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Danielle Chelosky

Danielle Chelosky

demo EP - secret girl
Debut, Music, ReviewsJuly 24, 2019<July 23, 2019

Review: The Grey World of Secret Girl’s ‘demo’ EP

Secret Shame
Columns, Debut, MusicJuly 16, 2019<July 11, 2019

Today’s Song: The Distorted World in Secret Shame’s “Dark”

Parquet Courts © Vince McClellan
Concerts, Music, ReviewsJune 12, 2019<June 12, 2019

Live Review: Parquet Courts Bring Punk, Funk, and Western to a Friday Night in Woodstock

Amyl and The Sniffers Album Cover
Music, ReviewsMay 28, 2019<May 28, 2019

Review: Amyl and The Sniffers’ Self-Titled Debut Album is a Punk Masterpiece

Ruby - Mat Kerekes
Music, ReviewsApril 22, 2019<April 19, 2019

Review: Mat Kerekes Exceeds Expectations with the Tangible World in ‘Ruby’

Marianas Trench © Karolina Turek
Features, Interviews, MusicMarch 12, 2019<March 19, 2019

Building New Worlds: Marianas Trench on Their Immersive 5th Album ‘Phantoms’

Basement - 2018 - Mitchell Wojcik
Features, Interviews, MusicMarch 6, 2019<March 6, 2019

Feature: Basement’s Journey from VFW Halls to MSG

The Front Bottoms © 2019
Features, Interviews, MusicFebruary 7, 2019<February 7, 2019

Feature: The Simultaneous Looking Back and Moving Forward of The Front Bottoms

Recent Posts

  • Dancing Out of the Male Gaze with Paris Paloma’s “Good Girl” January 31, 2026
  • Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver! January 30, 2026
  • “All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy” January 30, 2026
  • “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History January 30, 2026
  • Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens January 29, 2026
  • “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” January 29, 2026
  • “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home January 29, 2026
  • “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ January 28, 2026
  • “If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album January 28, 2026
  • “I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too January 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • Home
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