• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Grace Holtzclaw

Grace Holtzclaw

Grace is a Los Angeles based music journalist and band manager. She currently manages rising alt-rock band Vindigo. She got her start in music journalism in 2018 and has since grown a deep passion toward elevating artists' stories to the surface. A huge explorer and in-depth researcher of music discovery, one of her greatest thrills is breaking a brand new artist. Her favorite scene to cover is the West Coast house show circuit, profiling musicians among the likes of Foxtide, Marlon Funaki, and Subtle Orange to name a few. She is dedicated to maintaining the strong community roots at the core of live music.

LOVE UPTEMPO: MAX - Kevin Ross
Music, ReviewsOctober 6, 2025<October 6, 2025

Album Review: Kevin Ross Finds a New Depth of Passion Amidst Everyday Distractions on ‘LOVE UPTEMPO: MAX’

The Evolution of the Rose - Lil Skies
Music, ReviewsJuly 9, 2025<July 9, 2025

Review: Lil Skies Finds His Voice as an Artist Through the Lens of Fatherhood & Heartbreak on Poignant Album ‘The Evolution of the Rose’

Dosey © 2025
Interviews, MusicApril 9, 2025<April 9, 2025

“This is year 12 of me putting out music and year 1 of it starting to work”: Dosey Collects His Flowers from ‘maybe i’m just terrified’

Hana Giraldo © 2025
Columns, Music, Today's SongJanuary 14, 2025<January 14, 2025

Hana Giraldo Sizzles on Her Catwalk Commanding Anthem “Play My Sh*t (Alexa)”

Ash Gordon © 2024
Interviews, MusicOctober 8, 2024<October 8, 2024

Interview: Ash Gordon Is Elevating the Stories of Drag Artists to the Surface With Her Boundary-Pushing Songwriting

Hana Giraldo "Reputation" music video still
Columns, Music, Today's SongAugust 19, 2024<August 19, 2024

With “Reputation,” Hana Giraldo Steps into the Spotlight and Flips the Public’s Perception Upside-Down

TAVE "No More Maybes" © 2024
Columns, Debut, Music, Today's SongJuly 29, 2024<July 29, 2024

Today’s Song: TAVE Emerges With “No More Maybes,” a Dynamic Debut Single ft. India Shawn & Bibi Bourelly

D-Train
Columns, Music, Today's SongJuly 4, 2024<July 4, 2024

Today’s Song: D-Train Resurges With an Ode to Living in the Present on “Time Has Come Today”

viisi © SJ Spreng
Interviews, MusicJune 20, 2024<June 20, 2024

Interview: Remaining an Optimist Amidst Dysfunction, viisi Takes Us Inside the Relationship That Inspired New Single “paradise”

Ultra Q at the Echo 2024 © Jax Samsell
Concerts, Music, ReviewsJune 13, 2024<June 13, 2024

Live Review: Ultra Q Sell Out the Echo & Resurface Their Former Roots at Mt. Eddy for a Cathartically Chaotic Night in the Pit

Rooms With a View - Donna Lewis
Music, ReviewsMay 1, 2024<May 1, 2024

Donna Lewis Tells a Ten-Track Story of Overcoming Uncertainty on ‘Rooms With a View’

Olie Beckett © courtesy of the artist
Debut, Interviews, MusicMarch 27, 2024<March 27, 2024

“I Want Sparks to Fly”: Young Artist Olie Beckett Aims to Transform the World Around Him Through Music

Subtle Orange © Ethan Bartley
Concerts, Music, ReviewsJanuary 31, 2024<January 31, 2024

Live Review: Subtle Orange Are Taking Their Childhood Dreams to New Heights & Bringing Fans Along With Them

Kid Prexy © 2023
Columns, Music, Today's SongDecember 18, 2023<December 19, 2023

Today’s Song: Kid Prexy Strikes a Chord of Teenage Bliss on Rapturous Pop-Punk Banger “I Think That You’re Pretty”

Recent Posts

  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
  • “So What This, So What That”: Plain Mister Smith Turns Zen, Humor, & Human Messiness into Indie Rock Exhilaration on “Andy Warhol” December 2, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services