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Kosiso Ugwueze

Kosiso Ugwueze

Kosiso Ugwueze is a graduate student by day and a vinyl record collector by night. Her record collection ranges from 70s Nigerian psychedelic rock to 2000s Hip Hop. The first album she bought with her allowance money was Alicia Keys’s The Diary of Alicia Keys which she played on her CD player until both broke. Now that it’s no longer 2003, she’s wracking up hours of listening time on Spotify instead. When she’s not scouring record stores or surfing the web for new music, she’s on the hunt for the best breakfast burrito in every city she visits. Find her on Twitter @ugwueze_kosiso.

If Orange Was a Place - Tems
Artist to Watch, Music, ReviewsOctober 27, 2021<October 27, 2021

EP Review: Tems’ ‘If Orange Was a Place’ Is a Hyper-Focused Snapshot of an Artist’s Burgeoning Voice

José González © Peter Toggeth / Mikel Cee Karlsson
Features, Interviews, MusicSeptember 16, 2021<September 29, 2022

Interview: José González Is Confident in Who He Is on Dynamic New Album ‘Local Valley’

Attitude - Leikeli47
Columns, Music, Today's SongAugust 10, 2021<August 9, 2021

Today’s Song: Leikeli47 Is a Trendsetting Hero on “Attitude”

Billie Eilish © Kelia Anne MacCluskey
Columns, Music, Today's SongMay 24, 2021<May 24, 2021

Today’s Song: Billie Eilish Speaks Out on “Your Power”

Amaarae © @philippraheem
Columns, Music, Today's SongMay 10, 2021<May 10, 2021

Today’s Song: Amaarae Takes Center Stage in “FANCY”

Trouble Will Find Me - The National
Columns, Music, Today's SongApril 14, 2021<April 13, 2021

Today’s Song: The National Are an Open Book in “Don’t Swallow the Cap”

Recent Posts

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  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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