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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Gizmo Varillas © Gati Varillas
Music, Reviews, This Just InApril 25, 2024<April 24, 2024

Gizmo Varillas’ Dreamy “Ojos Nuevos” Is an Achingly Beautiful Rite of Passage & Spiritual Cleanse

THEM © Ericka Clevenger
Columns, Music, Today's SongApril 24, 2024<April 24, 2024

Today’s Song: Seattle’s THEM Emerge With a Grunge-Laced Pop/Rock Fervor on “Can’t Call It Mine”

Joh Chase © Shervin Lainez
Features, Interviews, Music, Premieres, Track-by-TrackApril 24, 2024<April 24, 2024

Track-by-Track: Joh Chase’s Triumphant & Liberating ‘SOLO’ Album Is a Record of Connection, Self-Assurance, & Life Lived to the Fullest

Ginger Winn "Frosting" © Adrianna Newell
Debut, Music, Music Videos, PremieresApril 24, 2024<April 24, 2024

“Pour honey in their ears”: Retired Pastry Chef Ginger Winn’s Sweet Dreams Come True in “Frosting”

Jordan Lindley "Sometime Someday" © Lindsey Torres
Music, PremieresApril 24, 2024<April 24, 2024

“I hope life has plans for us”: Jordan Lindley Premieres “Sometime Someday,” His Angsty, Restless Song of Ignorant Acceptance

WRKHOUSE © Cara Kealy
Debut, Features, Interviews, Music, Track-by-TrackApril 23, 2024<April 23, 2024

“Yn Byw a Bod”: Welsh Band WRKHOUSE Come Alive on Debut EP ‘Out of the Blue,’ a Dreamy, Exhilarating Indie Rock Reverie

BEL © SJ Spreng
Columns, Interviews, Music, Today's SongApril 23, 2024<April 23, 2024

“Nos despedimos felices”: Basking in the Sweet Heat of BEL’s Dreamy Spanglish Breakup Anthem

Yvonne Ambree © Rosie Cohe
Music, Music Videos, PremieresApril 23, 2024<April 23, 2024

“The night is her thief”: Yvonne Ambrée Premieres Her Intimately Unsettling “Thieves,” a Soul-Stirring, Shiver-Inducing Seduction

Nick Folwarczny © William Wark
Columns, Music, Today's SongApril 22, 2024<April 22, 2024

Today’s Song: Singer/Songwriter Nick Folwarczny’s “Long, Long While” Is a Heavy Folk-Stained Heartache

Asha Jefferies © Jax Oliver
Debut, Features, Interviews, Music, Track-by-TrackApril 19, 2024<April 19, 2024

“I had to give up to start again”: Asha Jefferies Is Unleashed & Empowered on Triumphant Debut Album ‘Ego Ride’

Pillow Queens © Martyna Bannister
Features, Interviews, Music, Track-by-TrackApril 19, 2024<April 19, 2024

“Stand for the encore of Sisyphus’ sigh”: Pillow Queens’ ‘Name Your Sorrow’ Is a Heavy, Sweaty, & Seductive Indie Rock Reverie

Hank Heaven © Danica Robinson
Columns, Music, Today's SongApril 18, 2024<April 18, 2024

“Shining a light on the shadow self”: Hank Heaven’s “Plan 2” Preaches Empathy With a Tender Indie Twang

Essence Martins © Lorraine Khamali
Debut, Features, Interviews, Music, Music VideosApril 18, 2024<April 18, 2024

‘Deer in the Headlights’: Essence Martins’ Inner Light Shines on Her Introspective, Ethereal, & Thought-Provoking Debut EP

Cat Ryan © Will Copley
Debut, Features, Interviews, Music, Track-by-TrackApril 18, 2024<April 18, 2024

Track-by-Track: Cat Ryan Debut With a Sweet Heat in ‘King of the World,’ Their Fun & Frisky Debut EP

Stephanie Lambring © Alysse Gafkjen
Music, Music Videos, PremieresApril 18, 2024<April 18, 2024

Premiere: Stephanie Lambring’s Haunting “Cover Girl” Reckons with Dysmorphia, Authenticity, & the Pressures of Social Media

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Recent Posts

  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
  • “I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love” May 11, 2026
  • “I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’ May 11, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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