• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Danielle Chelosky

Danielle Chelosky

demo EP - secret girl
Debut, Music, ReviewsJuly 24, 2019<July 23, 2019

Review: The Grey World of Secret Girl’s ‘demo’ EP

Secret Shame
Columns, Debut, MusicJuly 16, 2019<July 11, 2019

Today’s Song: The Distorted World in Secret Shame’s “Dark”

Parquet Courts © Vince McClellan
Concerts, Music, ReviewsJune 12, 2019<June 12, 2019

Live Review: Parquet Courts Bring Punk, Funk, and Western to a Friday Night in Woodstock

Amyl and The Sniffers Album Cover
Music, ReviewsMay 28, 2019<May 28, 2019

Review: Amyl and The Sniffers’ Self-Titled Debut Album is a Punk Masterpiece

Ruby - Mat Kerekes
Music, ReviewsApril 22, 2019<April 19, 2019

Review: Mat Kerekes Exceeds Expectations with the Tangible World in ‘Ruby’

Marianas Trench © Karolina Turek
Features, Interviews, MusicMarch 12, 2019<March 19, 2019

Building New Worlds: Marianas Trench on Their Immersive 5th Album ‘Phantoms’

Basement - 2018 - Mitchell Wojcik
Features, Interviews, MusicMarch 6, 2019<March 6, 2019

Feature: Basement’s Journey from VFW Halls to MSG

The Front Bottoms © 2019
Features, Interviews, MusicFebruary 7, 2019<February 7, 2019

Feature: The Simultaneous Looking Back and Moving Forward of The Front Bottoms

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services