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Ciaran Short

Ciaran Short

Ciaran Short is an interdisciplinary artist, writer, and activist born and raised in NYC. His work explores New York culture and tackles issues of race and masculinity. His multifaceted creative practice stems from an interest in holistic storytelling using a multimedia approach. His writing has been featured in publications such as The Independent, Newsday, and Honeysuckle Magazine. He holds a masters degree in Media Studies from the New School and can typically be found hanging out in New York City’s Chinatown.

Speak Friend © Eden Chinn
Debut, Music, ReviewsAugust 7, 2025<August 7, 2025

Genre-Bending Duo Speak Friend Go on an Auditory Adventure with Debut EP ‘IAJAR’

ÅNGEL 004 © Eden Chinn
Concerts, Music, ReviewsApril 8, 2025<April 8, 2025

Escaping the Organized Chaos of SXSW and Embracing the DIY Spirit of Satellite Ranch

Abe the Kid, Blkchrist, & drinkabir "We Need You Karen" © 2025
Columns, Music, Today's SongMarch 20, 2025<March 20, 2025

“We Need You Karen”: Abe the Kid, Blkchrist, and drinkabir Balance Humor & Intensity on Their Collaborative Single

Spencer Katz © 2025
Interviews, Music, PhotographyFebruary 3, 2025<February 3, 2025

Seeing It All: Getting Behind the Lens With NYC Photographer Spencer “Bodega” Katz

Ciaran Short
Columns, Meet Our WritersSeptember 28, 2024<September 28, 2024

Meet Our Writers: New York’s Ciaran Short

Gosha Guppy "911 (Sex Through WhatsApp)" © Milo Hume
Interviews, Music, Music VideosSeptember 26, 2024<September 26, 2024

Musician Gosha Guppy & Filmmaker Milo Hume Join Forces to Create a Whimsical Rap Adventure About Courtship and Romance in the Age of Social Media

Dinho Dinho © Spencer Katz
Columns, Music, Today's SongAugust 3, 2024<August 3, 2024

Today’s Song: NYC Band DINHO DINHO Explores Independence & Heartbreak With New Single “Fool for Free”

Abe the Kid © 2024
Columns, Music, Today's SongJune 19, 2024<June 19, 2024

Abe the Kid & drinkabir Team Up to Consider Internal, Global Conflict in “WAR”

Recent Posts

  • “Everything Changes, and the Pain Comes From Believing That It Won’t”: Josaleigh Pollett Makes Room for Every Version of Us on “The Witness” and ‘If I Let It Quiet’ August 25, 2026
  • Turning the Page: Billie Marten on New Sounds, New Places, and Keeping Things Unfamiliar August 25, 2026
  • “Push the Envelope While Retaining the Roots”: Mayday Parade’s Brooks Betts Explores Musical Philosophies and Intentions Behind ‘Sugar’ August 25, 2026
  • “I Wanted to Paint a Picture of 2026 America”: Tristan Tritt Reckons With a Fractured American Dream on “Living The Dream” August 24, 2026
  • “Pain Can Change Its Shape But It Never Disappears”: Chicago’s Edens Reckon With Memory & Time on “Empty Details,” a Propulsive Portrait of Lives in Motion August 24, 2026
  • “It’s in the Cracks. That’s Where the Light Pours In”: Brazil’s D’Clair Chooses Love in the Face of Doubt on “Lights,” a Dreamy Indie Folk Reverie August 24, 2026
  • Editor’s Picks 164: Kam Franklin, Laz Lo, SOFY, venbee, Lottie McLeod, & Damin Tyler! August 21, 2026
  • Sturgill Simpson: The Outlaw Who Outlawed Himself August 21, 2026
  • “These Little Things… They Kind of Do Stick With Me”: For Wild Pink’s John Ross, There’s No Such Thing as an Ordinary Day on Sixth Album ‘Still Coming Down’ August 21, 2026
  • Atwood Magazine’s Weekly Roundup: August 21, 2026 August 21, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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