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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Camp Saint Helene © Angela Ricciardi & Silken Weinburg
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 10, 2024

“Existence is a revolution”: Camp Saint Helene’s ‘Of Earth and Its Timely Delights’ Grief & Possibility

Lonestar - Dreamer Boy
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 10, 2024

“A blurry mess of love and jest”: Dreamer Boy’s Aching Heart Shines on ‘Lonestar,’ a Radiant Record of Romance & Reckoning

Jodie Nicholson © Ellen Dixon
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 14, 2024

“Call me when it’s all unraveling”: Jodie Nicholson Breaks Down Her Soul-Stirring Sophomore Album ‘Safe Hands’

Raveloe's debut album 'Exit Light'
Debut, Features, Interviews, Music, Track-by-TrackMay 9, 2024<May 9, 2024

“Shifting, Holding, & Stirring”: Glasgow’s Raveloe Debuts With an Exhale of Raw Humanity in ‘Exit Light,’ a Record of Intimacy, Vulnerability, & Connection

Peach Luffe © Alex Lam
Features, Interviews, Music, Track-by-TrackMay 9, 2024<May 9, 2024

“A healthy kind of sweet”: Peach Luffe’s Love-Soaked ‘Honey’ EP Is a Natural High

Corella 'Once Upon a Weekend' © Jake Haseldine
Debut, Features, Interviews, Music, Track-by-TrackMay 9, 2024<May 9, 2024

Once Upon a Weekend: Corella’s Debut Album Is a Spirited Soundtrack to Chasing Our Dreams & the 9-5 Grind

HELLCAT - Kitty Coen
Debut, Features, Interviews, Music, Track-by-TrackMay 8, 2024<May 8, 2024

“Western Witch Rock”: Nashville’s Kitty Coen Unleashes Her Inner ‘HELLCAT’ on Impassioned & Unapologetic Debut Album

h. pruz © Felix Walworth
Debut, Features, Interviews, Music, Track-by-TrackMay 8, 2024<May 8, 2024

“Vinegar in a stream”: Brooklyn’s h. pruz Bares Their Soul in Debut ‘No Glory,’ an Achingly Raw Album of Change, Guilt, & Growth

Quiet Canyons © Casey Curry
Features, Interviews, Music, Track-by-TrackMay 8, 2024<May 8, 2024

“It’s ok to be a work in progress”: Quiet Canyons’ Tim Williams on His Heartfelt & Therapeutic New Album ‘Chairs’

Britti © Jim Herrington
Debut, Features, Interviews, Music, Track-by-TrackMay 7, 2024<May 7, 2024

“Timeless, Passionate, & Breathtaking”: NoLa’s Britti Spills Her Soul in ‘Hello, I’m Britti.’ a Smoldering Coming-of-Age Debut

snarls © Sumner Howells
Features, Interviews, Music, Track-by-TrackMay 7, 2024<May 7, 2024

“A damn love letter”: Snarls’ Sophomore LP ‘With Love,’ Basks in the Heat of Intimate Connection, Raw Emotion & Alt-Rock Energy

Ethel © Victor Jacques Sebb
Debut, Features, Interviews, Music, Track-by-TrackMay 6, 2024<May 6, 2024

‘The Burden of Fever Dreams’: Parisian Artist Ethel Dwells in Hazy, Dreamy Depths on Seductive & Smoldering Debut EP

'somebody's daughter' by néomí © Liz van den Akker
Debut, Features, Interviews, Music, Track-by-TrackMay 6, 2024<May 6, 2024

“Don’t forget I’m still somebody’s daughter”: néomí’s Breathtaking Debut Album Shines With Her Real, Raw, & Unfiltered Humanity

Isaac Dunbar 'Beep Beep Repeat' © Thom Kerr
Music, ReviewsMay 6, 2024<May 5, 2024

“A whole lot of glitter to shake off”: NYC Comes to Life in Isaac Dunbar’s ‘Beep Beep Repeat,’ a Record of Glitz, Glam, Dreaming Big Dreams & Dancing All Night Long

Eden Rain © 2024
Music, Reviews, This Just InMay 6, 2024<May 5, 2024

“If it isn’t broke, don’t fix it”: Eden Rain Mourns Another “Great Nothing” In Her Angsty & Aching Non-Lovers’ Lament

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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