• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Atwood Magazine Staff

Atwood Magazine Staff

Atwood Magazine's Weekly Roundup | October 7, 2024
Columns, Features, Music, Weekly RoundupOctober 7, 2024<October 26, 2024

Atwood Magazine’s Weekly Roundup: October 7, 2024

Atwood Magazine's Weekly Roundup | October 1, 2024
Columns, Features, Music, Weekly RoundupOctober 1, 2024<October 4, 2024

Atwood Magazine’s Weekly Roundup: October 1, 2024

Atwood Magazine's Best Albums of 2024 (So Far)
Features, Lists, MusicSeptember 30, 2024<December 4, 2025

The Best Albums of 2024 (So Far)

Atwood Magazine's Weekly Roundup | September 23, 2024
Columns, Features, Music, Weekly RoundupSeptember 23, 2024<September 24, 2024

Atwood Magazine’s Weekly Roundup: September 23, 2024

Chappell Roan's 'The Rise and Fall of a Midwest Princess' © Ryan Lee Clemens
Debut, Features, Music, Reviews, RoundtableSeptember 23, 2024<September 23, 2024

Roundtable Discussion: Chappell Roan’s ‘The Rise and Fall of a Midwest Princess’ Turns 1

beabadoobee 'This Is How Tomorrow Moves' © Jules Moskovtchenko
Features, Music, Reviews, RoundtableSeptember 20, 2024<September 24, 2024

Roundtable Discussion: A Review of beabadoobee’s ‘This Is How Tomorrow Moves’

Atwood Magazine's Weekly Roundup | September 16, 2024
Columns, Features, Music, Weekly RoundupSeptember 16, 2024<September 18, 2024

Atwood Magazine’s Weekly Roundup: September 16, 2024

Romance - Fontaines D.C.
Features, Music, Reviews, RoundtableSeptember 10, 2024<September 10, 2024

Roundtable Discussion: A Review of Fontaines D.C.’s ‘Romance’

Atwood Magazine's Weekly Roundup | September 9, 2024
Columns, Features, Music, Weekly RoundupSeptember 10, 2024<September 11, 2024

Atwood Magazine’s Weekly Roundup: September 9, 2024

Short n’ Sweet - Sabrina Carpenter
Features, Music, Reviews, RoundtableSeptember 4, 2024<September 4, 2024

Roundtable Discussion: A Review of Sabrina Carpenter’s ‘Short n’ Sweet’

Atwood Magazine's Weekly Roundup | September 2, 2024
Columns, Features, Music, Weekly RoundupSeptember 2, 2024<September 4, 2024

Atwood Magazine’s Weekly Roundup: September 2, 2024

Atwood Magazine's Weekly Roundup | August 26, 2024
Columns, Features, Music, Weekly RoundupAugust 26, 2024<August 29, 2024

Atwood Magazine’s Weekly Roundup: August 26, 2024

Bando Stone and the New World - Childish Gambino
Music, Reviews, RoundtableAugust 22, 2024<August 22, 2024

Roundtable Discussion: A Review of Childish Gambino’s ‘Bando Stone and the New World’

Atwood Magazine's Weekly Roundup | August 19, 2024
Columns, Features, Music, Weekly RoundupAugust 19, 2024<August 21, 2024

Atwood Magazine’s Weekly Roundup: August 19, 2024

Atwood Magazine's Weekly Roundup | August 12, 2024
Columns, Features, Music, Weekly RoundupAugust 12, 2024<August 14, 2024

Atwood Magazine’s Weekly Roundup: August 12, 2024

Posts pagination
1 … 4 5 6 7 8 … 40

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services