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Beau Hayhoe

Beau Hayhoe

Beau is a Brooklyn-based freelance writer covering music, menswear, whiskey, craft beer and more. Beau's work has appeared at outlets like SPIN, MTV.com, Esquire.com, Maxim and more. He's interviewed artists ranging from Brandon Flowers of The Killers to Aaron Dessner of The National.

Outside Lands 2021
Festival, Music, ReviewsNovember 4, 2021<November 16, 2021

Review: Outside Lands 2021 Delivers on the Hype as the Year’s Best Festival

Outside Lands © Betsy Newman
Festival, Music, PreviewsOctober 26, 2021<November 16, 2021

Festival Preview: The Best Can’t-Miss Acts to See This Weekend at Outside Lands 2021

Future Islands © Beau Hayhoe
Concerts, Music, ReviewsSeptember 28, 2021<March 2, 2025

Future Islands Deliver Impassioned Synth Pop Amidst a Joyous Return to Live Music at Governors Ball 2021

Daisy Abrams © 2021
Music, PremieresSeptember 21, 2021<November 16, 2021

Premiere: Daisy Abrams Tackles Depression & Purpose on “The Early Riser”

We Were Promised Jetpacks © Euan Robertson 8.3
Music, Our Take, ReviewsSeptember 10, 2021<November 16, 2021

Our Take: We Were Promised Jetpacks Lift Off Once Again on Evolved 5th Album ‘Enjoy the View’

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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