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Isabella Appell

Isabella Appell

Isabella is a 2025 graduate of UCLA, where she studied Communications, Music Industry and Disability Studies, and is currently pursuing a graduate degree in Journalism with a specialization in Magazine and Digital Storytelling. In her free time, she enjoys covering concerts – her current favorite artists include Miniature Tigers, She & Him, Car Seat Headrest, and The Front Bottoms – as well as photography, videography and writing. Her love of music intersects every aspect of her life; she has worked with Capitol Records, The Orchard and LLC4 Records, where she worked with artists such as Pharrell Williams, Pitbull, and Kelsea Ballerini. You can find her photography and video work on Instagram at @isabellaappellmedia.

Lukas Graham © Frederik Barasinski
Features, Interviews, MusicJuly 23, 2026<July 23, 2026

“I’m Writing This for Me“: Lukas Graham Returns to His Familial Roots With ‘Good Times,’ a Soulful Embrace of Slowing Down and Being Present

The Haunted Youth © 2026
Features, Interviews, MusicJuly 9, 2026<July 9, 2026

“The Whole Title Is Just Me Trying To Show Up For My Feelings”: The Haunted Youth Confronts Masculinity With Vulnerability on ‘Boys Cry Too’

Phillip Phillips © Sean O’Halloran
Features, Interviews, MusicJuly 6, 2026<July 13, 2026

“The Happiest Sadness I’ve Ever Felt”: Phillip Phillips on Balancing Music and Family in “Homesick”

She & Him's Zooey Deschanel and M. Ward
Columns, Music, Nostalgia TracksMay 14, 2026<May 14, 2026

Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life

SAULT © 2026
Columns, Music, Today's SongApril 14, 2026<April 14, 2026

“I Walk With Love”: SAULT Explore The Beauty of Inner Peace in “Good Things Will Come After the Pressure”

Recent Posts

  • “I Make Pay Attention Music”: Yalee Looks Back on a Life Measured in “Paper Cups Paper Plates” July 26, 2026
  • “One More Little Life Is Starting to Bloom”: Ruti Basks in Love’s Glow on the Sun-Soaked, Summery “FLOWERS” July 24, 2026
  • “There Are These Treasures Inside My Songs”: Candice Hoyes on Preserving Black Stories Through Music and the Living Archive of Her Debut Solo Album, ‘Expecting’ July 24, 2026
  • Atwood Magazine’s Weekly Roundup: July 24, 2026 July 24, 2026
  • Editor’s Picks 161: Hollow Hand, Noonzy, Nautics, Maggie Miles, Closebye, & Flowers for the Dead! July 23, 2026
  • “The Fear and Joy of Being Seen”: Oberlin Folk Duo Frontlawn Hold Love and Loss Close on Debut Singles “Jenny Says” and “Commack” July 23, 2026
  • “I Don’t Wanna Just Be Your Girl”: Jupiter Winter Seizes Her Moment on “Golden Boy,” a Dreamy Indie Pop Reclamation of Ambition July 23, 2026
  • “I’m Writing This for Me“: Lukas Graham Returns to His Familial Roots With ‘Good Times,’ a Soulful Embrace of Slowing Down and Being Present July 23, 2026
  • “It’s a Shallow World but I’m a Big Girl Now”: Chess Smith Turns Betrayal into a Pure Pop Celebration on “I’m Dead To You (And That’s OK)” July 23, 2026
  • “Last Year Is Still All Over Me”: Soft Loft Reckon With Old Ghosts, Bad Timing, and the Gamble of Growing Up Through Restless, Radiant Indie Pop July 22, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services