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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Linn Koch-Emmery 'Borderline Iconic' © Jonas Carmhagen
Features, Interviews, Music, Track-by-TrackJune 27, 2024<June 27, 2024

‘Borderline Iconic’: Linn Koch-Emmery Unpacks Her Feverish, Triumphant, & Aching Sophomore Album

Alexander Biggs © 2024
Music, PremieresJune 26, 2024<June 26, 2024

Premiere: Basking in Alexander Biggs’ Dreamy, Beachy & Aching Reverie, “don’t mean a thing”

Marlin's Dreaming © Chris Mauger
Music, Music Videos, PremieresJune 25, 2024<June 25, 2024

“Hello My Dear”: Marlin’s Dreaming Craft a Soul-Stirring Meditation on Home & Change, Time & Place

New Gaze © Aubrey Simpson
Debut, Music, Music Videos, PremieresJune 25, 2024<June 25, 2024

“We’re all we can see”: London’s New Gaze Bask in Infatuation’s Glow on Sun-Kissed, Love-Soaked Debut

Murray Matravers of the band hard life, FKA easy life © Isaac Lamb
Debut, Music, Reviews, This Just InJune 25, 2024<May 16, 2025

“It’s a hard life, I can’t lie it’s been a rush”: easy life Return As hard life With Triumphant Single “tears”

Alycia Lang © Al Binghama
Debut, Features, Interviews, Music, Track-by-TrackJune 21, 2024<June 21, 2024

Speak the Word to Hear the Sound: Alycia Lang Unpacks the Grief, Passion, & Vulnerability at the Heart of Her Debut Album

Cry Baby © Alec Ilstrup
Artist to Watch, Debut, Features, Interviews, MusicJune 21, 2024<June 24, 2024

“It’s a fun label to lean into”: Brooklyn Boy Band Cry Baby Talk ’90s Nostalgia, NYC’s Music Scene, & Debut EP ‘In Love Without You’

juicer © Barrett Shuler
Debut, Features, Interviews, Music, Track-by-TrackJune 20, 2024<June 20, 2024

Retire the Fences: Brooklyn’s juicer Unleash Waves of Dreamy Indie Rock Wonder in Their Debut Album

Sohodolls "Napoleon Baby" © 2024
Music, PremieresJune 20, 2024<June 21, 2024

“Battlefield inside my brain”: Sohodolls Premiere “Napoleon Baby,” a Song of Dreams, Drives, and the Seduction of Success

False Comforts by Max Blansjaar
Debut, Features, Music, PremieresJune 20, 2024<June 20, 2024

Album Premiere: Max Blansjaar’s Debut LP ‘False Comforts’ Is a Radical Record of Rebellion, Reckoning, & (Un)Resolve

Joe P © Jimmy Fontaine
Features, Interviews, MusicJune 20, 2024<June 19, 2024

“We take pictures so we remember who we are”: NJ’s Joe P Talks Memory, Photography, & His Impassioned Anthem “Birthday Baby”

Brigitte Calls Me Baby © Scarlet Page
Music, Reviews, This Just InJune 19, 2024<June 19, 2024

Artist to Watch: Brigitte Calls Me Baby Are Unleashed in Dramatic, Existential Anthem “We Were Never Alive”

Glass Animals © Drewby Perez
Columns, Music, Today's SongJune 19, 2024<June 18, 2024

“Water, running down my face”: Glass Animals’ Aching, All-Consuming Anthem “A Tear in Space (Airlock)”

Blind Pilot © 2024
Columns, Features, Interviews, Music, Today's SongJune 18, 2024<June 24, 2024

“There’s always a deeper truth to hold”: Blind Pilot Soar Once More on “Just a Bird,” Their First Song in 8 Years

Aquilo 'Painkiller' © Harvey Pearson
Columns, Features, Interviews, Music, Today's SongJune 14, 2024<June 19, 2024

“A lot of these songs are about close friends, partners, and loss”: Aquilo’s New Music Aches From the Inside Out

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Recent Posts

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  • Annabelle Dinda Dazzles Boston’s Brighton Music Hall with a Triumphant Kickoff to Her Sold-Out Headline Tour May 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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