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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

OSKA © Ines Futterknech
Music, Music Videos, PremieresMay 8, 2025<May 8, 2025

Premiere: OSKA Finds Quiet Strength in “Gloria,” a Soul-Stirring Song of Resilience & Self-Liberation

Litany's Beth Cornell © Marieke Macklon
Debut, Features, Interviews, MusicMay 8, 2025<May 8, 2025

“The Anthology of Depression”: Litany’s Beth Cornell Unpacks & Embraces Her Mental Health Journey on Breathtaking Debut LP ‘Sadgirl’

Ken Yates © Brittany Farhat
Music, Music Videos, PremieresMay 7, 2025<May 7, 2025

Premiere: Ken Yates’ Delicate & Driving “Under the Cover of Light” Shines with Empathy, Intimacy, & Emotional Release

country girl © Rob Blair
Music, PremieresMay 7, 2025<May 7, 2025

Premiere: country girl & Melody English Invite Us into Spring’s Sweet Embrace on “ring my bell”

The Ophelias 'Spring Grove' © Mikko Castaño
Features, Interviews, MusicMay 1, 2025<May 1, 2025

Interview: The Ophelias on Their Cinematic 4th LP ‘Spring Grove,’ Making “Movie Music,” & Collaborating with Julien Baker

Atwood Magazine's 119th Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 30, 2025<April 30, 2025

Editor’s Picks 119: Matt Maltese, sombr, Hannah Cohen, OSLO SLOW, Wafia, & Fontaines D.C.!

Ginger Winn © Brooklyn Zeh
Music, Music Videos, PremieresApril 30, 2025<April 30, 2025

“There’s Nothing to Fear Except Me”: Ginger Winn Reckons with Grief & Anxiety in “Escape,” an Intimate Alt-Folk Fever Dream

Luke Tyler Shelton © Sunny Davis
Columns, Interviews, Music, Today's SongApril 30, 2025<April 30, 2025

“It’s a hell of a ride”: Luke Tyler Shelton Embraces the Endless Thrill of Love on His Feel-Good Fifth Single

bat zoo © Hannah Riedel
Debut, Music, Music Videos, PremieresApril 28, 2025<April 28, 2025

Premiere: bat zoo’s Achingly Intimate “Frozen Milk” Is a Raw Reckoning with Grief, Growth, & the Fragile Beauty of Connection

Adam Melchor © Caro Knapp
Columns, Music, Today's SongApril 25, 2025<April 25, 2025

Adam Melchor & Mt. Joy Deliver a Timeless Folk Classic in “Room on Your Shoulder,” a Heartfelt Ode to Friendship, Vulnerability, & Human Connection

Atwood Magazine's 118th Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 18, 2025<April 28, 2025

Editor’s Picks 118: Bon Iver, Japanese Breakfast, Samia, Michael Marcagi, spill tab, & Djo!

Trousdale 'Growing Pains' © Alex Lang
Features, Interviews, Music, Track-by-TrackApril 18, 2025<April 18, 2025

Feature: Trousdale’s Inner Light Shines on ‘Growing Pains,’ a Radiant Folk-Pop Record of Resilience, Renewal, & Harmony

Olive Klug © Alex Steed
Music, Music Videos, PremieresApril 18, 2025<April 18, 2025

Premiere: Olive Klug Channels Their Inner Paul Simon in the Freewheeling “Train of Thought,” a Spirited Folk Fever Dream

Avery Friedman © Mamie Heldman
Debut, Features, Interviews, Music, PremieresApril 17, 2025<April 17, 2025

Album Premiere: Avery Friedman Debuts with ‘New Thing,’ a Raw Reckoning of Becoming, Belonging, & Bold Self-Expression

Nami © 2025
Columns, Interviews, Music, Today's SongApril 17, 2025<April 17, 2025

“I’m a Student First, Artist Second”: Nami Debuts with Catchy Songwriting, Playful Intensity, & Raw, Unfiltered Self-Expression

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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