• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Isabella Appell

Isabella Appell

Isabella is a 2025 graduate of UCLA, where she studied Communications, Music Industry and Disability Studies, and is currently pursuing a graduate degree in Journalism with a specialization in Magazine and Digital Storytelling. In her free time, she enjoys covering concerts – her current favorite artists include Miniature Tigers, She & Him, Car Seat Headrest, and The Front Bottoms – as well as photography, videography and writing. Her love of music intersects every aspect of her life; she has worked with Capitol Records, The Orchard and LLC4 Records, where she worked with artists such as Pharrell Williams, Pitbull, and Kelsea Ballerini. You can find her photography and video work on Instagram at @isabellaappellmedia.

Phillip Phillips © Sean O’Halloran
Features, Interviews, MusicJuly 6, 2026<July 6, 2026

“The Happiest Sadness I’ve Ever Felt”: Phillip Phillips on Balancing Music and Family in “Homesick”

She & Him's Zooey Deschanel and M. Ward
Columns, Music, Nostalgia TracksMay 14, 2026<May 14, 2026

Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life

SAULT © 2026
Columns, Music, Today's SongApril 14, 2026<April 14, 2026

“I Walk With Love”: SAULT Explore The Beauty of Inner Peace in “Good Things Will Come After the Pressure”

Recent Posts

  • Live Review: Eileen Carey Turns the San Diego County Fair into a Country-Rock Party July 6, 2026
  • “The Happiest Sadness I’ve Ever Felt”: Phillip Phillips on Balancing Music and Family in “Homesick” July 6, 2026
  • “The Shadow Is Holy”: WILLOW’s “She’s My Religion” Is a Mesmerizing Hymn to the Divine Feminine July 6, 2026
  • Roundtable Discussion: A Review of Melanie Martinez’s ‘HADES’ July 2, 2026
  • “Heaven’s Open and True Love Is Alive”: Selve Chase Holy Fire Through Desire & Danger on ‘Breaking Outta Heaven,’ a Liberating Escape Beyond the Gates July 2, 2026
  • “The Love Is Always There”: Winyah Chase Home, Heart, & the Cost of the Climb on “Rat Race,” a Roaring Indie Rock Anthem for Dreamers Running on Empty July 2, 2026
  • “I Took My Body to the Water”: Brooklyn Del & The Revelators Wash the Past Away on “Baptized of You,” a Seductive Desert-Country Reawakening July 1, 2026
  • Our Take: Bleachers Find Grace in Life’s Loudest and Quietest Moments in ‘everyone for ten minutes’ July 1, 2026
  • “Sorrow Is Love’s Souvenir”: Gareth Dunlop Sings Through Grief’s Ancient Ache on “Wish I Couldn’t Feel a Thing,” a Soul-Stirring Alt-R&B Reckoning July 1, 2026
  • “Roots the House Down”: A Pride Month Playlist by Matt Suave July 1, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services