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Emma Schoors

Emma Schoors

Emma Schoors is a Los Angeles-based music journalist specializing in artist interviews and live show coverage. Find her on Instagram @eschoors or Twitter @emmaschoors.

My Chemical Romance 'Danger Days' © Neil Krug
Features, Music, Reviews, Track-by-TrackJuly 14, 2026<July 14, 2026

Killjoys, Make Some Noise: Diving Deep into My Chemical Romance’s ‘Danger Days’

Def Leppard at Caesars Palace Residency, 2026 © Ryan Sebastyan
Concerts, Music, ReviewsFebruary 11, 2026<February 11, 2026

Live Review: Stepping Inside Def Leppard’s Monumental Caesars Palace Residency

Jerry Cantrell © Emma Schoors
Concerts, Music, ReviewsAugust 28, 2025<August 29, 2025

Live Review: Jerry Cantrell Immerses Anaheim in the Damning Beauty of ‘I Want Blood’

Sun Room © Kaden Morris
Interviews, Music, Music Videos, PremieresAugust 12, 2025<August 12, 2025

Video Premiere: Sun Room Find Cohesion in Chaos with “On Fire”

My Chemical Romance © Lindsey Byrnes
Concerts, Music, ReviewsAugust 9, 2025<August 13, 2025

Live Review: Reveling in My Chemical Romance’s Opera and Overjoy

j solomon © Peter Suski
Interviews, Music, Music Videos, Premieres, Track-by-TrackJune 24, 2025<June 24, 2025

Video Premiere: Spitting Blood & Seeing Stars with j solomon’s “RUBBER BAND”

The Killers take a bow for the last of their Caesars Palace residency shows in Las Vegas © Chris Phelps, January 25, 2025
Concerts, Music, ReviewsFebruary 6, 2025<February 6, 2025

Live Review: Making a Hot Fuss in Las Vegas With The Killers

Duff McKagan © Emma Schoors
Concerts, Music, ReviewsNovember 15, 2024<November 15, 2024

Live Review: Celebrating Love, Attitude, & Tenderness with Duff McKagan in Los Angeles

Bon Iver 'SABLE,' © 2024
Music, ReviewsOctober 28, 2024<October 28, 2024

Review: On ‘SABLE,’ Bon Iver Carves a Triptych of Truth

Catfish and the Bottlemen © 2015
Music, ReviewsSeptember 14, 2024<September 15, 2024

Looking Out from Catfish and the Bottlemen’s ‘The Balcony,’ a Decade On

Bad Nerves in LA © Miranda McDonald
Concerts, Music, ReviewsSeptember 12, 2024<September 12, 2024

“Leave It All at the Door, I’ll Show You”: Setting Los Angeles Alight With Bad Nerves

Def Leppard's Joe Elliott © Steve Thrasher / SoFi Stadium
Concerts, Music, ReviewsAugust 27, 2024<August 27, 2024

Live Review: Def Leppard, Journey, & Steve Miller Band Rock Inglewood’s SoFi Stadium

Recent Posts

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  • Editor’s Picks 163: Sebastian Schub, Aubory Bugg, Tiger Lewis, Roe Kapara, Jack Cullen, & Marfa! August 14, 2026
  • “To Name It Is to Overpower It”: Hank Heaven Lets Their Guard Down on “Thread” and Comes Out Swinging on ‘Welterweight’ August 14, 2026
  • “We’re Just Trying to Represent Ourselves”: Sailor Honeymoon Channel Life’s Frustrations into Playful Indie-Punk Rebellion on Their Irrepressible Debut Album August 14, 2026
  • “I’ve Always Wanted to Be Chosen”: Dani Stocksdale Turns 20-Something Yearning and Uncertainty into Dreamy Indie Pop on ‘Whatever This Is’ August 14, 2026
  • “I can’t see any stars in the sky”: Phoebe Bridgers Comes Back to Earth on ‘Lost Weekend’ August 14, 2026
  • “It’s a Sick Twist of Fate and It Chills Me”: Don’t Tell Iris Wrestle with the Past’s Pull on “Through the Gate,” a Haunted Alt-Rock Reckoning August 13, 2026
  • “I Want to Be Known”: Oh Louise Debuts with Melodic Grace, Bruising Honesty, and Haunting Intimacy on “Do You Lie To Everyone” August 13, 2026
  • “I’ve Lost the Feeling of How to Be Loved by You”: Portair & Joy Williams Grieve the Slow End of Love with Haunting Indie Folk Beauty August 13, 2026
  • “I Spent My Life Feeling ‘A Little Off’”: An Essay by Kind Villain’s EV Frederick August 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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