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Christine Buckley

Christine Buckley

Christine is a Connecticut-based writer and periodic photographer who loves music because it helps her feel things. She’s a writer in higher education during the day and on weekends can be found hiking New England with her kids, who she allows to listen to her music as long as they don’t use curse words in school. Follow her on Instagram at @crcbuck.

Audrey Nuna © Leeay
Features, Interviews, MusicOctober 18, 2024<October 18, 2024

“It’s about tenderness and toughness”: The Duality of Audrey Nuna’s Sophomore Album, ‘TRENCH’

Nothing But Thieves © Mariah Senecal Reilly
Concerts, Music, ReviewsOctober 17, 2024<October 17, 2024

Live Review: Nothing But Thieves Astound New York at The Rooftop at Pier 17

The Scarlet Opera © Carianne Older
Features, Interviews, MusicOctober 15, 2024<October 15, 2024

“We can make anything a great moment live”: The Scarlet Opera on “Heaven Is a Place on Earth” and Their Evolving Sound

Noga Erez © Dudi Hasson
Features, Interviews, MusicSeptember 20, 2024<September 20, 2024

“I’m proud of how uncompromising it is”: Noga Erez on Her Monster Alt-Pop Album, ‘The Vandalist’

Wunderhorse © Christine Buckley
Concerts, Music, ReviewsSeptember 17, 2024<September 17, 2024

Live Review: Wunderhorse Deliver on the Hype at Brooklyn’s Union Pool

Fiona-Lee "Nothing Compares To Nineteen" © Flower Up
Artist to Watch, Columns, Music, Today's SongSeptember 11, 2024<September 11, 2024

“He said boys didn’t talk about feelings”: A Vulnerable Rock Confession on Fiona-Lee’s “Nothing Compares to Nineteen”

Wunderhorse © Polocho
Features, Interviews, MusicAugust 27, 2024<September 29, 2024

“There was magic, like alchemy, in the air”: Wunderhorse’s Jacob Slater on the Band’s Perfectly Unrefined Second LP, ‘Midas’

Petty Country: A Country Music Celebration of Tom Petty 8.9
Music, Our Take, ReviewsJuly 9, 2024<July 9, 2024

A Heartfelt Heartbreakers Homage: ‘Petty Country (A Country Music Celebration of Tom Petty)’ Hits Home

I Wonder If The World Knows? - The K's 8.7
Music, Our Take, ReviewsApril 24, 2024<April 24, 2024

“We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’

Maybird © Madelyn Bradt
Columns, Music, Today's SongApril 5, 2024<April 5, 2024

Today’s Song: Maybird’s “Carry Me Away” Sweeps Us Up into Sparkling Psych-Pop Bliss

Aoife O'Donovan © Sasha Israel 8.7
Music, ReviewsMarch 29, 2024<March 29, 2024

Review: Aoife O’Donovan Grasps the American Woman’s History of Power & Trauma on ‘All My Friends’

Recent Posts

  • “Dirty Hotel Blues”: Django Django and Nostalgia for Things That Weren’t Actually Good August 15, 2026
  • Editor’s Picks 163: Sebastian Schub, Aubory Bugg, Tig3r Lewis, Roe Kapara, Jack Cullen, & Marfa! August 14, 2026
  • “To Name It Is to Overpower It”: Hank Heaven Lets Their Guard Down on “Thread” and Comes Out Swinging on ‘Welterweight’ August 14, 2026
  • “We’re Just Trying to Represent Ourselves”: Sailor Honeymoon Channel Life’s Frustrations into Playful Indie-Punk Rebellion on Their Irrepressible Debut Album August 14, 2026
  • “I’ve Always Wanted to Be Chosen”: Dani Stocksdale Turns 20-Something Yearning and Uncertainty into Dreamy Indie Pop on ‘Whatever This Is’ August 14, 2026
  • “I can’t see any stars in the sky”: Phoebe Bridgers Comes Back to Earth on ‘Lost Weekend’ August 14, 2026
  • “It’s a Sick Twist of Fate and It Chills Me”: Don’t Tell Iris Wrestle with the Past’s Pull on “Through the Gate,” a Haunted Alt-Rock Reckoning August 13, 2026
  • “I Want to Be Known”: Oh Louise Debuts with Melodic Grace, Bruising Honesty, and Haunting Intimacy on “Do You Lie To Everyone” August 13, 2026
  • “I’ve Lost the Feeling of How to Be Loved by You”: Portair & Joy Williams Grieve the Slow End of Love with Haunting Indie Folk Beauty August 13, 2026
  • “I Spent My Life Feeling ‘A Little Off’”: An Essay by Kind Villain’s EV Frederick August 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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