• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Isabella Appell

Isabella Appell

Isabella is a 2025 graduate of UCLA, where she studied Communications, Music Industry and Disability Studies, and is currently pursuing a graduate degree in Journalism with a specialization in Magazine and Digital Storytelling. In her free time, she enjoys covering concerts – her current favorite artists include Miniature Tigers, She & Him, Car Seat Headrest, and The Front Bottoms – as well as photography, videography and writing. Her love of music intersects every aspect of her life; she has worked with Capitol Records, The Orchard and LLC4 Records, where she worked with artists such as Pharrell Williams, Pitbull, and Kelsea Ballerini. You can find her photography and video work on Instagram at @isabellaappellmedia.

She & Him's Zooey Deschanel and M. Ward
Columns, Music, Nostalgia TracksMay 14, 2026<May 14, 2026

Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life

SAULT © 2026
Columns, Music, Today's SongApril 14, 2026<April 14, 2026

“I Walk With Love”: SAULT Explore The Beauty of Inner Peace in “Good Things Will Come After the Pressure”

Recent Posts

  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
  • “I Forgot That the World Was Real”: Cara Delevingne Reintroduces Herself as a Musician with the Volatile, Vulnerable Debut Singles “I Forgot” & “Out of My Head” June 13, 2026
  • Atwood Magazine’s Weekly Roundup: June 12, 2026 June 12, 2026
  • “The Making of ‘The Violence’”: An Essay by Darren Hayman June 12, 2026
  • Interview: Madds Buckley Sings for the Girls, Gays, and Geeks June 12, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services