• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Liz Wood

Liz Wood

Liz Wood is a 4th year English and Criminology double major at a college in Southern California. She is also a DJ and the Program Director for her campus' station, KUCI. Being a DJ sparked her interest in all types of music, and motivated her to pursue her current job in band management in Los Angeles, where she hopes to move and live out her dream within the next year.

Forebear // lyynks.com
Columns, Music, Today's SongSeptember 28, 2015<September 28, 2015

Today’s Song: Forebear Deal with Love and Loss on “People’s Champ”

Halsey 6.9
Debut, Features, Music, Our Take, ReviewsSeptember 15, 2015<January 16, 2023

Our Take: How Halsey and BADLANDS are Becoming the Voice of the New Generation

Columns, Music, Music Videos, Today's SongAugust 28, 2015<August 28, 2015

Today’s Song: Nostalgia and Restlessness in City City’s “Moving Through Life”

HOLYCHILD press photo
Debut, Features, Music, ReviewsJuly 14, 2015<July 14, 2015

Review: HOLYCHILD and the Power of Brat Pop

Passion Pit Kindred Press Pic
Features, Music, ReviewsJune 18, 2015<June 18, 2015

Change is a Good Thing: Passion Pit’s “Kindred” Takes on New, Happier Themes

Recent Posts

  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
  • “Looking for the Light in Dark Places”: Dublin’s Big Sleep Embrace Life’s Holy Shows Through Beautifully Unruly Indie Rock September 8, 2026
  • Editor’s Picks 166: Kareen Lomax, Oskar Haag, Gang of Youths, Babehoven, Cavetown, & Hannah Cole! September 7, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services