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Danielle Chelosky

Danielle Chelosky

demo EP - secret girl
Debut, Music, ReviewsJuly 24, 2019<July 23, 2019

Review: The Grey World of Secret Girl’s ‘demo’ EP

Secret Shame
Columns, Debut, MusicJuly 16, 2019<July 11, 2019

Today’s Song: The Distorted World in Secret Shame’s “Dark”

Parquet Courts © Vince McClellan
Concerts, Music, ReviewsJune 12, 2019<June 12, 2019

Live Review: Parquet Courts Bring Punk, Funk, and Western to a Friday Night in Woodstock

Amyl and The Sniffers Album Cover
Music, ReviewsMay 28, 2019<May 28, 2019

Review: Amyl and The Sniffers’ Self-Titled Debut Album is a Punk Masterpiece

Ruby - Mat Kerekes
Music, ReviewsApril 22, 2019<April 19, 2019

Review: Mat Kerekes Exceeds Expectations with the Tangible World in ‘Ruby’

Marianas Trench © Karolina Turek
Features, Interviews, MusicMarch 12, 2019<March 19, 2019

Building New Worlds: Marianas Trench on Their Immersive 5th Album ‘Phantoms’

Basement - 2018 - Mitchell Wojcik
Features, Interviews, MusicMarch 6, 2019<March 6, 2019

Feature: Basement’s Journey from VFW Halls to MSG

The Front Bottoms © 2019
Features, Interviews, MusicFebruary 7, 2019<February 7, 2019

Feature: The Simultaneous Looking Back and Moving Forward of The Front Bottoms

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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  • Reviews
    • Our Take
    • Debuts
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    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
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