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James Crowley

James Crowley

James is a New York-based writer and comedian. Besides Atwood, he's also written for Sensations Press and his own blog Burgeraday.com. He hosts the comedy/music podcast James Crowley's Infinite Playlist. He also co-hosts the Burger-a-Day Podcast.

Sam Wickens © 2019
Columns, Music, Today's SongMarch 13, 2019<March 13, 2019

Today’s Song: Sam Wickens’ “Falling” Depicts a Breakup from a Distance

Dear Seattle © Pat O'Hara
Columns, Music, Today's SongMarch 4, 2019<March 4, 2019

Today’s Song: Australia’s Dear Seattle Bring Modern Sensibility to Old School Pop Punk with “Homegrown”

As It Is © Ian Coulson
Features, Interviews, MusicFebruary 26, 2019<July 19, 2021

Emotionally Intelligent Songs: A Conversation with Patty Walters of As It Is

Dayna Ghiraldi-Travers of Big Picture Media
Features, Interviews, MusicFebruary 19, 2019<February 20, 2019

Full Circle Moments: An Interview with Big Picture Media’s Dayna Ghiraldi-Travers

Radiator King © Indofunk Satish
Music, PremieresFebruary 14, 2019<February 14, 2019

Premiere: Radiator King Invoke Springsteen’s Sadness on “Raylene”

Too Late; Doesn't Matter by Dearheart
Debut, Music, ReviewsFebruary 13, 2019<February 13, 2019

Review: Dearheart’s ‘Too Late; Doesn’t Matter’ Displays the Ambition of Emo’s Next Wave

Weathers © Bella Howard
Debut, Interviews, MusicFebruary 12, 2019<February 12, 2019

Songs for Driving Alone: A Conversation with Weathers

Oh God There Is So Much Love In Me - Kelso
Music, Reviews, This Just InFebruary 6, 2019<February 5, 2019

This Just In: Oh God, There Is So Much Love in Kelso’s New Single

Lowland Hum © Serena Jae
Music, Music Videos, PremieresJanuary 25, 2019<January 26, 2019

Premiere: Lowland Hum Address Existential Ennui in “Slow” Video

Say Anything 2019
Columns, Music, Today's SongJanuary 22, 2019<January 22, 2019

Today’s Song: The Thrills and Pills of Say Anything’s “Pink Snot”

Lauren Reiner music
Music, ReviewsJanuary 11, 2019<January 17, 2019

EP Review: Lauren Reiner’s ‘Little Rain’ Channels Julien Baker & Taylor Swift

Two Passing Ships - Spirit Houses
Features, Interviews, MusicJanuary 10, 2019<January 10, 2019

Death Was a Naked Sword: A Conversation with Spirit Houses

year in loud 2018
Music, NewsDecember 27, 2018<January 8, 2019

Atwood Magazine’s Year in Loud: 2018

Spirit Houses © 2018
Music, ReviewsDecember 4, 2018<December 4, 2018

EP Review: Spirit Houses Show the Intricacies of Pain on ‘Two Passing Ships’

Charles Bradley © Isaac Sterling
Music, ReviewsNovember 21, 2018<November 21, 2018

Review: Charles Bradley’s Black Velvet Is Authentic ’60s Soul for the 21st Century

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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