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Christine Buckley

Christine Buckley

Christine is a Connecticut-based writer and periodic photographer who loves music because it helps her feel things. She’s a writer in higher education during the day and on weekends can be found hiking New England with her kids, who she allows to listen to her music as long as they don’t use curse words in school. Follow her on Instagram at @crcbuck.

Audrey Nuna © Leeay
Features, Interviews, MusicOctober 18, 2024<October 18, 2024

“It’s about tenderness and toughness”: The Duality of Audrey Nuna’s Sophomore Album, ‘TRENCH’

Nothing But Thieves © Mariah Senecal Reilly
Concerts, Music, ReviewsOctober 17, 2024<October 17, 2024

Live Review: Nothing But Thieves Astound New York at The Rooftop at Pier 17

The Scarlet Opera © Carianne Older
Features, Interviews, MusicOctober 15, 2024<October 15, 2024

“We can make anything a great moment live”: The Scarlet Opera on “Heaven Is a Place on Earth” and Their Evolving Sound

Noga Erez © Dudi Hasson
Features, Interviews, MusicSeptember 20, 2024<September 20, 2024

“I’m proud of how uncompromising it is”: Noga Erez on Her Monster Alt-Pop Album, ‘The Vandalist’

Wunderhorse © Christine Buckley
Concerts, Music, ReviewsSeptember 17, 2024<September 17, 2024

Live Review: Wunderhorse Deliver on the Hype at Brooklyn’s Union Pool

Fiona-Lee "Nothing Compares To Nineteen" © Flower Up
Artist to Watch, Columns, Music, Today's SongSeptember 11, 2024<September 11, 2024

“He said boys didn’t talk about feelings”: A Vulnerable Rock Confession on Fiona-Lee’s “Nothing Compares to Nineteen”

Wunderhorse © Polocho
Features, Interviews, MusicAugust 27, 2024<September 29, 2024

“There was magic, like alchemy, in the air”: Wunderhorse’s Jacob Slater on the Band’s Perfectly Unrefined Second LP, ‘Midas’

Petty Country: A Country Music Celebration of Tom Petty 8.9
Music, Our Take, ReviewsJuly 9, 2024<July 9, 2024

A Heartfelt Heartbreakers Homage: ‘Petty Country (A Country Music Celebration of Tom Petty)’ Hits Home

I Wonder If The World Knows? - The K's 8.7
Music, Our Take, ReviewsApril 24, 2024<April 24, 2024

“We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’

Maybird © Madelyn Bradt
Columns, Music, Today's SongApril 5, 2024<April 5, 2024

Today’s Song: Maybird’s “Carry Me Away” Sweeps Us Up into Sparkling Psych-Pop Bliss

Aoife O'Donovan © Sasha Israel 8.7
Music, ReviewsMarch 29, 2024<March 29, 2024

Review: Aoife O’Donovan Grasps the American Woman’s History of Power & Trauma on ‘All My Friends’

Recent Posts

  • Roundtable Discussion: A Review of Madonna’s ‘CONFESSIONS II’ October 16, 2026
  • “I Didn’t Realize I Could Just Be a Sandwich”: Chammeili on Imagination, Identity, and Releasing on Instinct October 16, 2026
  • Atwood Magazine’s Weekly Roundup: October 16, 2026 October 16, 2026
  • “The Sun Is Like a Garment”: Spring Term Blooms into a Radiant Era of Love & Possibility with “Jacaranda,” a Kaleidoscopic Indie Pop Fever Dream October 16, 2026
  • “As Long as We Keep Going Back to Each Other”: hey, nothing on Friendship, Burnout & Their Hard-Won Debut Album, ‘Hound’ October 15, 2026
  • Live Review: Laundry Day’s Shows Are Larger Than Life October 15, 2026
  • Live Review: The Hayley Williams Show Takes Center Stage at the Hollywood Bowl Just Hours After Receiving an Unwanted Message From the DHS October 15, 2026
  • “At the Intersection of Smart and Stupid”: Nashville’s Big Guy & The Very Large Men Celebrates the Glorious Mess of Being Alive Through Dreamy, Campy, Y’allternative Songs October 15, 2026
  • “Everything Is an Opera Around Me”: Charlene Kaye Crowns Herself King Mei Mei on “Slow Strobe Light,” a Volcanic Debut Fueled by Heartbreak & Hard-Won Freedom October 15, 2026
  • “A Big Joyful Loud Mess”: Stella Dunai Finds the Courage to Connect on “Move on!” October 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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