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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The War on Peace © Chris Hershman
Music, PremieresMarch 20, 2017<April 1, 2017

Premiere: The War on Peace Face Broken Dreams and Suffering on “Fear of Loss”

New Politics © Max Schwartz
Features, Music, Reviews, This Just InMarch 17, 2017<May 15, 2017

Review: New Politics’ “One of Us” is the Inclusive Anthem 2017 Needs

Robes © 2017
Debut, Music, PremieresMarch 17, 2017<March 17, 2017

Album Premiere: ROBES’ ‘Indecline’ Ascends with Heavy Hits & Insights

Departures, Vol. 1 – North Atlantic Drift
Music, PremieresMarch 16, 2017<March 16, 2017

Album Premiere: Float Away on North Atlantic Drift’s ‘Departures Vol. 1’

CASPR © 2017
Debut, Features, Music, PremieresMarch 14, 2017<March 21, 2017

Premiere: CASPR is “Crazy” in Love on Haunting Debut

Br'er © Lindsay Hogan
Music, PremieresMarch 13, 2017<March 13, 2017

Premiere: Br’er’s “Help Me Live” Commits to Life in the Face of Death

Aquilo © Morgan Hill Murphy
Features, Interviews, MusicMarch 13, 2017<March 13, 2017

Silhouettes and Sad Songs: A Conversation with Aquilo

A Deer A Horse © Lauren Galloway
Features, Music, PremieresMarch 9, 2017<March 9, 2017

EP Premiere: A Deer A Horse’s ‘Backswimmer’ is Heavy, Dirty, and Uncompromisingly Raw

The Fuzzy Crystals © Andrew MacPherson
Music, PremieresMarch 9, 2017<March 9, 2017

Premiere: Truth, Rock, and Revolution on The Fuzzy Crystals’ “The King Is Dead”

Little Person © 2017
Debut, Music, PremieresMarch 9, 2017<March 9, 2017

Premiere: Little Person Blend Harmony and Gloom on the Dazzling “Somebody Said”

Music, Music Videos, PremieresMarch 7, 2017<March 8, 2017

Video Premiere: Rainbow Arabia Mix Bliss and Horror on the Stunning “Modern Contemporary”

"Delilah" - Greyface still
Music, Music Videos, PremieresMarch 7, 2017<March 7, 2017

Video Premiere: Greyface Get Along on the Feel-Good Warmth of “Delilah”

Carly Van Skaik © 2017
Music, PremieresMarch 7, 2017<March 7, 2017

Premiere: Carly Van Skaik Magnifies the Moment on “Closer to Heaven”

"Drunk" - Anteros music video still
Features, Music, Music Videos, This Just InMarch 7, 2017<March 15, 2017

This Just In: Under the Influence of Anteros’ Intoxicating “Drunk”

Ghostly Kisses © Sam St Onge
Columns, Music, Today's SongMarch 3, 2017<March 3, 2017

Today’s Song: The Numb Grieving of Ghostly Kisses’ Melancholy “Garden”

Posts pagination
1 … 289 290 291 292 293 … 313

Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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