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Isabella Appell

Isabella Appell

Isabella is a 2025 graduate of UCLA, where she studied Communications, Music Industry and Disability Studies, and is currently pursuing a graduate degree in Journalism with a specialization in Magazine and Digital Storytelling. In her free time, she enjoys covering concerts – her current favorite artists include Miniature Tigers, She & Him, Car Seat Headrest, and The Front Bottoms – as well as photography, videography and writing. Her love of music intersects every aspect of her life; she has worked with Capitol Records, The Orchard and LLC4 Records, where she worked with artists such as Pharrell Williams, Pitbull, and Kelsea Ballerini. You can find her photography and video work on Instagram at @isabellaappellmedia.

Lukas Graham © Frederik Barasinski
Features, Interviews, MusicJuly 23, 2026<July 23, 2026

“I’m Writing This for Me“: Lukas Graham Returns to His Familial Roots With ‘Good Times,’ a Soulful Embrace of Slowing Down and Being Present

The Haunted Youth © 2026
Features, Interviews, MusicJuly 9, 2026<July 9, 2026

“The Whole Title Is Just Me Trying To Show Up For My Feelings”: The Haunted Youth Confronts Masculinity With Vulnerability on ‘Boys Cry Too’

Phillip Phillips © Sean O’Halloran
Features, Interviews, MusicJuly 6, 2026<July 13, 2026

“The Happiest Sadness I’ve Ever Felt”: Phillip Phillips on Balancing Music and Family in “Homesick”

She & Him's Zooey Deschanel and M. Ward
Columns, Music, Nostalgia TracksMay 14, 2026<May 14, 2026

Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life

SAULT © 2026
Columns, Music, Today's SongApril 14, 2026<April 14, 2026

“I Walk With Love”: SAULT Explore The Beauty of Inner Peace in “Good Things Will Come After the Pressure”

Recent Posts

  • OLIWIA MOON Blurs the Line Between Sleep and Reality on “Lucid Dream” September 6, 2026
  • The Moment Before Impact: Bird Maps the Wreckage of a Relationship on “The Car” September 5, 2026
  • Atwood Magazine’s Weekly Roundup: September 4, 2026 September 4, 2026
  • “Music Heals”: An Essay by Matthew Baione September 4, 2026
  • “It Feels Like My Comeback to Myself”: Medium Build Makes Himself at Home on ‘King of Having Fun,’ a Celebration of Life on His Own Terms September 4, 2026
  • “I Wanna Love My Death Drive”: Eliza Edens Flirts with the Limit on “Death Drive,” a Charged Indie Rock Reckoning with Chaos & Self-Acceptance September 3, 2026
  • “I Want to Maintain That Softness”: Cautious Clay on ‘High Noon’ and the Value of Staying Open September 3, 2026
  • Roundtable Discussion: A Review of Olivia Rodrigo’s ‘you seem pretty sad for a girl so in love’ September 3, 2026
  • “Tolerance Is Different From Love”: The Army, The Navy Let the “Walls” Cave In on a Shiver-Inducing Indie Folk Reckoning With Self-Worth September 2, 2026
  • “I’m Building a Kingdom in My Soul”: Alabama Shakes Set the Air on Fire Again on ‘I Must Be Dreaming,’ a Soul-Shaking, Triumphant Return September 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
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    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
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  • Bio Services