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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Wishlist © Lauren Kimber
Debut, Interviews, Music, Today's SongJanuary 7, 2026<January 7, 2026

“Throw Your Arms Around”: Melbourne Duo Wishlist Embrace Experimental Pop & Partnership on Dreamy Debut “Even When I’m Leaving”

DM Arthur © 2025
Interviews, Music, Today's SongJanuary 6, 2026<January 6, 2026

“Wash the Damage Off”: DM Arthur Embraces Resilience, Release, and Renewal on Feel-Good “Fire & Soap”

Girl Scout © Lamia Karic
Interviews, Music, Today's SongJanuary 5, 2026<January 12, 2026

“If You Go, I Go, Forever”: Stockholm’s Girl Scout Find Kinship, Conviction, & Belonging on “Same Kids”

Atwood Magazine's 142nd Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 30, 2025<December 30, 2025

Editor’s Picks 142: spill tab, praise., Francis of Delirium, Boyish, Quarters, & Wishlist!

Telescreens © Monty Hamm
Interviews, Music, Today's SongDecember 30, 2025<December 28, 2025

“Screaming Together Is How We Feel Less Alone”: NYC’s Telescreens Turn Numbness into Communal Release on “Nothing”

Queen Quail "Narcissus" © Celeste Call
Debut, Interviews, Music, Today's SongDecember 29, 2025<December 28, 2025

“You Have to Sit With Uncomfortable Feelings”: Queen Quail Transforms Ache into Resilience on “Southside,” a Smoldering, Slow-Burning Reckoning

Bartees Strange © William Minke
MusicDecember 29, 2025<December 28, 2025

“These Are Simply Songs I Love”: Bartees Strange Follows His Own Instincts on ‘Shy Bairns Get Nowt,’ an EP About Love, Legacy, & Becoming

JERUB 'The Wonder Years' © 2025
Features, Interviews, MusicDecember 29, 2025<December 28, 2025

“Maybe These Are the Wonder Years”: JERUB Embraces Presence, Uncertainty, & Becoming on His Spirited, Soul-Searching Mixtape

Atwood Magazine's 141st Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 23, 2025<December 23, 2025

Editor’s Picks 141: Witch Post, DM Arthur, TOLEDO, Sly Jr., Chelsea Jordan, & Lucia!

Hudson Freeman © Sophie B
Artist to Watch, Features, Interviews, Music, Today's SongDecember 22, 2025<December 22, 2025

“Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection

Vienna Vienna © Chloe Chippendale
Artist to Watch, Interviews, Music, Today's SongDecember 20, 2025<December 20, 2025

“Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”

Petey USA
Features, Interviews, MusicDecember 19, 2025<December 19, 2025

“This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’

Anyhow © Gabe Drechsler
Artist to Watch, Debut, Interviews, Music, Today's SongDecember 19, 2025<December 19, 2025

“We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars

Medium Build © Tyler Krippeahne
Features, Interviews, MusicDecember 18, 2025<January 30, 2026

“I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

Ski Team © OK McCausland
Artist to Watch, Interviews, Music, Today's SongDecember 18, 2025<January 8, 2026

“You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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