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Christine Buckley

Christine Buckley

Christine is a Connecticut-based writer and periodic photographer who loves music because it helps her feel things. She’s a writer in higher education during the day and on weekends can be found hiking New England with her kids, who she allows to listen to her music as long as they don’t use curse words in school. Follow her on Instagram at @crcbuck.

Audrey Nuna © Leeay
Features, Interviews, MusicOctober 18, 2024<October 18, 2024

“It’s about tenderness and toughness”: The Duality of Audrey Nuna’s Sophomore Album, ‘TRENCH’

Nothing But Thieves © Mariah Senecal Reilly
Concerts, Music, ReviewsOctober 17, 2024<October 17, 2024

Live Review: Nothing But Thieves Astound New York at The Rooftop at Pier 17

The Scarlet Opera © Carianne Older
Features, Interviews, MusicOctober 15, 2024<October 15, 2024

“We can make anything a great moment live”: The Scarlet Opera on “Heaven Is a Place on Earth” and Their Evolving Sound

Noga Erez © Dudi Hasson
Features, Interviews, MusicSeptember 20, 2024<September 20, 2024

“I’m proud of how uncompromising it is”: Noga Erez on Her Monster Alt-Pop Album, ‘The Vandalist’

Wunderhorse © Christine Buckley
Concerts, Music, ReviewsSeptember 17, 2024<September 17, 2024

Live Review: Wunderhorse Deliver on the Hype at Brooklyn’s Union Pool

Fiona-Lee "Nothing Compares To Nineteen" © Flower Up
Artist to Watch, Columns, Music, Today's SongSeptember 11, 2024<September 11, 2024

“He said boys didn’t talk about feelings”: A Vulnerable Rock Confession on Fiona-Lee’s “Nothing Compares to Nineteen”

Wunderhorse © Polocho
Features, Interviews, MusicAugust 27, 2024<September 29, 2024

“There was magic, like alchemy, in the air”: Wunderhorse’s Jacob Slater on the Band’s Perfectly Unrefined Second LP, ‘Midas’

Petty Country: A Country Music Celebration of Tom Petty 8.9
Music, Our Take, ReviewsJuly 9, 2024<July 9, 2024

A Heartfelt Heartbreakers Homage: ‘Petty Country (A Country Music Celebration of Tom Petty)’ Hits Home

I Wonder If The World Knows? - The K's 8.7
Music, Our Take, ReviewsApril 24, 2024<April 24, 2024

“We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’

Maybird © Madelyn Bradt
Columns, Music, Today's SongApril 5, 2024<April 5, 2024

Today’s Song: Maybird’s “Carry Me Away” Sweeps Us Up into Sparkling Psych-Pop Bliss

Aoife O'Donovan © Sasha Israel 8.7
Music, ReviewsMarch 29, 2024<March 29, 2024

Review: Aoife O’Donovan Grasps the American Woman’s History of Power & Trauma on ‘All My Friends’

Recent Posts

  • Today’s Song: Alex Warren and Jelly Roll Unleash a Generational Battle Cry with “Bloodline” June 22, 2025
  • Editor’s Picks 125: NoMBe, Sheléa, Nectar Woode, Nxdia, Jahnah Camille, & Hannah Jadagu! June 20, 2025
  • Interview: William Beckmann on ‘Whiskey Lies & Alibis’ and the Art of Honest Songwriting June 20, 2025
  • “This little dove is tired”: BODHI Reckons with Burnout, Self-Sabotage & Survival in a Soul-Baring Confessional June 19, 2025
  • “Brutal, Beautiful, & Reborn”: Love, Alexa Premieres Her Soul-Stirring ‘Spring Cleaning’ EP, a Journey of Reclamation, Renewal, & Release June 18, 2025
  • Premiere: Chicago’s Wide Orbit Shine Bright on “Buddy,” a Jangly, Feel-Good Ode to People, Pets, & Sticking Together June 18, 2025
  • “Why Write a Song?”: An Essay by Wingtip’s Nick Perloff-Giles June 18, 2025
  • Governors Ball 2025: From Role Model & Conan Gray’s Kiss to Hozier’s Speech on Democracy, Olivia Rodrigo’s Iconic Set, & More! June 18, 2025
  • “Her name is June”: DE’WAYNE Struts into a Bold New Era with an Anthem of Love, Liberation, & Seductive Swagger June 18, 2025
  • “A New Beginning”: The Head and the Heart Let the Light in on ‘Aperture,’ an Intrepid Album of Hope, Freedom, & Human Connection June 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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