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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Friedberg © Lewis Vorn
Columns, Music, Today's SongNovember 3, 2024<January 6, 2025

Today’s Song: Friedberg’s “Hardcore Workout Queen” Is a Seductive & Cinematic Indie Pop Fever Dream

Tom A. Smith and swim school's Alice Johnson © 2024
Columns, Music, Today's SongNovember 2, 2024<November 1, 2024

Tom A. Smith’s Emotionally Charged Masterpiece, “I Don’t Want You to Have to Remember Me for Longer Than You Ever Knew Me” (ft. swim school)

Amahla © Justina Stasiunaite
Columns, Music, Today's SongNovember 1, 2024<November 1, 2024

“Please don’t waste my time when rent is due”: Amahla’s Inner Light Shines on “Money”

BENJAMIN - Jake Isaac
Features, Interviews, Music, Track-by-TrackNovember 1, 2024<November 2, 2024

“Soul, Stories, & Sentiments”: Jake Isaac Shines a Light on ‘BENJAMIN,’ His Beautifully Intimate Fourth Album

Clearwater Swimmers © Preston Ossman
Debut, Features, Interviews, Music, Track-by-TrackNovember 1, 2024<November 1, 2024

“Earnest, Intimate, & Resigned”: The Clearwater Swimmers Find Catharsis & Connection on Their Achingly Raw Debut

Tangerine © Miró Justad
Debut, Features, Interviews, Music, Track-by-TrackNovember 1, 2024<November 1, 2024

“I’m still alive and I’m still hungry”: Tangerine’s Expansive, Ethereal, & Bittersweet Debut, ‘You’re Still the Only One’

Soda Blonde are (L to R): Dylan Lynch, Faye O’Rourke, Donagh Seaver O’Leary, and Adam O’Regan © 2024
Columns, Music, Today's SongOctober 31, 2024<October 31, 2024

Today’s Song: Soda Blonde’s “Bully” Is an Irresistible Anthem of Angst, Brain Rot, & Inner Turmoil From Dublin’s Finest

Bermuda Search Party © Stephanie Larsen
Music, Music Videos, PremieresOctober 30, 2024<October 30, 2024

“It’s the fear of drowning that helps us swim”: Boston’s Bermuda Search Party “Shiver” Through Fear With Grace & Strength

Jake & Abe © Charlie Weinmann
Debut, Features, Interviews, Music, Track-by-TrackOctober 30, 2024<October 30, 2024

Track-by-Track: The Intoxicating Allure of Jake & Abe’s Funky, Sweaty, & Seductive Debut Album, ‘Finally!’

Devarrow © Bells Larsen
Features, Interviews, Music, Track-by-TrackOctober 29, 2024<November 7, 2024

Track-by-Track: Finding Joy in Devarrow’s Fun, Carefree, & Cathartic Fourth Album, ‘Heart Shaped Rock’

Skinny Dyck © Heather Saitz
Features, Interviews, Music, Track-by-TrackOctober 29, 2024<October 29, 2024

“Country, but not country”: Inside Skinny Dyck’s Gentle, Dreamy, and ‘Easygoing’ Sophomore Album

Gordi and SOAK © Nicola O’Reilly
Columns, Music, Today's SongOctober 28, 2024<October 27, 2024

“Everything is fleeting except you and I”: Gordi & SOAK Craft a Sacred Space in “Lunch At Dune,” a Folktronic Breath of Love and True Connection

Mk.gee "ROCKMAN" © Will Shaw
Columns, Music, Today's SongOctober 27, 2024<October 27, 2024

“Honey, just shut up and ride”: Mk.gee’s Dreamy, Seductive, & Smoldering “ROCKMAN”

Cecilia Castleman © Carly Butler
Artist to Watch, Columns, Music, Today's SongOctober 24, 2024<October 24, 2024

Today’s Song: Cecilia Castleman’s Wistful “Looking for June” Aches With the Sting of Growing Apart

Lola Young © Sophie Jones
Features, Interviews, MusicOctober 24, 2024<October 24, 2024

“Finding my voice has been a journey of resilience”: Lola Young Is Raw, Honest, Unapologetic, & Messy – and We Wouldn’t Have Her Any Other Way

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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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