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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Magic Whip - Blur
Columns, Music, Today's SongApril 18, 2015<April 18, 2015

Today’s Song: “My Terracotta Heart” – Blur

Language & Perspective - Bad Suns
Columns, Debut, Features, Music, Music You Should Know, ReviewsApril 16, 2015<April 17, 2015

Music You Should Know: Bad Suns’ “Language & Perspective”

Delta Rae
Concerts, Music, News, PhotographyApril 15, 2015<April 16, 2015

Concert Shots: Delta Rae / Greg Holden @ Webster Hall, NY

Steps - Handsome Ghost
Concerts, Features, Interviews, MusicApril 14, 2015<April 14, 2015

The Ethereal and the Real: A Conversation with Handsome Ghost

Columns, Music, Today's SongApril 8, 2015<April 8, 2015

Today’s Song: “RUN” – San Cisco

Columns, Music, Today's SongApril 5, 2015<April 5, 2015

Today’s Song: “Meet Me” – Animal Years

Dear Misfortune, Mother of Joy - Broken Back
Columns, Music, Today's SongApril 1, 2015<April 1, 2015

Today’s Song: “Happiest Man On Earth” – Broken Back

Concerts, Features, Music, News, Our Take, ReviewsMarch 27, 2015<March 27, 2015

SOLD OUT! CATFISH AND THE BOTTLEMEN STEAL NYC

Chaos and the Calm - James Bay
Debut, Features, Music, Our Take, ReviewsMarch 25, 2015<October 29, 2015

James Bay’s Chaos and the Calm: A Track-by-Track Review

Jack Garratt
Music, Today's SongMarch 24, 2015<March 20, 2016

Today’s Song: The Beautiful Layers of Jack Garratt’s “Worry”

Music, Today's SongMarch 20, 2015<March 20, 2015

Today’s Song: “Begging” – Lions Head

Dope Machines - The Airborne Toxic Event
Features, Music, Our Take, ReviewsMarch 14, 2015<March 14, 2015

The Airborne Toxic Event are reborn on Dope Machines

Debut, Features, Interviews, Music, ReviewsMarch 10, 2015<February 23, 2016

Taylor Berrett Rises with “Great Falls”

A Silent Film are Robert Stevenson (left) and Spencer Walker (right)
Columns, Music, Today's SongMarch 4, 2015<August 27, 2015

Today’s Song: “Tomorrow” – A Silent Film

Cardboard Kids 5
Debut, Features, Interviews, MusicFebruary 26, 2015<February 26, 2015

Southern Rock in the Modern Age: A Conversation with Cardboard Kids

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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