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Christine Buckley

Christine Buckley

Christine is a Connecticut-based writer and periodic photographer who loves music because it helps her feel things. She’s a writer in higher education during the day and on weekends can be found hiking New England with her kids, who she allows to listen to her music as long as they don’t use curse words in school. Follow her on Instagram at @crcbuck.

Audrey Nuna © Leeay
Features, Interviews, MusicOctober 18, 2024<October 18, 2024

“It’s about tenderness and toughness”: The Duality of Audrey Nuna’s Sophomore Album, ‘TRENCH’

Nothing But Thieves © Mariah Senecal Reilly
Concerts, Music, ReviewsOctober 17, 2024<October 17, 2024

Live Review: Nothing But Thieves Astound New York at The Rooftop at Pier 17

The Scarlet Opera © Carianne Older
Features, Interviews, MusicOctober 15, 2024<October 15, 2024

“We can make anything a great moment live”: The Scarlet Opera on “Heaven Is a Place on Earth” and Their Evolving Sound

Noga Erez © Dudi Hasson
Features, Interviews, MusicSeptember 20, 2024<September 20, 2024

“I’m proud of how uncompromising it is”: Noga Erez on Her Monster Alt-Pop Album, ‘The Vandalist’

Wunderhorse © Christine Buckley
Concerts, Music, ReviewsSeptember 17, 2024<September 17, 2024

Live Review: Wunderhorse Deliver on the Hype at Brooklyn’s Union Pool

Fiona-Lee "Nothing Compares To Nineteen" © Flower Up
Artist to Watch, Columns, Music, Today's SongSeptember 11, 2024<September 11, 2024

“He said boys didn’t talk about feelings”: A Vulnerable Rock Confession on Fiona-Lee’s “Nothing Compares to Nineteen”

Wunderhorse © Polocho
Features, Interviews, MusicAugust 27, 2024<September 29, 2024

“There was magic, like alchemy, in the air”: Wunderhorse’s Jacob Slater on the Band’s Perfectly Unrefined Second LP, ‘Midas’

Petty Country: A Country Music Celebration of Tom Petty 8.9
Music, Our Take, ReviewsJuly 9, 2024<July 9, 2024

A Heartfelt Heartbreakers Homage: ‘Petty Country (A Country Music Celebration of Tom Petty)’ Hits Home

I Wonder If The World Knows? - The K's 8.7
Music, Our Take, ReviewsApril 24, 2024<April 24, 2024

“We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’

Maybird © Madelyn Bradt
Columns, Music, Today's SongApril 5, 2024<April 5, 2024

Today’s Song: Maybird’s “Carry Me Away” Sweeps Us Up into Sparkling Psych-Pop Bliss

Aoife O'Donovan © Sasha Israel 8.7
Music, ReviewsMarch 29, 2024<March 29, 2024

Review: Aoife O’Donovan Grasps the American Woman’s History of Power & Trauma on ‘All My Friends’

Recent Posts

  • Editor’s Picks 155: Houndmouth, Fruit Bats, Nymphlord, Aquilo, corook, & Big Sleep! May 22, 2026
  • “Our Reality Is Noisy”: April + VISTA Make Comfort Music for a World on Fire with ‘Traditional Noise,’ a Cinematic & Boundary-Breaking Debut May 21, 2026
  • “All I Get from You Is Voicemail”: Ana Grosh Cries Out for Connection on “Call Me Back,” a Soul-Soaked Anthem for the After-Party Blues May 21, 2026
  • “If it stops being fun, what are we even doing?”: DELTONA Are Turning Country Music into One Big Tailgate with “Party’s in the Back” May 21, 2026
  • ‘Mentiras’: The Hectic, Thrilling Breakup (and Romance) Playlist of Latin America May 21, 2026
  • The Last Dinner Party Welcome “Big Dog” into the World at Salt Lake City’s Kilby Block Party May 21, 2026
  • “Where the Road Was Gonna Lead Us Two”: Paul McCartney and Ringo Starr Revisit Their Liverpool Roots on “Home to Us” May 21, 2026
  • “I Have to Choose This”: Ber Lets the Good In on Her Radiant Debut Album ‘Good, Like It Should Be’ May 20, 2026
  • “How Does One Absent the Feeling?”: Sofia Wolfson’s “Obviously” Finds Whimsy & Ache in the Art of Moving On May 20, 2026
  • “You Can Play Music, and People Just Fall in Love”: Sinca on Memory, Community, AI, and Staying Human in Electronic Music May 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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