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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Perren © Hailey Jansson
Interviews, Music, Today's SongNovember 22, 2025<November 22, 2025

“It’s Music About Music”: Perren on “The Spot,” the Flow, & the Joy of Creating Without Expectation

BEL 'Holy Grail' album art © SJ Spreng
Debut, Features, Interviews, MusicNovember 21, 2025<November 21, 2025

“Just Keep Going”: BEL on Chasing, Making, & Releasing Her ‘Holy Grail,’ and the Quiet Determination at the Heart of Her Debut LP

The Brook & The Bluff © Luke Rogers
Interviews, Music, Today's SongNovember 21, 2025<November 21, 2025

“We Wanted to Come Out of the Gates Really Hot”: The Brook & The Bluff Ignite a New Era with “Super Bowl Sunday,” a Hard-Hitting, High-Voltage Anthem of Motion & Self-Reckoning

The Sophs © Eric Daniels
Artist to Watch, Interviews, MusicNovember 20, 2025<November 20, 2025

“Never Deny Yourself Anything”: LA’s The Sophs Push Confession, Chaos, & Catharsis to the Brink on “DEATH IN THE FAMILY”

Izzy Outerspace "Closer" © 2025
Music, Music Videos, PremieresNovember 20, 2025<November 20, 2025

“If You’re Still Here, I Offer You the World”: Izzy Outerspace Unleashes a Dramatic, Impassioned, & Turbulent Reckoning on “Closer”

Elliott Skinner © Hashim Musa
Artist to Watch, Interviews, MusicNovember 19, 2025<November 24, 2025

“I Don’t Want Another Fantasy”: Elliott Skinner Channels Light, Lineage, & a Quiet Reckoning on “RECALLING”

Atwood Magazine's 137th Editor's Picks!
Columns, Editor's Picks, Features, MusicNovember 14, 2025<November 14, 2025

Editor’s Picks 137: Amanda Bergman, The Paper Kites, Mon Rovîa, Jade Street, Dollpile, & Elliott Skinner!

Black Country, New Road © Eddie Whelan
Features, Interviews, MusicNovember 14, 2025<November 14, 2025

“Forever Howlong”: Black Country, New Road on Connection, Community, & Building a Shared Universe Together

Ber "Good, Real" © Tom Thornton
Interviews, Music, Today's SongNovember 14, 2025<November 14, 2025

“It’s a Gold Rush”: Ber Falls Hard & Fast on “Good, Real,” Her Shiny, Sun-Soaked Love Song

Tomás Tomás © Jess Farran
Interviews, Music, Music Videos, PremieresNovember 13, 2025<November 13, 2025

“The Sweetest of Sounds”: Tomás Tomás’ “Brought It Down” Is a Smoky, Soul-Stirring Reverie of Memory, Longing, & Midnight Drift

Sophia Hansen-Knarhoi © Milda Ambrozaite
Music, Music Videos, PremieresNovember 13, 2025<November 13, 2025

“A Moment of Rage”: Sophia Hansen-Knarhoi Unleashes a Haunting, Bruised & Beautiful Storm in “All the things that aren’t you”

JULESY © Charlie Hyman
Interviews, Music, Music Videos, PremieresNovember 13, 2025<November 13, 2025

“I Know You Know Me Now”: Brooklyn’s JULESY Ignites Youthful Chaos & Emotional Reckoning in “Blue Lie,” a Dreamy, Cinematic Standout Off Debut ‘Flip the Bed’

ANT ENOCH "9INE to 5IVE" © Shari Annabell
Interviews, Music, Today's SongNovember 13, 2025<November 12, 2025

“The Space Between the Club and the Confessional”: ANT ENOCH Reckons with Self-Worth & Freedom on “9INE to 5IVE,” a Cinematic Fever Dream

Kita Alexander © Rob Tennent
Interviews, MusicNovember 12, 2025<November 12, 2025

“It’s Messy, It’s Fun, & It’s Alive”: Kita Alexander Channels Late-Night Euphoria in “I Don’t Wanna Go Home,” a Carefree, Feel-Good Pop Anthem

X Ambassadors 'VHS(X)' © 2025
Debut, Features, Interviews, MusicNovember 11, 2025<November 11, 2025

“A Rare Chance to Rewrite Our History”: X Ambassadors Reclaim Their Past & Redefine Their Present with ‘VHS(X),’ a Reimagining of Their Cinematic Masterpiece

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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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