• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mariel Fechik

Mariel Fechik

Mariel Fechik is the interviews editor at Atwood. She is a writer, musician, and librarian from Chicago.

Space Honey © 2017
Music, Music Videos, PremieresOctober 20, 2017<October 20, 2017

Video Premiere: Space Honey’s Glittery, Vintage “Red Wine”

Music, Today's SongSeptember 14, 2017<September 14, 2017

Today’s Song: Moses Sumney’s Insular and Intimate “Indulge Me”

Faded Heart - Børns cover art
Features, Music, Reviews, This Just InAugust 3, 2017<August 3, 2017

This Just In: BØRNS’ Sugary, Galactic New Song “Faded Heart”

Talullah Ruff © Lissy Elle
Music, PremieresJuly 26, 2017<July 26, 2017

Premiere: Talullah Ruff’s Bold Statement In “I Am Not”

Ten Flowers - Kalbells
Music, Our Take, ReviewsJuly 20, 2017<July 20, 2017

Our Take: The Whimsical, Heartfelt Beauty of Kalbells’ Ten Flowers

Relaxer - alt-J
Features, Music, Our Take, ReviewsJuly 11, 2017<July 11, 2017

alt-J’s Relaxer: A Track-by-Track Review

Sasha & The Bear © 2017
Music, PremieresJune 29, 2017<June 29, 2017

Premiere: Sasha & The Bear’s Feverish “Out of My Mind”

Big Thief © Shervin Lainez
Columns, Music, Today's SongJune 23, 2017<June 23, 2017

Today’s Song: Big Thief’s Haunting and Bittersweet “Mary”

Sleep Good © Zane Ruttenberg
Music, PremieresJune 6, 2017<June 6, 2017

Premiere: The Dreamy Gauze of Sleep Good’s “Somewhere”

Elliot Moss © Drew Reynolds
Columns, Music, Today's SongMay 31, 2017<May 31, 2017

Today’s Song: Floating in a Closed Loop of Elliot Moss’ “Boomerang” / “My Statue Sinking”

Posts pagination
1 … 5 6 7

Recent Posts

  • “A Middle Finger to Music as We Know It”: Nory Embraces Tension, Recklessness & Raw Truth on ‘F**K THAT THIS THE RHYTHM’ March 11, 2026
  • You’ve Got Me Hummin’: No Hassle to Hear Early Billy Joel Melodies in New Doc, ‘And So It Goes’ March 11, 2026
  • “An Elegy for L. Skell”: An Essay by Human Potential’s Andrew Becker March 11, 2026
  • “Make That Money, Baby, Dig Your Grave”: Happy Landing Tear into the Myth of the American Dream on “The American Way” March 11, 2026
  • Dolphins on Acid Are Rediscovering the Tried-and-True Path to Success in Their Own Surf-Fueled Way March 10, 2026
  • With ‘Pretour,’ Kim Petras Fights to Share Her Bold New “Pop Sound” March 10, 2026
  • “Echo Chamber, Promise Breaker”: Philine Sonny Unleashes Raw Fury on “Outrun,” a Ferocious Alt-Rock Reckoning March 10, 2026
  • Editor’s Picks 149: MEEK, Ray Bull, The Maine, Soda Blonde, Silverdeer, & Noshows! March 9, 2026
  • “We Came, We Saw, We Partied”: Almost Heaven Debut with a Sweaty and Feverish Disco Ball Haze on ‘RAW CRANIUM’ March 9, 2026
  • “Dancing with the Sacred Wound”: Rosina Buck Reflects on Transforming Pain into Art for International Women’s Day March 8, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services