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Kylie Gurewitz

Kylie Gurewitz

Mitski © Ebru Yildiz
Columns, Music, Today's SongAugust 12, 2023<August 11, 2023

Today’s Song: Mitski Opens the Door to an Inhospitable Land on “Bug Like an Angel”

Wednesday © Zachary Chick
Columns, Music, Today's SongMarch 29, 2023<April 30, 2023

Wednesday’s “TV in the Gas Pump” Paints an Honest, Irreverent Picture of Life on the Road

"Nothing But Mine" - Billie Marten © Katie Silvester
Columns, Music, Today's SongMarch 8, 2023<April 30, 2023

Today’s Song: Billie Marten’s “Nothing But Mine” Is Wistful, Nostalgic, And Somehow, Hopeful

Blondshell © Daniel Topete
Artist to Watch, Columns, Music, Today's SongFebruary 27, 2023<June 16, 2023

Artist to Watch: Blondshell’s “Veronica Mars” Evokes a Cathartic Rage

Recent Posts

  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
  • Our Take: Bolden. Take Bold Strides into Jazz Fusion with the Sleek, Sultry ‘Who you really are.’ September 29, 2026
  • “A More Open and Honest SNACKTIME”: Philadelphia Favorites Bring Their Live Energy & Widescreen Ambition to “Can’t Imagine Why You’d Stay” September 28, 2026
  • “More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything September 28, 2026
  • “My Last Breath Would Be a Poem for You”: Peter Stone Finds the Sacred in Everyday Love on “Dust Motes,” a Sun-Soaked Indie Folk Reverie September 28, 2026
  • Atwood Magazine’s Weekly Roundup: September 25, 2026 September 25, 2026
  • “You Can’t Scrub Women From History”: Lindsay Lou Puts Women Back in the Bluegrass Circle with ‘Bluegrass Women’ September 25, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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