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Jordan Catagnus

Jordan Catagnus

Jordan Catagnus is a writer, performer, musician, and music lover from suburban Pennsylvania. Jordan graduated from Muhlenberg College in 2016 with a Bachelor of Arts in Theatre and was very active in the theatre and music communities there. Jordan performs regularly in the Greater Pennsylvania Area both as a singer and actor, and spends much of his time exploring his passions for music history, popular culture, film and literature. His favorite artists include Bruce Springsteen, Neil Young, and Van Morrison, as well as a variety of others from different eras, backgrounds and styles. He’s always on the hunt for the next great record, and can’t wait to discover the world’s great up-and-coming artists on his journey as a writer with Atwood.

Colleen Green © Jenna Lemieux
Columns, Music, Today's SongNovember 24, 2021<November 24, 2021

Today’s Song: Colleen Green Dissects Modern Relationships on Punky “How Much Should You Love a Husband?”

9
Music, Our Take, ReviewsJanuary 13, 2021<January 13, 2021

Our Take: Neil Young Wistfully Digs Up His Past On Lost Album “Homegrown”

The Flaming Lips © George Salisbury
Features, Interviews, MusicDecember 14, 2020<December 14, 2020

Interview with The Flaming Lips: ‘American Head’, Facing Mortality, & the Healing Power of Music

The Brummies © 2020
Features, Music, Premieres, Reviews, Track-by-TrackNovember 12, 2020<November 12, 2020

Album Premiere: The Brummies Find Artistic Evolution Through Familiar Sounds on Longing Sophomore LP ‘Automatic World’

Deradoorian © Elizabeth Weinberg
Columns, Music, Today's SongOctober 20, 2020<October 20, 2020

Today’s Song: Deradoorian Takes You on a Mystical Journey of Self-Discovery with “Corsican Shores”

Love Fame Tragedy © 2020
Columns, Music, Today's SongOctober 1, 2020<September 26, 2020

Today’s Song: Love Fame Tragedy Explores Anxiety & Impulsivity in Modern Relationships on “5150”

Recent Posts

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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  • Reviews
    • Our Take
    • Debuts
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  • Columns
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
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