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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Hannah Connolly by Cody Ackors
Music, PremieresApril 9, 2024<April 9, 2024

“Busy living on the outside”: The Dreamy, Restless Ache of Hannah Connolly’s “Shadowboxing”

Luke Francis © Jake Gombis
Music, PremieresApril 9, 2024<April 9, 2024

Premiere: Luke Francis’ “Go Home” Is a Heavy-Hearted Stroll Through Palm Springs

B-Drop
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Premiere: B-Drop Worldwide Showcases Lily Kershaw, Alayna, & E. G. Daily

Emily Wurramara © Claudia Sangiorgi Dalimore
Columns, Music, Today's SongApril 4, 2024<April 4, 2024

“It’s a reflection on my life, my truth, my pain”: Dwelling in Emily Wurramara’s “Midnight Blues”

Medium Build © Tyler Krippaehne
Columns, Music, Reviews, This Just In, Today's SongApril 4, 2024<April 4, 2024

“Knowing you exist takes a load off me”: Basking in Medium Build’s Beautiful Love Song

Merce Lemon 'Will You Do Me A Kindness' © Nathan Cephas
Music, Reviews, This Just InApril 4, 2024<April 4, 2024

“Point the sun right into my flesh”: Merce Lemon’s “Will You Do Me a Kindness” Is a Cathartic Collage of Life’s Little Moments

Songs for the Canyon - John Vincent III
Features, Interviews, Music, Track-by-TrackApril 3, 2024<April 7, 2024

“What’s a little pain without sunshine?”: John Vincent III Spills His Heart & Soul in Sophomore Album ‘Songs for the Canyon’

Brimheim 'RATKING' © Andre Hansen
Features, Interviews, Music, Track-by-TrackApril 3, 2024<April 3, 2024

“Violent, But Beautiful”: Brimheim Is Unfiltered & Unleashed on ‘RATKING,’ a Bold, Breathtaking Record of Raw Humanity

Night Flight's Harry Phillips (left) and Sam Holmes (right) © 2024
Music, Reviews, This Just InApril 2, 2024<April 3, 2024

“Summer came and left along with you”: London’s Night Flight Return With “English Noise,” a Dreamy, Nostalgic Reverie

h. pruz © Felix Walworth
Columns, Music, Today's SongApril 2, 2024<April 2, 2024

“Forget everything else is real”: Basking in the Sweet Heat of h. pruz’s “Dark Sun,” an Intimate & Love-Soaked Indie Folk Daydream

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Music, Music Videos, PremieresApril 1, 2024<April 1, 2024

Premiere: East London’s Naomi Kimpenu Returns with “Naomi’s Lament,” a Soul-Stirring Ballad of Raw, Unfiltered Heartache

Bea and her Business © Lewis Vorn
Columns, Music, Today's SongMarch 29, 2024<March 29, 2024

“I’m a wet wipe”: London’s Bea and her Business Catches Big Feelings on “WOW!” an Irresistible Ode to Falling in Love

Close Talker © Nicole Plett
Features, Interviews, MusicMarch 29, 2024<March 29, 2024

Track-by-Track: Close Talker’s Achingly Intimate, Self-Reflective ‘The Sprawl’ Dwells in Vulnerability & Soul-Stirring Sound

Temme Scott © Caity Krone
Interviews, Music, Music Videos, PremieresMarch 28, 2024<March 28, 2024

“What if I don’t love you in the morning?”: Temme Scott Premieres Her Beautifully Aching Anti-Love Song, “Softly”

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Music, PremieresMarch 28, 2024<March 28, 2024

“I want you to see me as I am”: The Heat, Heartache, & Dark Pop Passion of Brett Altman’s “Eye Masking”

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