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Jordan Catagnus

Jordan Catagnus

Jordan Catagnus is a writer, performer, musician, and music lover from suburban Pennsylvania. Jordan graduated from Muhlenberg College in 2016 with a Bachelor of Arts in Theatre and was very active in the theatre and music communities there. Jordan performs regularly in the Greater Pennsylvania Area both as a singer and actor, and spends much of his time exploring his passions for music history, popular culture, film and literature. His favorite artists include Bruce Springsteen, Neil Young, and Van Morrison, as well as a variety of others from different eras, backgrounds and styles. He’s always on the hunt for the next great record, and can’t wait to discover the world’s great up-and-coming artists on his journey as a writer with Atwood.

Colleen Green © Jenna Lemieux
Columns, Music, Today's SongNovember 24, 2021<November 24, 2021

Today’s Song: Colleen Green Dissects Modern Relationships on Punky “How Much Should You Love a Husband?”

9
Music, Our Take, ReviewsJanuary 13, 2021<January 13, 2021

Our Take: Neil Young Wistfully Digs Up His Past On Lost Album “Homegrown”

The Flaming Lips © George Salisbury
Features, Interviews, MusicDecember 14, 2020<December 14, 2020

Interview with The Flaming Lips: ‘American Head’, Facing Mortality, & the Healing Power of Music

The Brummies © 2020
Features, Music, Premieres, Reviews, Track-by-TrackNovember 12, 2020<November 12, 2020

Album Premiere: The Brummies Find Artistic Evolution Through Familiar Sounds on Longing Sophomore LP ‘Automatic World’

Deradoorian © Elizabeth Weinberg
Columns, Music, Today's SongOctober 20, 2020<October 20, 2020

Today’s Song: Deradoorian Takes You on a Mystical Journey of Self-Discovery with “Corsican Shores”

Love Fame Tragedy © 2020
Columns, Music, Today's SongOctober 1, 2020<September 26, 2020

Today’s Song: Love Fame Tragedy Explores Anxiety & Impulsivity in Modern Relationships on “5150”

Recent Posts

  • Feature: Primo the Alien Traverses a New Sonic Landscape in ‘We All Hate Ourselves Sometimes’ October 2, 2023
  • Our Take: Animal Collective’s ‘Isn’t It Now?’ Is Sonically Divine While Remaining Thematically Human October 2, 2023
  • Today’s Song: blink-182 Get Candid With “ONE MORE TIME,” a Ballad of Brotherhood & Reunion October 2, 2023
  • Interview: Peering into the Past with Molly Burch on ‘Daydreamer’ September 29, 2023
  • Doris Club Channels Her “Intuitive, Irrational, Melancholic” Self Within Stunning Ode to Her Mother, ‘There’s Still Time (Side A)’ September 29, 2023
  • Interview: Genesis Owusu Seeks New Meaning from an Unjust World on ‘STRUGGLER’ September 28, 2023
  • Track-by-Track: Maria Wilman Goes on a Journey to Explore the Unknown in ‘Dark Horse’ September 28, 2023
  • Interview: Nothing But Thieves’ Upward Trajectory Is Without Limits September 27, 2023
  • Our Take: Greta Van Fleet’s ‘Starcatcher’ Embarks Upon the Hero’s Journey September 27, 2023
  • Interview: Levitation Room Tackle Climate Change With Fresh Single “Cool It, Baby” September 27, 2023
© Atwood Magazine 2023 For the Love of Music
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