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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Hey Violet 'Aftertaste' © KayKay Blaisdell
Features, Interviews, MusicJune 6, 2024<June 10, 2024

Interview: Hey Violet’s Rena Lovelis Talks Healing, Reinvention, & the Band’s Final Album, ‘Aftertaste’

Warren Dunes © Brady Harvey
Music, Music Videos, PremieresJune 5, 2024<June 5, 2024

Premiere: Warren Dunes’ “Freestyle Day Spa” Is a Sunny & Spirited Reminder That “There’s Plenty of Time Left”

Tinsley "Good Ride" © Kyla Mae Cantillo
Music, PremieresJune 5, 2024<June 5, 2024

Premiere: Tinsley’s Dreamy Country-Pop Song “Good Ride (Mechanical Bullshit)” Aches With a Tender Indie Twang

Jon Muq’s debut album, Flying Away
Debut, Features, Interviews, Music, Track-by-TrackJune 4, 2024<June 4, 2024

“It’s in my blood, I was born to roam”: Jon Muq Finds His Home in Song on Debut Album ‘Flying Away’

The Stanford Family Band © Milo Costelloe
Debut, Features, Interviews, Music, Track-by-TrackJune 4, 2024<June 4, 2024

Track-by-Track: The Stanford Family Band’s Vibrantly Vintage Debut EP Is Here ‘For Your Listening Pleasure’

The Art of Getting Through - Imogen Clark
Features, Interviews, Music, Track-by-TrackMay 31, 2024<May 31, 2024

Track-by-Track: Imogen Clark’s ‘The Art of Getting Through’ Is a Rallying Cry for Survival & the Human Spirit

Niamh Regan 'Come As You Are' © Molly Keane
Features, Interviews, Music, Track-by-TrackMay 31, 2024<May 31, 2024

“I’m in it for the long haul, baby”: Niamh Regan Embraces a Spirit of Truth in ‘Come As You Are,’ a Breathtaking Record of Raw Self-Acceptance

Bo Baskoro © Shawnie Fortune
Music, PremieresMay 31, 2024<November 2, 2025

“Don’t be scared to feel too much”: Bo Baskoro’s “Give You Up” Is a Heartfelt Song About Showing Up for Our Loved Ones

Closebye © Nicole Miller
Columns, Music, Today's SongMay 30, 2024<May 30, 2024

“I’m just a big mess”: NYC’s Closebye Light a Face-Melting Fire on “Pilates,” a Vibey, Emotionally Charged Fever Dream

Cassia © Marieke Macklon
Features, Interviews, MusicMay 30, 2024<May 30, 2024

“We are all about shining a light on the difficult times”: Cassia Find a New Groove in ‘Home Soon…,’ a Summery, Sun-Soaked Reverie

Eliza & The Delusionals © Nick Maguire
Columns, Interviews, Music, Today's SongMay 29, 2024<May 29, 2024

Interview: Eliza & the Delusionals’ Sun-Kissed, Love-Soaked “Falling for You” Teases a Bold New Era Ahead of Their Sophomore Album

Byland "Two Circles" © Dark Details
Music, Music Videos, PremieresMay 29, 2024<May 29, 2024

“You’re a chorus, I’m a verse”: Byland’s Hauntingly Beautiful Fever Dream “Two Circles” Aches With an Endless, Heavy Weight

Abby Holliday "The Price" © Grace Holliday
Columns, Music, Today's SongMay 28, 2024<May 28, 2024

“All at once, I’m met with my past”: Abby Holliday Pays “The Price” in Her Cathartic, Achingly Intimate Anthem of Acceptance & Letting Go

The Howl & The Hum "Same Mistake Twice" © 2024
Columns, Music, Today's SongMay 27, 2024<May 25, 2024

The Howl & The Hum’s “Same Mistake Twice” Is a Dynamic, Dramatic, & Deeply Sentimental Return

Sinkane's Ahmed Gallab © Chloe Morales-Pazant
Features, Interviews, MusicMay 24, 2024<May 24, 2024

“A love letter to the Black experience”: Sinkane’s Ahmed Gallab Talks New Album ‘We Belong,’ Finding Purpose Through Community, & the Joys of Music Theory

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Recent Posts

  • Editor’s Picks 154: Borderline, Fiona-Lee, verygently, Adrian Lyles, Winyah, & Kat Cunning! May 8, 2026
  • Atwood Magazine’s Weekly Roundup: May 8, 2026 May 8, 2026
  • Roundtable Discussion: A Review of BTS’ ‘ARIRANG’ May 8, 2026
  • “We’ve Been Alone in This Long Enough”: An Essay by Aubrie Sellers May 8, 2026
  • Daniel Arison Turns Emotional Whiplash into Something Deeply Personal on “Sad” May 8, 2026
  • “Taking Pictures I Can’t Wait to Show You”: Zach Seabaugh Offers a Heartfelt Ballad of Love, Distance, & Devotion with “I Am Only Ever Thinking About You” May 7, 2026
  • “It’s Like I Went from Black and White to Color”: The Head and The Heart on 15 Years of Harmony, Friendship, & Open Roads May 7, 2026
  • Swallowing the Sky Whole: Beatrix’s Gorgeous Reckoning with Love and Loss May 7, 2026
  • “Take the Wheel. Take a Breath. Take Heart”: Jon Bryant and Rose Betts Shine on “Take Heart,” a Breathtaking Folk Reverie of Healing, Presence, & Brotherly Love May 7, 2026
  • Annabelle Dinda Dazzles Boston’s Brighton Music Hall with a Triumphant Kickoff to Her Sold-Out Headline Tour May 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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