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Kevin Young

Kevin Young

Kevin is a new contributing writer for Atwood Magazine. He's also a New York City native and recent graduate from Baruch College who double majored in journalism and corporate communications. While in school he interned at some of the biggest record labels in the industry while taking classes to enhance his writing craft. His record label experience led him to now work at Universal Music Group. Musically, he’s drawn to anything urban-pop based. He’s a dog lover, advocate for diversity, and forever a Yankee fan. In his downtime he can be found dining at the many restaurants of the world. Follow Kevin on Twitter where he tweets about music news, world news, and pop-culture.

Camila Cabello © 2018
Debut, Features, Music, Our Take, ReviewsJanuary 17, 2018<January 17, 2018

Camila Cabello’s Raw, Vulnerable & Provocative Debut ‘Camila’: A Track-by-Track Review

Mariah Carey
Columns, Music, Nostalgia TracksNovember 16, 2017<November 22, 2017

Nostalgia Tracks: Mariah Carey Teaches Us “Bye Bye”s Aren’t Forever

Dagny "Wearing Nothing" © Republic Records
Features, Interviews, MusicMay 31, 2017<June 7, 2017

Confidence, Hope, and Wearing Nothing: An Interview with Dagny

13 Reasons Why © Netflix
Essays, MusicMay 25, 2017<June 1, 2017

Editorial: Songs That Should Have Made the ’13 Reasons Why’ Soundtrack

Vevo dscvr: live (Dagny, Phoebe Ryan, The Big Moon)
Concerts, Music, ReviewsMay 12, 2017<February 16, 2023

Live: Vevo’s dscvr with The Big Moon, Dagny & Phoebe Ryan at Knitting Factory Brooklyn

Bishop Briggs © Jabari Jacobs
Debut, Features, Interviews, MusicApril 12, 2017<April 27, 2017

Interview: Meet Bishop Briggs, the Soul-Trap Queen of Pop

"Breathe" - Astrid S
Columns, Music, Today's SongMarch 16, 2017<March 16, 2017

Today’s Song: Astrid S Loses Oxygen in “Breathe,” an Airy Love Anthem

Trey Songz © Mel D. Cole
Columns, Music, Today's SongMarch 1, 2017<March 1, 2017

Today’s Song: Trey Songz Is a Changed Man in “Nobody Else But You”

Love - Lana Del Rey artwork
Columns, Music, Today's SongFebruary 22, 2017<February 24, 2017

Today’s Song: Lana Del Rey Is Not Enough, but Young and in “Love”

Vince Staples © James W. Mataitis Bailey
Columns, Music, Today's SongFebruary 15, 2017<February 17, 2017

Today’s Song: “Bagbak,” Vince Staples’ Sinister Ode on Race Relations and Privacy

2NE1 © 2017
Columns, Music, Today's SongFebruary 6, 2017<February 6, 2017

Today’s Song: K-Pop’s 2NE1 Bid a Solemn Farewell on “Goodbye”

Olivia O'Brien © Blair Brown
Features, Interviews, MusicJanuary 20, 2017<November 18, 2017

Hate, Love, Boys, and Trust: A Conversation with Olivia O’Brien

Ed Sheeran © Greg Williams
Columns, Music, Today's SongJanuary 10, 2017<March 8, 2017

Today’s Song: “Castle on the Hill,” Ed Sheeran’s Trip Down Memory Lane

Recent Posts

  • “Life Is Still the Sweetest Thing”: Lila Forde Rekindles Love’s First Spark on “Do It All Over,” a Radiantly Soulful Slice of Summer Bliss August 26, 2026
  • “Psych-Pop Soap Opera”: Radar Gold Reimagine the Psychedelic Scene on Their Sophomore LP ‘Fortune Teller’ August 26, 2026
  • “Every Person You Love Is Their Own Universe”: BAILEN Surrender to Love & Wonder on “Kansas Tornado,” a Spellbinding, Windswept Folk Triumph August 25, 2026
  • A Decade of Outside Lands: Growing Up With San Francisco’s Favorite Festival August 25, 2026
  • “Too Young to Feel This Tired”: Glasgow’s Ferguson Hi-Fi Break Free on Feverish Debut Single “Get Over It” August 25, 2026
  • “Everything Changes, and the Pain Comes From Believing That It Won’t”: Josaleigh Pollett Makes Room for Every Version of Us on “The Witness” and ‘If I Let It Quiet’ August 25, 2026
  • Turning the Page: Billie Marten on New Sounds, New Places, and Keeping Things Unfamiliar August 25, 2026
  • “Push the Envelope While Retaining the Roots”: Mayday Parade’s Brooks Betts Explores Musical Philosophies and Intentions Behind ‘Sugar’ August 25, 2026
  • “I Wanted to Paint a Picture of 2026 America”: Tristan Tritt Reckons With a Fractured American Dream on “Living The Dream” August 24, 2026
  • “Pain Can Change Its Shape But It Never Disappears”: Chicago’s Edens Reckon With Memory & Time on “Empty Details,” a Propulsive Portrait of Lives in Motion August 24, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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