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Hermione Kellow

Hermione Kellow

Hermione is a twenty-something year old student, currently reading Music at Cambridge University where she is also President of the main University Orchestra. Having grown up surrounded by Music spending her early years backstage of theatres, she has maintained a lifelong passion for live music and discovering new, exciting Artists. Having studied classical Violin since her early years, Hermione has always been involved in musical performance and has an eclectic taste ranging from post-punk to experimental classical music. Hoping to pursue a career in A&R and music journalism, Hermione is always on the lookout for music that is interesting, fresh and a bit wacky!

The Great Escape Festival 2019
Festival, Music, ReviewsMay 27, 2019<June 5, 2019

Ones to Watch from The Great Escape Festival 2019

Everything Not Saved Will Be Lost - Part 1 - Foals
Music, Reviews, Track-by-TrackApril 5, 2019<April 5, 2019

The Long-Awaited Return of Foals: A Band Who Only Get Better with Age

Melody's Echo Chamber © Diane Sagnier
Music, ReviewsFebruary 26, 2019<February 26, 2019

Review: Melody’s Echo Chamber’s ‘Bon Voyage’, a Psychedelic Journey of Human Struggle & Self Reflection

Sam Fender © Jack Whitefield
Columns, Music, Today's SongJanuary 28, 2019<January 25, 2019

Today’s Song: Sam Fender Hits a Lyrically Poignant Sweet Spot in “Poundshop Kardashians”

OLIVIA © 2018
Columns, Debut, Music, Today's SongDecember 19, 2018<December 19, 2018

Today’s Song: OLIVIA’s Assured and Exciting Debut “Reason to Stay”

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Recent Posts

  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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    • Music You Should Know
    • Nostalgia Tracks
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