• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Marissa DeLeon

Marissa DeLeon

Marissa is a writer based in Austin, Texas. She is also a graduate of the University of Texas, where she received her Bachelor of Journalism. She can often be found making extremely specific playlists, overanalyzing lyrics, or subjecting anyone and everyone to her latest sonic obsession before they hit the mainstream.

Alicia Clara 'Nothing Dazzled' © Taryn Fleischmann
Debut, Features, Interviews, MusicOctober 8, 2025<October 8, 2025

“It Won’t Necessarily Be Perfect, But It Will Be Art”: Alicia Clara’s Soundwaves Shimmer and Shine on ‘Nothing Dazzled’

Lucy Kruger & The Lost Boys © Holger Nitschke
Music, PremieresApril 23, 2025<April 22, 2025

Premiere: Lucy Kruger & The Lost Boys Return with “Reaching,” a Slow Burn of Noise and Silence

Alicia Clara © Taryn Fleischmann
Interviews, MusicApril 2, 2025<April 2, 2025

Interview: Sinking into Alicia Clara’s Dreamy Soundscapes

Tunnel's Natasha Janfaza © Frank Mojica
Interviews, MusicMarch 27, 2025<March 28, 2025

Interview: Navigating Tunnel’s Indie Rock Noise

SXSW Paramount Marquee for 2026!
Concerts, Music, ReviewsMarch 24, 2025<March 24, 2025

The Best Sounds from SXSW 2025

Chaparelle © Michael Hernandez
Concerts, Music, ReviewsOctober 21, 2024<October 21, 2024

Live Review: Twang and Tension Intertwine for Chaparelle

A Human Home - Lucy Kruger & The Lost Boys
Music, ReviewsJune 12, 2024<June 12, 2024

Review: Lucy Kruger & The Lost Boys Bring Intimacy into Isolation on ‘A Human Home’

Akira Galaxy © Erica Snyder
Interviews, MusicApril 16, 2024<April 16, 2024

“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy

Bad Bad Hats © Zoe Prinds
Interviews, MusicApril 10, 2024<April 16, 2024

Interview: Rockin’ Out with Bad Bad Hats’ Kerry Alexander

Lucy Kruger & The Lost Boys © Francis Broek
Interviews, MusicApril 5, 2024<April 6, 2024

“I just feel a bit more free in what I’m doing”: The Sonically Charged Addiction of Lucy Kruger & The Lost Boys

Miranda Joan © Savannah Scott
Interviews, MusicApril 4, 2024<April 4, 2024

“If you want to get to know me, really listen to the music”: Getting a Little ‘Overstimulated’ With Miranda Joan

beccs © Eleanor Petry
Interviews, MusicApril 2, 2024<April 2, 2024

“I was always a little bundle of stardust”: A Conversation with Brooklyn’s beccs

See You at SXSW, 2024!
Festival, Music, ReviewsMarch 21, 2024<March 21, 2024

SXSW 2024: The Live Music Capital of the World Lives Up to Its Name

Allie X © Marcus Cooper
Features, Interviews, MusicFebruary 23, 2024<February 23, 2024

Feature: The Return, Rebirth, and Resurrection of Allie X

S. L. Houser © Rae Mascardo
Debut, Interviews, Music, Track-by-TrackDecember 6, 2023<December 6, 2023

Track-by-Track: S. L. Houser Flourishes on Liberating Debut Solo EP ‘Hibiscus’

Posts pagination
1 2

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services