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Jordan Catagnus

Jordan Catagnus

Jordan Catagnus is a writer, performer, musician, and music lover from suburban Pennsylvania. Jordan graduated from Muhlenberg College in 2016 with a Bachelor of Arts in Theatre and was very active in the theatre and music communities there. Jordan performs regularly in the Greater Pennsylvania Area both as a singer and actor, and spends much of his time exploring his passions for music history, popular culture, film and literature. His favorite artists include Bruce Springsteen, Neil Young, and Van Morrison, as well as a variety of others from different eras, backgrounds and styles. He’s always on the hunt for the next great record, and can’t wait to discover the world’s great up-and-coming artists on his journey as a writer with Atwood.

Colleen Green © Jenna Lemieux
Columns, Music, Today's SongNovember 24, 2021<November 24, 2021

Today’s Song: Colleen Green Dissects Modern Relationships on Punky “How Much Should You Love a Husband?”

9
Music, Our Take, ReviewsJanuary 13, 2021<January 13, 2021

Our Take: Neil Young Wistfully Digs Up His Past On Lost Album “Homegrown”

The Flaming Lips © George Salisbury
Features, Interviews, MusicDecember 14, 2020<December 14, 2020

Interview with The Flaming Lips: ‘American Head’, Facing Mortality, & the Healing Power of Music

The Brummies © 2020
Features, Music, Premieres, Reviews, Track-by-TrackNovember 12, 2020<November 12, 2020

Album Premiere: The Brummies Find Artistic Evolution Through Familiar Sounds on Longing Sophomore LP ‘Automatic World’

Deradoorian © Elizabeth Weinberg
Columns, Music, Today's SongOctober 20, 2020<October 20, 2020

Today’s Song: Deradoorian Takes You on a Mystical Journey of Self-Discovery with “Corsican Shores”

Love Fame Tragedy © 2020
Columns, Music, Today's SongOctober 1, 2020<September 26, 2020

Today’s Song: Love Fame Tragedy Explores Anxiety & Impulsivity in Modern Relationships on “5150”

Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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    • Our Take
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  • Columns
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • New Music Calendar
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  • Get Involved
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