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Erin Brown

Erin Brown

I'm currently a photojournalism student at Columbia College Chicago. I love capturing the realm of humanity, and plan to do so the rest of my life through photography, writing, and travel.

Vök © Sigga Ella
Debut, Features, Interviews, MusicApril 27, 2017<April 28, 2017

Figuring It Out: Vök Discuss Music, Growth and Learning in Iceland

Jain © RCA Records
Debut, Music, Our Take, ReviewsJanuary 24, 2017<February 26, 2018

Our Take: Jain’s ZANAKA is Multidimensional, Multicultural Pop

Vök © Eygló Gísla
Columns, Music, Today's SongDecember 21, 2016<April 27, 2017

Today’s Song: Lost in the Icy Beauty of Vök’s “Show Me”

LOLO 2016 7.4
Debut, Music, Our Take, ReviewsSeptember 23, 2016<June 7, 2024

Our Take: LOLO Shines in Debut “In Loving Memory of When I Gave a Sh*t”

Sleepy Kitty is Paige Brubeck and Evan Sult // © Mr. Iozo
Features, Interviews, MusicAugust 19, 2016<August 19, 2016

Capturing Moments of Flux: A Conversation with Sleepy Kitty

ZALE performs "Onyx"
Atwood x LiveSyphon, Columns, Features, Interviews, Music, VideoJuly 26, 2016<July 26, 2016

Atwood Magazine and LiveSyphon Present: ZALE’s Alternative Sexy Rock “Onyx”

Ethos - Levitation Room
Columns, Music, Today's SongJune 6, 2016<June 6, 2016

Today’s Song: Levitation Room Addresses Societal Pitfalls with “Strangers of Our Time”

"Delilah" (The Odyssey – Chapter 8) - Florence and the Machine
Features, Music, Music Videos, ReviewsJune 2, 2016<June 2, 2016

Florence + The Machine Captivates with the Frailty and Beauty of Human Existence in “The Odyssey”

Ezra Furman
Columns, Music, Today's SongApril 26, 2016<April 26, 2016

Today’s Song: Ezra Furman Lives Life on the “Wobbly” Path

Genevieve © Erin Brown Photography
Features, Interviews, MusicApril 8, 2016<April 8, 2016

Show Your Colors: A Guide to Accepting Love and Celebrating Life with Genevieve

Aurora
Columns, Music, Today's SongMarch 30, 2016<March 28, 2016

Today’s Song: The Halcyon Refuge of Aurora’s “Through the Eyes of a Child”

Recent Posts

  • “You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’ March 13, 2026
  • “When the Song Becomes Bigger Than the Artist”: An Essay by Mia Martina for Women’s History Month March 13, 2026
  • ‘Kiss All The Time. Disco, Occasionally.’ Is Harry Styles’ Most Confident Album Yet March 13, 2026
  • “I’m a Canvas of the Place I’m In”: Hayden Everett Lets the Rain in on “Angela,” a Bittersweet Letter to Los Angeles March 13, 2026
  • Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music March 12, 2026
  • Roundtable Discussion: A Review of The Last Dinner Party’s ‘From the Pyre’ March 12, 2026
  • Dreaming in Sound: Reifier on Identity, Dreams, and the Making of ‘The Unfolding’ March 12, 2026
  • Living in the Moment with Florentenes’ Roaring Indie Rock Anthem “Madeline” March 12, 2026
  • “A Middle Finger to Music as We Know It”: Nory Embraces Tension, Recklessness & Raw Truth on ‘F**K THAT THIS THE RHYTHM’ March 11, 2026
  • You’ve Got Me Hummin’: No Hassle to Hear Early Billy Joel Melodies in New Doc, ‘And So It Goes’ March 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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