• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Temper Trap © Alberto Zimmermann
Features, Interviews, Music, Today's SongApril 29, 2026<April 29, 2026

“Layin’ It Bare”: The Temper Trap on Transforming Grief into a Soaring New Life in “Giving Up Air” & Fourth Album ‘Sungazer’

Atwood Magazine's 153rd Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 27, 2026<April 27, 2026

Editor’s Picks 153: Iron & Wine, ARCHIE, Young the Giant, Friko, People I’ve Met, & mildred!

Any Young Mechanic © Nash Blight
Columns, Interviews, Music, Today's SongApril 24, 2026<April 24, 2026

“What You Hear Is What Was Played”: Any Young Mechanic Are Bringing Raw, Beautifully Human Imperfections Back to Modern Folk Music

Noah Kahan 'The Great Divide' © Patrick McCormack
Features, Music, ReviewsApril 24, 2026<April 26, 2026

“It Gets Harder to See Me the Closer You Try to Look”: Noah Kahan Turns Distance, Identity, & Time into His Most Defining Statement Yet on ‘The Great Divide’

Jena Malone © Elias Tahan
Interviews, Music, Music Videos, PremieresApril 23, 2026<April 25, 2026

“You’ve Been Everything I’ve Been Craving”: Jena Malone Makes Desire Feel Dangerous, Dreamy, & Utterly Irresistible in “You’ve Been on My Mind”

Pleasure Pill © Sydney Lemons
Features, Interviews, Music, PremieresApril 23, 2026<April 23, 2026

“Rock ‘n’ Roll Is Something We Believe In”: Pleasure Pill Come ‘Alive’ with Infectious Britpop Charm & Churn on Electrifying EP

Abby Nissenbaum © Hannah Kik
Music, PremieresApril 23, 2026<April 23, 2026

“Is It That I’m Not Your Type?”: Abby Nissenbaum Burns with Longing on “Naomi,” a Soulful & Smoldering Torch Song

Eugene McGuinness © Robin Clewley
Features, Interviews, Music, Track-by-TrackApril 22, 2026<April 23, 2026

“Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song

Ross Newhouse © Nick Collingwood
Features, Interviews, Music, Today's SongApril 22, 2026<April 22, 2026

“Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner

Irish Goodbye - Nora Kelly Band
Music, Music Videos, PremieresApril 21, 2026<April 21, 2026

“It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom

sundayclub "Camera Shy" © Evie Maynes
Interviews, Music, PremieresApril 21, 2026<April 22, 2026

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness

LIFE "The Dollywaggon" © Luke Hallett
Interviews, Music, Today's SongApril 20, 2026<April 20, 2026

“Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown

Luke Beling © Shannon Nicole
Columns, Music, Today's SongApril 19, 2026<April 18, 2026

“It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song

CASTLEBEAT © Sonia Gadhia
Interviews, Music, Today's SongApril 17, 2026<April 17, 2026

“I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral

Royel Otis "Sweet Hallelujah" © Isaac Brown
Music, Reviews, This Just InApril 16, 2026<April 16, 2026

“I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye

Posts pagination
1 2 3 4 5 … 302

Recent Posts

  • Magdalena Bay Turn Kilby Block Party into a Mercurial World with Their Rain-Soaked Set May 28, 2026
  • “How Dare You?”: Isabelle Skye Turns a Traumatic Encounter into a Beautiful, Empowering Indie Pop Reckoning on “Subaru” May 27, 2026
  • “It’s You and the Stranger Who Wrote It”: Vansire Find Sunlit Solace on “For the Moment,” a Feel-Good Indie Pop Reprieve for Uncertain Times May 27, 2026
  • “I Want All Beautiful Things”: Emma Louise Finds Inner Strength on ‘Sunshine for Happiness’ May 27, 2026
  • Electrifying, Explosive, and Colorful: London’s Marigo Bay Arrives with Cathartic Debut LP ‘Racecars & Rockstars’ May 27, 2026
  • “These Songs Found Me”: Matt Hansen’s Debut Album ‘Orchid’ Says the Quiet Part Out Loud May 27, 2026
  • Editor’s Picks 155: Houndmouth, Fruit Bats, Nymphlord, Aquilo, corook, & Big Sleep! May 22, 2026
  • “Our Reality Is Noisy”: April + VISTA Make Comfort Music for a World on Fire with ‘Traditional Noise,’ a Cinematic & Boundary-Breaking Debut May 21, 2026
  • “All I Get from You Is Voicemail”: Ana Grosh Cries Out for Connection on “Call Me Back,” a Soul-Soaked Anthem for the After-Party Blues May 21, 2026
  • “If it stops being fun, what are we even doing?”: DELTONA Are Turning Country Music into One Big Tailgate with “Party’s in the Back” May 21, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services