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Liz Wood

Liz Wood

Liz Wood is a 4th year English and Criminology double major at a college in Southern California. She is also a DJ and the Program Director for her campus' station, KUCI. Being a DJ sparked her interest in all types of music, and motivated her to pursue her current job in band management in Los Angeles, where she hopes to move and live out her dream within the next year.

Forebear // lyynks.com
Columns, Music, Today's SongSeptember 28, 2015<September 28, 2015

Today’s Song: Forebear Deal with Love and Loss on “People’s Champ”

Halsey 6.9
Debut, Features, Music, Our Take, ReviewsSeptember 15, 2015<January 16, 2023

Our Take: How Halsey and BADLANDS are Becoming the Voice of the New Generation

Columns, Music, Music Videos, Today's SongAugust 28, 2015<August 28, 2015

Today’s Song: Nostalgia and Restlessness in City City’s “Moving Through Life”

HOLYCHILD press photo
Debut, Features, Music, ReviewsJuly 14, 2015<July 14, 2015

Review: HOLYCHILD and the Power of Brat Pop

Passion Pit Kindred Press Pic
Features, Music, ReviewsJune 18, 2015<June 18, 2015

Change is a Good Thing: Passion Pit’s “Kindred” Takes on New, Happier Themes

Recent Posts

  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
  • “I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love” May 11, 2026
  • “I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’ May 11, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 11, 2026
  • “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ May 11, 2026
  • A Mirrorball for Modern Times: Duran Duran Reignite the Dancefloor with “Free to Love” ft. Nile Rodgers May 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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