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Erin Brown

Erin Brown

I'm currently a photojournalism student at Columbia College Chicago. I love capturing the realm of humanity, and plan to do so the rest of my life through photography, writing, and travel.

Vök © Sigga Ella
Debut, Features, Interviews, MusicApril 27, 2017<April 28, 2017

Figuring It Out: Vök Discuss Music, Growth and Learning in Iceland

Jain © RCA Records
Debut, Music, Our Take, ReviewsJanuary 24, 2017<February 26, 2018

Our Take: Jain’s ZANAKA is Multidimensional, Multicultural Pop

Vök © Eygló Gísla
Columns, Music, Today's SongDecember 21, 2016<April 27, 2017

Today’s Song: Lost in the Icy Beauty of Vök’s “Show Me”

LOLO 2016 7.4
Debut, Music, Our Take, ReviewsSeptember 23, 2016<June 7, 2024

Our Take: LOLO Shines in Debut “In Loving Memory of When I Gave a Sh*t”

Sleepy Kitty is Paige Brubeck and Evan Sult // © Mr. Iozo
Features, Interviews, MusicAugust 19, 2016<August 19, 2016

Capturing Moments of Flux: A Conversation with Sleepy Kitty

ZALE performs "Onyx"
Atwood x LiveSyphon, Columns, Features, Interviews, Music, VideoJuly 26, 2016<July 26, 2016

Atwood Magazine and LiveSyphon Present: ZALE’s Alternative Sexy Rock “Onyx”

Ethos - Levitation Room
Columns, Music, Today's SongJune 6, 2016<June 6, 2016

Today’s Song: Levitation Room Addresses Societal Pitfalls with “Strangers of Our Time”

"Delilah" (The Odyssey – Chapter 8) - Florence and the Machine
Features, Music, Music Videos, ReviewsJune 2, 2016<June 2, 2016

Florence + The Machine Captivates with the Frailty and Beauty of Human Existence in “The Odyssey”

Ezra Furman
Columns, Music, Today's SongApril 26, 2016<April 26, 2016

Today’s Song: Ezra Furman Lives Life on the “Wobbly” Path

Genevieve © Erin Brown Photography
Features, Interviews, MusicApril 8, 2016<April 8, 2016

Show Your Colors: A Guide to Accepting Love and Celebrating Life with Genevieve

Aurora
Columns, Music, Today's SongMarch 30, 2016<March 28, 2016

Today’s Song: The Halcyon Refuge of Aurora’s “Through the Eyes of a Child”

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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