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Lowndes Commander

Lowndes Commander

Lowndes is a writer and film photographer, currently living in South Carolina after a few years in Nashville, TN. She’s a big fan of morning news podcasts, cool-weathered city walks, and those moments when a song unexpectedly makes you feel something. These days, you can probably find her drinking cold brew and working on a book of poems, or writing articles here at Atwood.

Rebekah Pahl © Andrea Behrends
Music, PremieresApril 16, 2020<April 16, 2020

Premiere: Rebekah Pahl Leans into Living Open-Handedly on “Falling Off the Map”

Last Vacation © Kristin Otharsson
Music, PremieresApril 16, 2020<April 16, 2020

Premiere: Last Vacation Inject Feeling & Energy into “How Could You Hurt Somebody You Love?”

Strawberry Wine - Lemondrop
Columns, Music, Today's SongApril 3, 2020<April 1, 2020

Today’s Song: Lemondrop’s Youthful & Exciting Groove on “Strawberry Wine”

Junior Coder’s Experiment - allie
Debut, Music, Our Take, ReviewsMarch 25, 2020<March 25, 2020

Our Take: allie’s ‘Junior Coder’s Experiment’ EP Strives to See the Good in Existence

Louis Prince © Justin March
Debut, Features, Interviews, MusicMarch 16, 2020<March 16, 2020

Interview: The World of Louis Prince Comes to Life on Debut Album ‘Thirteen’

Columns, Music, Today's SongMarch 11, 2020<March 11, 2020

Today’s Song: Charleston’s Veja Du Compose a Vivid Dreamworld in “TV Land”

Soccer Mommy - Color Theory 8.6
Music, Our Take, ReviewsMarch 2, 2020<December 15, 2020

Our Take: Soccer Mommy’s ‘Color Theory’ Explores Darkness in Three Colors

Brother Moses © Lowndes Commander
Music, PremieresFebruary 27, 2020<February 26, 2020

Premiere: Brother Moses’ Thoughtfully Written “Bathroom Floor” Is a Snapshot of Honest Emotion

Brother Moses © Lowndes Commander
Columns, Music, Today's SongFebruary 18, 2020<February 18, 2020

Today’s Song: Brother Moses Wonders What It Takes to Be Wanted

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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