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Kevin Young

Kevin Young

Kevin is a new contributing writer for Atwood Magazine. He's also a New York City native and recent graduate from Baruch College who double majored in journalism and corporate communications. While in school he interned at some of the biggest record labels in the industry while taking classes to enhance his writing craft. His record label experience led him to now work at Universal Music Group. Musically, he’s drawn to anything urban-pop based. He’s a dog lover, advocate for diversity, and forever a Yankee fan. In his downtime he can be found dining at the many restaurants of the world. Follow Kevin on Twitter where he tweets about music news, world news, and pop-culture.

Camila Cabello © 2018
Debut, Features, Music, Our Take, ReviewsJanuary 17, 2018<January 17, 2018

Camila Cabello’s Raw, Vulnerable & Provocative Debut ‘Camila’: A Track-by-Track Review

Mariah Carey
Columns, Music, Nostalgia TracksNovember 16, 2017<November 22, 2017

Nostalgia Tracks: Mariah Carey Teaches Us “Bye Bye”s Aren’t Forever

Dagny "Wearing Nothing" © Republic Records
Features, Interviews, MusicMay 31, 2017<June 7, 2017

Confidence, Hope, and Wearing Nothing: An Interview with Dagny

13 Reasons Why © Netflix
Editorials, MusicMay 25, 2017<June 1, 2017

Editorial: Songs That Should Have Made the ’13 Reasons Why’ Soundtrack

Vevo dscvr: live (Dagny, Phoebe Ryan, The Big Moon)
Concerts, Music, ReviewsMay 12, 2017<February 16, 2023

Live: Vevo’s dscvr with The Big Moon, Dagny & Phoebe Ryan at Knitting Factory Brooklyn

Bishop Briggs © Jabari Jacobs
Debut, Features, Interviews, MusicApril 12, 2017<April 27, 2017

Interview: Meet Bishop Briggs, the Soul-Trap Queen of Pop

"Breathe" - Astrid S
Columns, Music, Today's SongMarch 16, 2017<March 16, 2017

Today’s Song: Astrid S Loses Oxygen in “Breathe,” an Airy Love Anthem

Trey Songz © Mel D. Cole
Columns, Music, Today's SongMarch 1, 2017<March 1, 2017

Today’s Song: Trey Songz Is a Changed Man in “Nobody Else But You”

Love - Lana Del Rey artwork
Columns, Music, Today's SongFebruary 22, 2017<February 24, 2017

Today’s Song: Lana Del Rey Is Not Enough, but Young and in “Love”

Vince Staples © James W. Mataitis Bailey
Columns, Music, Today's SongFebruary 15, 2017<February 17, 2017

Today’s Song: “Bagbak,” Vince Staples’ Sinister Ode on Race Relations and Privacy

2NE1 © 2017
Columns, Music, Today's SongFebruary 6, 2017<February 6, 2017

Today’s Song: K-Pop’s 2NE1 Bid a Solemn Farewell on “Goodbye”

Olivia O'Brien © Blair Brown
Features, Interviews, MusicJanuary 20, 2017<November 18, 2017

Hate, Love, Boys, and Trust: A Conversation with Olivia O’Brien

Ed Sheeran © Greg Williams
Columns, Music, Today's SongJanuary 10, 2017<March 8, 2017

Today’s Song: “Castle on the Hill,” Ed Sheeran’s Trip Down Memory Lane

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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