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Isabella Appell

Isabella Appell

Isabella is a 2025 graduate of UCLA, where she studied Communications, Music Industry and Disability Studies, and is currently pursuing a graduate degree in Journalism with a specialization in Magazine and Digital Storytelling. In her free time, she enjoys covering concerts – her current favorite artists include Miniature Tigers, She & Him, Car Seat Headrest, and The Front Bottoms – as well as photography, videography and writing. Her love of music intersects every aspect of her life; she has worked with Capitol Records, The Orchard and LLC4 Records, where she worked with artists such as Pharrell Williams, Pitbull, and Kelsea Ballerini. You can find her photography and video work on Instagram at @isabellaappellmedia.

Wasia Project © Claryn Chong
Debut, Features, Interviews, MusicSeptember 29, 2026<September 29, 2026

“The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection

Lukas Graham © Frederik Barasinski
Features, Interviews, MusicJuly 23, 2026<July 23, 2026

“I’m Writing This for Me“: Lukas Graham Returns to His Familial Roots With ‘Good Times,’ a Soulful Embrace of Slowing Down and Being Present

The Haunted Youth © 2026
Features, Interviews, MusicJuly 9, 2026<July 9, 2026

“The Whole Title Is Just Me Trying To Show Up For My Feelings”: The Haunted Youth Confronts Masculinity With Vulnerability on ‘Boys Cry Too’

Phillip Phillips © Sean O’Halloran
Features, Interviews, MusicJuly 6, 2026<July 13, 2026

“The Happiest Sadness I’ve Ever Felt”: Phillip Phillips on Balancing Music and Family in “Homesick”

She & Him's Zooey Deschanel and M. Ward
Columns, Music, Nostalgia TracksMay 14, 2026<May 14, 2026

Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life

SAULT © 2026
Columns, Music, Today's SongApril 14, 2026<April 14, 2026

“I Walk With Love”: SAULT Explore The Beauty of Inner Peace in “Good Things Will Come After the Pressure”

Recent Posts

  • A Planet Where Billionaires Reign: Leaving Graffiti’s Debut Single “Proud” Takes Aim At a Broken System October 6, 2026
  • “Shipped You Off to Practice What We Preach”: Spanish Love Songs Put the American Promise on Trial with “Good American,” a Furious Rock Anthem Reclaiming Patriotism Through Solidarity October 6, 2026
  • Taylor Swift Adds One More Act to the Show in ‘The Life of a Showgirl: The Encore’ October 6, 2026
  • Album Review: Tinashe Knows What It Costs to Make Stardom Look Too Easy on ‘Popstar’ October 6, 2026
  • “I’m Right Where I Always Wanted to Be”: Ken Yates Makes Room for Every Shade of Life on ‘Total Cinema,’ a Vibrant Portrait of a Late Bloomer in Full Bloom October 5, 2026
  • “We Have to Face the Pain to Unlock Healing”: Jeff Darko Reveals His Soul on Daring Debut ‘Heavy Water Blues,’ a Spellbinding Vision of Psychedelic Gospel October 2, 2026
  • Atwood Magazine’s Weekly Roundup: October 2, 2026 October 2, 2026
  • Interview: Dexter and the Moonrocks Let It All in on Debut Album ‘Friends That I Don’t Like’ October 2, 2026
  • “The Truth as the Mission”: The Suffers’ Kam Franklin Puts Trauma, Desire, & Defiance on the Record with ‘Land of the Neon Sun,’ Her Uncompromising Solo Debut October 1, 2026
  • Agitate, Educate, Organize: A Look Back at That Petrol Emotion’s 1987 Single “Big Decision” October 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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