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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Sydney Sprague © Tyler Ann
Columns, Music, Today's SongSeptember 21, 2024<September 21, 2024

“Grab at the string, pull at the end”: Sydney Sprague’s Spirited Self-Soothing Anthem “i tried my best” ft. Kevin Devine

Joan & the Giants "Feels Like Heartache" © 2024
Columns, Music, Today's SongSeptember 20, 2024<September 20, 2024

Joan & the Giants Pull Us in on “Feels Like Heartache,” a Brutally Honest Song of Love, Loss, & Longing

Wilderado © Cassidy Mandel
Features, Interviews, Music, Track-by-TrackSeptember 20, 2024<October 5, 2024

Track-by-Track: Wilderado Embrace Intentionality on ‘Talker,’ Their Spirited & Soul-Stirring Sophomore Album

Lily Kershaw © Cort Wilson
Features, Interviews, Music, Track-by-TrackSeptember 18, 2024<September 18, 2024

Feature: Lily Kershaw Unpacks Depression, ‘Pain & More’ on Her Honest, Intimate, & Revealing Third Album

Rodeo Parade © 2024
Artist to Watch, Music, PremieresSeptember 18, 2024<September 18, 2024

“Strangers in another life fell hard at the right time”: Rodeo Parade’s Heart Shines on “Seasons Waiting,” a Timeless Love Song of Warmth, Wonder, & Sweet Romance

Ziyad Al-Samman © Austn Fischer
Music, PremieresSeptember 18, 2024<September 18, 2024

Premiere: London’s Ziyad Al-Samman Breaks Out With a “Bang” of Love, Madness, & Disco Pop Flare

Dino Expedition © Riley Natalova
Music, PremieresSeptember 18, 2024<September 18, 2024

“My skin was blue, but that’s okay”: Brooklyn’s Dino Expedition Premiere “Marie,” an Aching Indie Folk Song of Trauma, Innocence, & Trust Betrayed

'Light Sides' EP art - Angie McMahon
Artist to Watch, Columns, Music, ReviewsSeptember 18, 2024<September 18, 2024

“Breaking this open meant starting a riot”: Angie McMahon’s “Untangling” Is a Masterclass in Cinematic Vulnerability

COIN © Phoenix Johnson
Features, Interviews, MusicSeptember 13, 2024<September 27, 2024

“The most personal is the most universal”: COIN’s ‘I’m Not Afraid of Music Anymore’ Is a Triumph of Love, Vulnerability, & Self-Acceptance

Charli Adams "Airlifter" © Kylie Rebecca
Columns, Interviews, Music, Today's SongSeptember 13, 2024<September 13, 2024

Interview: Charli Adams’ Inner Light Shines on “Airlifter,” an Anthem of Love, Friendship, & Showing Up for Others

Awksymoron © Jesse Baumes
Music, PremieresSeptember 12, 2024<September 12, 2024

“All Bets Are Off”: Brooklyn’s Awksymoron Premiere a Hopeful Ode to Life, Friendship, & Uncertainty

Amanda Bergman © Julia Mård
Columns, Music, Today's SongSeptember 12, 2024<October 9, 2024

“The sky isn’t only smoke, child”: The Heartfelt Hope & Dreamy Heat of Amanda Bergman’s “All Over Town”

Devarrow © 2024
Features, Interviews, Music, Track-by-TrackSeptember 6, 2024<September 6, 2024

‘A Long & Distant Wave’: Devarrow Embraces Life’s Ebbs and Flows With Sweet, Seductive, Soul-Stirring Folk

Wax Owls © Nina Ripich
Debut, Features, Interviews, Music, Track-by-TrackSeptember 6, 2024<September 6, 2024

“Give a weight for hope”: LA’s Wax Owls Weave Reflective & Vulnerable Indie Folk Reveries on Debut EP ‘Cowboy Cologne’

Trace Mountains © Alyx Soard
Columns, Music, Today's SongSeptember 5, 2024<September 5, 2024

“A burning desire”: Basking in the Sweet, Sweaty Heat of Trace Mountains’ 7-Minute Reverie, “In a Dream”

Posts pagination
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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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