• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Aileen Goos

Aileen Goos

Aileen Goos is a journalist and lifelong music fan who loves telling the stories of the voices behind the songs. One of her fondest memories is listening to records on her grandparents’ old hi-fi, singing and dancing along to the skips and scratches of well-worn vinyl. She didn’t know it then, but those moments would lead her into the spotlight – auditioning for the Mini-Pops as a tween, landing a spot in a Canadian kids’ singing group with a spirited rendition of “Twinkle, Twinkle, Little Star,” and later becoming a runner-up in MuchMusic’s national VJ talent search fresh out of high school. When she’s not mapping out her next concert adventure, you’ll find her practicing Taiko drums or poring over lyrics that capture the heart and soul of a song.

Folk Bitch Trio © Copper Taylor-Bogaars
Debut, Features, Interviews, MusicJuly 28, 2025<July 29, 2025

Interview: Folk Bitch Trio’s Debut Delivers Gutsy Lyrics and Gorgeous Harmonies

Bella Rios 'Right Now' EP © Shervin Lainez
Features, Interviews, MusicJuly 25, 2025<July 25, 2025

Interview: Bella Rios Finds Her Voice in ‘Right Now,’ a Pop-Rock Diary of Growing Up and Letting Go

Blair Davie "Crashing the Car" © 2025
Columns, Music, Today's SongJuly 25, 2025<July 25, 2025

Today’s Song: “Crashing The Car” and Falling into Love with Blair Davie’s Intimate New Single

Cautious Clay © Travys Owen
Features, Interviews, MusicJuly 15, 2025<July 15, 2025

No Rush: Cautious Clay Slows Down on ‘The Hours’

Mose Wilson © Justin Hughes
Interviews, Music, PremieresJuly 15, 2025<July 15, 2025

“That’s Love”: Mose Wilson’s Unvarnished Take on Love and Life

Sons of Legion © 2025
Interviews, MusicJuly 8, 2025<July 8, 2025

Sons of Legion: Authenticity in the Eye of the Storm

John Muirhead © Moira Ijzerman
Interviews, MusicJuly 1, 2025<July 1, 2025

Big-Hearted Songs for Dreamers: John Muirhead on Connection, Community, and the Road Ahead

The Heartstrings Project © 2025
Columns, Interviews, Music, Today's SongJuly 1, 2025<July 1, 2025

Interview: The Heartstrings Project Finds Freedom in Motion with Reflective New Single “30”

Felicity © Hannah Gray Hall
Columns, Interviews, Music, Today's SongJune 26, 2025<June 26, 2025

Felicity Serves Up Heartbreaking Realization With a Wink in “I’ll Have What He’s Having”

Charles Kelley 'Songs for a New Moon' © Harper Smith
Features, Interviews, MusicJune 25, 2025<June 25, 2025

From Synths to Sobriety: Charles Kelley’s ‘Songs for a New Moon’ Marks a Fearless New Era

William Beckmann © Connor Robertson
Features, Interviews, MusicJune 20, 2025<June 20, 2025

Interview: William Beckmann on ‘Whiskey Lies & Alibis’ and the Art of Honest Songwriting

Waylon Wyatt 'Out of the Blue' © Cole Silberman
Interviews, MusicJune 6, 2025<June 6, 2025

Interview: From Small Town to Spotlight, Waylon Wyatt’s Unlikely Rise to Country Music Fame

AGE of the BEAR © Nicole Liantonio
Columns, Music, Today's SongJune 4, 2025<June 4, 2025

Today’s Song: AGE of the BEAR’s “Point of View” Is a Search for Understanding Between Doubt & Purpose

Glass Tiger © 2025
Columns, Music, Today's SongMay 27, 2025<May 27, 2025

Glass Tiger’s “Canada’s Song” Is a Declaration of True Patriot Love

Lostboycrow © Ty Frost & Harrison Donchez
Interviews, Music, Track-by-TrackMay 21, 2025<May 21, 2025

Track-by-Track: From Cool Goths to Childhood Friends, Lostboycrow’s ‘The Sound of God Laughing’ Is an Album of Stories

Posts pagination
1 2 3 4

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services