is to make somebody feel seen”: Hana Eid Exposes Life’s Cracks on ‘I Exist Because You Say So,’ Her Gut-Wrenching Coming-of-Age Debut

TEE "getaway" © Tamiym Cader
Artist to Watch, Features, Interviews, MusicFebruary 23, 2024<February 23, 2024

“Hold your ground before it swallows you whole”: UK Artist-to-Watch TEE Is Unpacking Emotion, One Song at a Time

flor's Zach Grace (vocals, guitar), Dylan Bauld (bass), and Kyle Hill (drums) © Paige MacDonald
Columns, Music, Today's SongFebruary 22, 2024<February 22, 2024

“How did you get my world to spin again?”: flor Shine on “Same Color as the Sun,” a Radiant Anthem of Love & Light

The Staves "I'll Never Leave You Alone" © Harvey Pearson
Columns, Music, Today's SongFebruary 21, 2024<February 21, 2024

The Staves’ “I’ll Never Leave You Alone” Is a Beautiful Folk Song of Identity, Acceptance, and the Multitudes Within Us

Varsity © Clare Byrne
Features, Interviews, Music, Track-by-TrackFebruary 21, 2024<February 21, 2024

Track-by-Track: Varsity Measure a Year in the Life With ‘Souvenirs,’ Their Sweeping & Soaring 4th Album

Hans Williams © Hank Miller
Debut, Features, Interviews, MusicFebruary 20, 2024<February 20, 2024

“Under my skin is where you hide”: Hans Williams on Overcoming Imposter Syndrome, His Debut EP, & Folk Music’s Renaissance

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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
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  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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