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Emma Schoors

Emma Schoors

Emma Schoors is a Los Angeles-based music journalist specializing in artist interviews and live show coverage. Find her on Instagram @eschoors or Twitter @emmaschoors.

My Chemical Romance 'Danger Days' © Neil Krug
Features, Music, Reviews, Track-by-TrackJuly 14, 2026<July 14, 2026

Killjoys, Make Some Noise: Diving Deep into My Chemical Romance’s ‘Danger Days’

Def Leppard at Caesars Palace Residency, 2026 © Ryan Sebastyan
Concerts, Music, ReviewsFebruary 11, 2026<February 11, 2026

Live Review: Stepping Inside Def Leppard’s Monumental Caesars Palace Residency

Jerry Cantrell © Emma Schoors
Concerts, Music, ReviewsAugust 28, 2025<August 29, 2025

Live Review: Jerry Cantrell Immerses Anaheim in the Damning Beauty of ‘I Want Blood’

Sun Room © Kaden Morris
Interviews, Music, Music Videos, PremieresAugust 12, 2025<August 12, 2025

Video Premiere: Sun Room Find Cohesion in Chaos with “On Fire”

My Chemical Romance © Lindsey Byrnes
Concerts, Music, ReviewsAugust 9, 2025<August 13, 2025

Live Review: Reveling in My Chemical Romance’s Opera and Overjoy

j solomon © Peter Suski
Interviews, Music, Music Videos, Premieres, Track-by-TrackJune 24, 2025<June 24, 2025

Video Premiere: Spitting Blood & Seeing Stars with j solomon’s “RUBBER BAND”

The Killers take a bow for the last of their Caesars Palace residency shows in Las Vegas © Chris Phelps, January 25, 2025
Concerts, Music, ReviewsFebruary 6, 2025<February 6, 2025

Live Review: Making a Hot Fuss in Las Vegas With The Killers

Duff McKagan © Emma Schoors
Concerts, Music, ReviewsNovember 15, 2024<November 15, 2024

Live Review: Celebrating Love, Attitude, & Tenderness with Duff McKagan in Los Angeles

Bon Iver 'SABLE,' © 2024
Music, ReviewsOctober 28, 2024<October 28, 2024

Review: On ‘SABLE,’ Bon Iver Carves a Triptych of Truth

Catfish and the Bottlemen © 2015
Music, ReviewsSeptember 14, 2024<September 15, 2024

Looking Out from Catfish and the Bottlemen’s ‘The Balcony,’ a Decade On

Bad Nerves in LA © Miranda McDonald
Concerts, Music, ReviewsSeptember 12, 2024<September 12, 2024

“Leave It All at the Door, I’ll Show You”: Setting Los Angeles Alight With Bad Nerves

Def Leppard's Joe Elliott © Steve Thrasher / SoFi Stadium
Concerts, Music, ReviewsAugust 27, 2024<August 27, 2024

Live Review: Def Leppard, Journey, & Steve Miller Band Rock Inglewood’s SoFi Stadium

Recent Posts

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  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
  • Our Take: Bolden. Take Bold Strides into Jazz Fusion with the Sleek, Sultry ‘Who you really are.’ September 29, 2026
  • “A More Open and Honest SNACKTIME”: Philadelphia Favorites Bring Their Live Energy & Widescreen Ambition to “Can’t Imagine Why You’d Stay” September 28, 2026
  • “More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything September 28, 2026
  • “My Last Breath Would Be a Poem for You”: Peter Stone Finds the Sacred in Everyday Love on “Dust Motes,” a Sun-Soaked Indie Folk Reverie September 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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