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Jordan Catagnus

Jordan Catagnus

Jordan Catagnus is a writer, performer, musician, and music lover from suburban Pennsylvania. Jordan graduated from Muhlenberg College in 2016 with a Bachelor of Arts in Theatre and was very active in the theatre and music communities there. Jordan performs regularly in the Greater Pennsylvania Area both as a singer and actor, and spends much of his time exploring his passions for music history, popular culture, film and literature. His favorite artists include Bruce Springsteen, Neil Young, and Van Morrison, as well as a variety of others from different eras, backgrounds and styles. He’s always on the hunt for the next great record, and can’t wait to discover the world’s great up-and-coming artists on his journey as a writer with Atwood.

Colleen Green © Jenna Lemieux
Columns, Music, Today's SongNovember 24, 2021<November 24, 2021

Today’s Song: Colleen Green Dissects Modern Relationships on Punky “How Much Should You Love a Husband?”

9
Music, Our Take, ReviewsJanuary 13, 2021<January 13, 2021

Our Take: Neil Young Wistfully Digs Up His Past On Lost Album “Homegrown”

The Flaming Lips © George Salisbury
Features, Interviews, MusicDecember 14, 2020<December 14, 2020

Interview with The Flaming Lips: ‘American Head’, Facing Mortality, & the Healing Power of Music

The Brummies © 2020
Features, Music, Premieres, Reviews, Track-by-TrackNovember 12, 2020<November 12, 2020

Album Premiere: The Brummies Find Artistic Evolution Through Familiar Sounds on Longing Sophomore LP ‘Automatic World’

Deradoorian © Elizabeth Weinberg
Columns, Music, Today's SongOctober 20, 2020<October 20, 2020

Today’s Song: Deradoorian Takes You on a Mystical Journey of Self-Discovery with “Corsican Shores”

Love Fame Tragedy © 2020
Columns, Music, Today's SongOctober 1, 2020<September 26, 2020

Today’s Song: Love Fame Tragedy Explores Anxiety & Impulsivity in Modern Relationships on “5150”

Recent Posts

  • Evann McIntosh’s “Mull It Over” Is a Tender Confessional Reveling in Lost Memories February 1, 2026
  • Dancing Out of the Male Gaze with Paris Paloma’s “Good Girl” January 31, 2026
  • Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver! January 30, 2026
  • “All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy” January 30, 2026
  • “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History January 30, 2026
  • Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens January 29, 2026
  • “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” January 29, 2026
  • “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home January 29, 2026
  • “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ January 28, 2026
  • “If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album January 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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    • Music You Should Know
    • Nostalgia Tracks
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  • New Music Calendar
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