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Danielle Chelosky

Danielle Chelosky

demo EP - secret girl
Debut, Music, ReviewsJuly 24, 2019<July 23, 2019

Review: The Grey World of Secret Girl’s ‘demo’ EP

Secret Shame
Columns, Debut, MusicJuly 16, 2019<July 11, 2019

Today’s Song: The Distorted World in Secret Shame’s “Dark”

Parquet Courts © Vince McClellan
Concerts, Music, ReviewsJune 12, 2019<June 12, 2019

Live Review: Parquet Courts Bring Punk, Funk, and Western to a Friday Night in Woodstock

Amyl and The Sniffers Album Cover
Music, ReviewsMay 28, 2019<May 28, 2019

Review: Amyl and The Sniffers’ Self-Titled Debut Album is a Punk Masterpiece

Ruby - Mat Kerekes
Music, ReviewsApril 22, 2019<April 19, 2019

Review: Mat Kerekes Exceeds Expectations with the Tangible World in ‘Ruby’

Marianas Trench © Karolina Turek
Features, Interviews, MusicMarch 12, 2019<March 19, 2019

Building New Worlds: Marianas Trench on Their Immersive 5th Album ‘Phantoms’

Basement - 2018 - Mitchell Wojcik
Features, Interviews, MusicMarch 6, 2019<March 6, 2019

Feature: Basement’s Journey from VFW Halls to MSG

The Front Bottoms © 2019
Features, Interviews, MusicFebruary 7, 2019<February 7, 2019

Feature: The Simultaneous Looking Back and Moving Forward of The Front Bottoms

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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    • Our Take
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  • Columns
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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