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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Sarah Isabella 'The Keeper' © Salam Zaied
Debut, Features, Interviews, Music, Track-by-TrackAugust 8, 2024<August 8, 2024

“I’ll meet you in the fire”: East London’s Sarah Isabella Emerges on Soulful, Spiritual & Smoldering Debut EP ‘The Keeper’

Font © Rosie Clements
Debut, Features, Interviews, Music, Track-by-TrackAugust 7, 2024<August 7, 2024

Track-by-Track: Austin’s Font Debut With Dance-Punk Fever Dream ‘Strange Burden’

Never Ending Fall © Austin Cieszko
Features, Interviews, MusicAugust 7, 2024<August 9, 2024

“Disco will never die”: Never Ending Fall Find Reinvention Through Rock Songs on ‘American Disco,’ Their Irresistible Sophomore Album

Sunflower Thieves "How Was America" © Nick Porter
Features, Interviews, Music, Today's SongAugust 7, 2024<August 7, 2024

Interview: Leeds’ Sunflower Thieves Talk Friendship, “How Was America,” and the Heavy Weight of Ghosts

Melanie MacLaren "Get it Back" © Blaire Beamer
Music, Music Videos, PremieresAugust 7, 2024<August 7, 2024

“We lost our spark on the FDR”: Melanie MacLaren’s “Get it Back” Aches With the Warm Weight of Love & Grief

Aistis © Sophia Perras
Features, Interviews, Music, Track-by-TrackAugust 7, 2024<August 7, 2024

“Earnest, Manic, & Playful”: Montreal’s Aistis Molds Emotional Turmoil into Musical Excellence on ‘Clay’

Hamish Anderson © Emma Gillett
Music, Music Videos, PremieresAugust 5, 2024<August 5, 2024

Premiere: Hamish Anderson’s “You’re Mine” Is a Smoldering Display of Love & Blues Rock Charm

Abby Holliday 'CRACK A SMILE COME ON STAY A WHILE' © Grace Holliday
Features, Interviews, Music, Track-by-TrackAugust 2, 2024<August 2, 2024

Track-by-Track: Abby Holliday Invites Us to ‘CRACK A SMILE COME ON STAY A WHILE’ With Her Triumphant & Vulnerable Third Album

Divine Sweater "Counterparts" © Megan Magray
Columns, Music, Today's SongAugust 1, 2024<August 1, 2024

“Hiding in the dark”: Divine Sweater’s Dreamy “Counterparts” & the Power of Companionship

Abbie Ozard 'everything still worries me' © Charlotte Rudd
Debut, Features, Interviews, Music, Track-by-TrackAugust 1, 2024<August 1, 2024

Track-by-Track: Manchester’s Abbie Ozard Channels Anxiety into Celebration on Her Coming-of-Age Debut Album ‘everything still worries me’

Small Shake © Marcus Shriver
Columns, Music, Today's SongJuly 31, 2024<July 31, 2024

“I will love you until I let it go”: LA’s Small Shake Channels Frustration into Love on Dreamy Song “Toxic”

Been Stellar 'Scream From New York, NY' © Gabe Long
Debut, Features, Interviews, MusicJuly 30, 2024<July 30, 2024

Interview: Been Stellar Debut With Raw Energy, Urgency, and an All-Consuming ‘Scream From New York, NY’

Beau "Talk to Me" © Chad Moore
Columns, Interviews, Music, Today's SongJuly 26, 2024<July 26, 2024

“Sometimes people say a lot without saying a thing”: NYC Indie Pop Duo Beau Embark on a New Era With Dreamy Song “Talk to Me” & Sophomore LP ‘Girl Cried Wolf’

Ginger Winn 'Stop-Motion' © Brooklyn Zeh
Debut, Features, Interviews, Music, Track-by-TrackJuly 24, 2024<July 24, 2024

Track-by-Track: Ginger Winn Shines Bright on Her Warm, Wondrous, & Sun-Kissed Debut Album ‘Stop-Motion’

eundohee "Sleep On It" © 박현 Hyun Park
Columns, Music, Today's SongJuly 24, 2024<July 24, 2024

Today’s Song: Seoul’s eundohee Basks in a Dreamy, Manic Light on “Sleep On It” Off Upcoming LP ‘Blue Comedy’

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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