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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Emory Duncan © Breigha Marguerite Duncan
Music, PremieresMarch 3, 2026<March 3, 2026

“Your Light Leaking In Pulled the Teeth Out My Fight”: Emory Duncan Follows the Warm Light of Love Toward Home on “Halifax,” a Smoldering Folk Reverie

Claire Rosinkranz "Chronic" © Sabra Binder
Columns, Music, Today's SongMarch 3, 2026<March 3, 2026

“Easy, Twisted, Comfortable”: Claire Rosinkranz Turns Chronic Illness into a Beautifully Raw Reckoning on “Chronic”

Endearments © Rita Iovine
Interviews, Music, Today's SongFebruary 27, 2026<February 27, 2026

“You’re in Love, But You’re Not Happy”: Endearments Soundtrack Romantic Disillusionment in Shimmering Detail on “Real Deal” & Debut LP ‘An Always Open Door’

Bad Tiger's Yasi Lowy © 2026
Interviews, Music, Today's SongFebruary 26, 2026<February 26, 2026

“A Brief Break in the Clouds”: Bad Tiger Finds Grace in Grief on “Do It Right,” a Clear-Eyed Folk Mantra

Atwood Magazine's 148th Editor's Picks!
Columns, Editor's Picks, Features, MusicFebruary 19, 2026<February 19, 2026

Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing!

Donovan Woods "I Talk About You" © Tiana Lam
Interviews, Music, Today's SongFebruary 19, 2026<February 19, 2026

“I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy

The 4411 "Sweet July" © 2026
Interviews, Music, Today's SongFebruary 18, 2026<February 18, 2026

“Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time

Konradsen and Beharie "Efficiency" © Marthe Thu
Interviews, Music, Today's SongFebruary 17, 2026<February 17, 2026

“Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie

Atwood Magazine's 147th Editor's Picks!
Columns, Editor's Picks, Features, MusicFebruary 13, 2026<February 13, 2026

Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments!

Holly Humberstone "To Love Somebody" © Silken Weinberg
Columns, Music, Today's SongFebruary 13, 2026<February 12, 2026

“You’re Only Human, Honey”: Holly Humberstone Embraces Love’s Highest Highs & Hardest Truths on “To Love Somebody,” a Glistening, Gut-Punch Anthem

TRAITRS © Daniel Cherney
Music, PremieresFebruary 12, 2026<February 12, 2026

“I Can’t Heal Myself”: Toronto Darkwave Duo TRAITRS Descend into Looping Nightmares and Identity Erosion on “Dream Drowning”

Tinsley "Bad Enough" © Bella Petro
Music, PremieresFebruary 11, 2026<February 11, 2026

“I’m Not Waiting to Die Next to Some Boring Guy Ever Again”: Tinsley Turns Post-Breakup Freedom into Playful Petty Power on “Bad Enough”

Lia Pappas-Kemps © Oscar Tam
Interviews, Music, Today's SongFebruary 11, 2026<February 16, 2026

“This Is the Eleventh Hour”: Lia Pappas-Kemps Fires the Flare on “Towers,” a Smoldering Reckoning at the Breaking Point

Happy Just to See You © Alex Ilyadis
Interviews, Music, PremieresFebruary 10, 2026<February 10, 2026

“I Choose to Love You”: Happy Just To See You Turn Self-Loathing into Catharsis on “Last Week’s Horse,” a Bruised Break-Up Song With Yourself

MX Lonely "Return to Sender" © Luke Ivanovich
Interviews, Music, Today's SongFebruary 10, 2026<February 10, 2026

“Kill More Monsters”: MX LONELY Banish Their Demons on “Return to Sender,” an Unflinching Alt-Rock Exorcism

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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