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Kosiso Ugwueze

Kosiso Ugwueze

Kosiso Ugwueze is a graduate student by day and a vinyl record collector by night. Her record collection ranges from 70s Nigerian psychedelic rock to 2000s Hip Hop. The first album she bought with her allowance money was Alicia Keys’s The Diary of Alicia Keys which she played on her CD player until both broke. Now that it’s no longer 2003, she’s wracking up hours of listening time on Spotify instead. When she’s not scouring record stores or surfing the web for new music, she’s on the hunt for the best breakfast burrito in every city she visits. Find her on Twitter @ugwueze_kosiso.

If Orange Was a Place - Tems
Artist to Watch, Music, ReviewsOctober 27, 2021<October 27, 2021

EP Review: Tems’ ‘If Orange Was a Place’ Is a Hyper-Focused Snapshot of an Artist’s Burgeoning Voice

José González © Peter Toggeth / Mikel Cee Karlsson
Features, Interviews, MusicSeptember 16, 2021<September 29, 2022

Interview: José González Is Confident in Who He Is on Dynamic New Album ‘Local Valley’

Attitude - Leikeli47
Columns, Music, Today's SongAugust 10, 2021<August 9, 2021

Today’s Song: Leikeli47 Is a Trendsetting Hero on “Attitude”

Billie Eilish © Kelia Anne MacCluskey
Columns, Music, Today's SongMay 24, 2021<May 24, 2021

Today’s Song: Billie Eilish Speaks Out on “Your Power”

Amaarae © @philippraheem
Columns, Music, Today's SongMay 10, 2021<May 10, 2021

Today’s Song: Amaarae Takes Center Stage in “FANCY”

Trouble Will Find Me - The National
Columns, Music, Today's SongApril 14, 2021<April 13, 2021

Today’s Song: The National Are an Open Book in “Don’t Swallow the Cap”

Recent Posts

  • Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music March 12, 2026
  • Roundtable Discussion: A Review of The Last Dinner Party’s ‘From the Pyre’ March 12, 2026
  • Dreaming in Sound: Reifier on Identity, Dreams, and the Making of ‘The Unfolding’ March 12, 2026
  • Living in the Moment with Florentenes’ Roaring Indie Rock Anthem “Madeline” March 12, 2026
  • “A Middle Finger to Music as We Know It”: Nory Embraces Tension, Recklessness & Raw Truth on ‘F**K THAT THIS THE RHYTHM’ March 11, 2026
  • You’ve Got Me Hummin’: No Hassle to Hear Early Billy Joel Melodies in New Doc, ‘And So It Goes’ March 11, 2026
  • “An Elegy for L. Skell”: An Essay by Human Potential’s Andrew Becker March 11, 2026
  • “Make That Money, Baby, Dig Your Grave”: Happy Landing Tear into the Myth of the American Dream on “The American Way” March 11, 2026
  • Dolphins on Acid Are Rediscovering the Tried-and-True Path to Success in Their Own Surf-Fueled Way March 10, 2026
  • With ‘Pretour,’ Kim Petras Fights to Share Her Bold New “Pop Sound” March 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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