• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Isabella Appell

Isabella Appell

Isabella is a 2025 graduate of UCLA, where she studied Communications, Music Industry and Disability Studies, and is currently pursuing a graduate degree in Journalism with a specialization in Magazine and Digital Storytelling. In her free time, she enjoys covering concerts – her current favorite artists include Miniature Tigers, She & Him, Car Seat Headrest, and The Front Bottoms – as well as photography, videography and writing. Her love of music intersects every aspect of her life; she has worked with Capitol Records, The Orchard and LLC4 Records, where she worked with artists such as Pharrell Williams, Pitbull, and Kelsea Ballerini. You can find her photography and video work on Instagram at @isabellaappellmedia.

She & Him's Zooey Deschanel and M. Ward
Columns, Music, Nostalgia TracksMay 14, 2026<May 14, 2026

Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life

SAULT © 2026
Columns, Music, Today's SongApril 14, 2026<April 14, 2026

“I Walk With Love”: SAULT Explore The Beauty of Inner Peace in “Good Things Will Come After the Pressure”

Recent Posts

  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
  • “I Forgot That the World Was Real”: Cara Delevingne Reintroduces Herself as a Musician with the Volatile, Vulnerable Debut Singles “I Forgot” & “Out of My Head” June 13, 2026
  • Atwood Magazine’s Weekly Roundup: June 12, 2026 June 12, 2026
  • “The Making of ‘The Violence’”: An Essay by Darren Hayman June 12, 2026
  • Interview: Madds Buckley Sings for the Girls, Gays, and Geeks June 12, 2026
  • “I thought I found the antidote this time”: Olivia Rodrigo Unravels Heartbreak from a New Perspective on “the cure” June 12, 2026
  • Editor’s Picks 157: James Smith, Fenne Lily, Rowena Wise, Alex Izenberg, Essence Martins, & The Army, The Navy June 11, 2026
  • “Desire Me”: A Pride Month Essay by Boy Blu June 11, 2026
  • “How Much Can You Divide Time?”: Gerrard Splits the Present Open on ‘ii. How Many Seconds in a Moment?,’ a Genre-Melting Debut of Memory, Rupture, & Release June 11, 2026
  • “Panic Attack, I’m an American Psycho”: verygently Sing Through Love’s Withdrawal on “STRONGER THAN THAT,” a Smoldering Indie Folk Reckoning June 11, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services