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Juls Patterson

Juls Patterson

Juls Patterson is a writer who flits back and forth between New Orleans, Louisiana, and the mountains of North Carolina. Aside from music, they're a fan of the Knicks, tarot, and John Waters films. You can find them in the back of a hardcore show with their arms crossed.

Charli xcx "House" © Paul Kooiker
Columns, Music, Today's SongNovember 20, 2025<November 20, 2025

“Let It Be Perfect”: Charli xcx’s “House featuring John Cale” and Creative Burnout

Momma © Jazon Whittington
Features, Interviews, MusicApril 28, 2025<April 28, 2025

Interview: Momma Discuss Their Unfiltered & Unapologetic Fourth Album ‘Welcome to My Blue Sky’

Chloe Moriondo © Madeline Kate Kann
Features, Interviews, MusicApril 2, 2025<April 2, 2025

Interview: Chloe Moriondo Doesn’t Regret a Single Word of ‘oyster’

Horsegirl © Ruby Faye
Music, ReviewsMarch 13, 2025<March 13, 2025

Review: Horsegirl Sing for You on “Phonetics On and On”

Rare DM © Calvin Stark
Columns, Music, Today's SongFebruary 7, 2025<February 7, 2025

Journeying into the Chaos: A Look into Rare DM’s “The Ring”

PUP © Martyna Bannister
Columns, Music, Today's SongJanuary 23, 2025<January 23, 2025

“Don’t call it a fallout”: PUP Bring It Back to Basics With New Single “Paranoid”

Wednesday © Charlie Boss, 2022
Columns, Music, Music You Should Know, ReviewsJanuary 16, 2025<January 16, 2025

“Show me all your smart blood”: Wednesday’s “Fate Is…” Tows the Line Between Snark & Vulnerability

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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