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Juls Patterson

Juls Patterson

Juls Patterson is a writer who flits back and forth between New Orleans, Louisiana, and the mountains of North Carolina. Aside from music, they're a fan of the Knicks, tarot, and John Waters films. You can find them in the back of a hardcore show with their arms crossed.

Charli xcx "House" © Paul Kooiker
Columns, Music, Today's SongNovember 20, 2025<November 20, 2025

“Let It Be Perfect”: Charli xcx’s “House featuring John Cale” and Creative Burnout

Momma © Jazon Whittington
Features, Interviews, MusicApril 28, 2025<April 28, 2025

Interview: Momma Discuss Their Unfiltered & Unapologetic Fourth Album ‘Welcome to My Blue Sky’

Chloe Moriondo © Madeline Kate Kann
Features, Interviews, MusicApril 2, 2025<April 2, 2025

Interview: Chloe Moriondo Doesn’t Regret a Single Word of ‘oyster’

Horsegirl © Ruby Faye
Music, ReviewsMarch 13, 2025<March 13, 2025

Review: Horsegirl Sing for You on “Phonetics On and On”

Rare DM © Calvin Stark
Columns, Music, Today's SongFebruary 7, 2025<February 7, 2025

Journeying into the Chaos: A Look into Rare DM’s “The Ring”

PUP © Martyna Bannister
Columns, Music, Today's SongJanuary 23, 2025<January 23, 2025

“Don’t call it a fallout”: PUP Bring It Back to Basics With New Single “Paranoid”

Wednesday © Charlie Boss, 2022
Columns, Music, Music You Should Know, ReviewsJanuary 16, 2025<January 16, 2025

“Show me all your smart blood”: Wednesday’s “Fate Is…” Tows the Line Between Snark & Vulnerability

Recent Posts

  • Dancing Out of the Male Gaze with Paris Paloma’s “Good Girl” January 31, 2026
  • Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver! January 30, 2026
  • “All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy” January 30, 2026
  • “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History January 30, 2026
  • Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens January 29, 2026
  • “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” January 29, 2026
  • “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home January 29, 2026
  • “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ January 28, 2026
  • “If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album January 28, 2026
  • “I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too January 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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