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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Refreshingly bold, irresistibly buoyant, and unflinchingly honest: Jordan Mackampa © Aidan Harmitt-Williams
Features, Interviews, Music, Track-by-TrackFebruary 16, 2024<February 17, 2024

‘WELCOME HOME, KID!’: Jordan Mackampa Is Authentic & Fearless in Soul-Soaked Sophomore LP

Hipsy Gap © Lauren Redman
Columns, Music, Today's SongFebruary 15, 2024<February 15, 2024

“Watching as your words unwind”: Brooklyn’s Hipsy Gap “Fantasize” With an Aching Indie Rock Reverie

Sam Windley © McLean Stephenson
Debut, Features, Interviews, MusicFebruary 15, 2024<February 15, 2024

“Telling a story half-drunk and through song”: Sam Windley Is ‘Pink and Nervous’ on Her Dazzling Debut EP

Hunter Oliveri © 2024
Debut, Interviews, MusicFebruary 14, 2024<February 14, 2024

He’s “Spiraling Out”: 17-Year-Old Hunter Oliveri Is Blazing His Own Angsty Grunge Trail

navel grazr © Rita Iovine
Music, Music Videos, PremieresFebruary 14, 2024<February 14, 2024

Premiere: navel grazr’s Cosmic Indie Rock Reverie “Sun Doesn’t Rise” Is a Song of Sonic & Emotional Fuzz

House of Harm © Eric Bones
Features, Interviews, Music, Track-by-TrackFebruary 13, 2024<February 13, 2024

Intense, Dreamy, & Nostalgic: House of Harm’s ‘Playground’ Is a Dramatic Post-Punk Fun House

Brigitte Calls Me Baby © Scarlet Page
Debut, Features, Interviews, Music, Track-by-TrackFebruary 13, 2024<February 20, 2024

“It’s about the fragility of life”: Brigitte Calls Me Baby’s Honest, Electric, & Vulnerable Debut EP ‘This House is Made of Corners’

Wynona © Lachlan Chester
Music, PremieresFebruary 13, 2024<February 13, 2024

“I’m spilling out as you’re pouring in”: Wynona’s Romantic Anthem “Kiss Me, Kiss Me” Is an Irresistible Celebration of Love & Connection

Soren Hansen © David Patino
Debut, Interviews, MusicFebruary 12, 2024<February 12, 2024

“In the end, you just want to feel something”: New Politics’ Søren Hansen Debuts New Solo Project With “Dream That I Die”

Noah Kahan © Pooneh Ghana
Columns, Music, Today's SongFebruary 12, 2024<February 11, 2024

“I won’t be alone for the rest of my life”: Noah Kahan’s Intimate & Epic “Forever” Is a Beautiful Coda to ‘Stick Season’

Sabrina Song © Livy Wicks
Columns, Music, Today's SongFebruary 9, 2024<February 9, 2024

“Excess with no restraint”: Sabrina Song Embraces Vulnerability in “Okay, Okay,” an Impassioned Vow of Love

Alas, - Lily Seabird
Features, Interviews, Music, Track-by-TrackFebruary 8, 2024<February 8, 2024

“Nothing is permanent”: Inside Lily Seabird’s Dark, Dynamic, & Hopeful LP ‘Alas,’ a Record of Grief & Letting Go

Lotusbliss © Keith Kaselampao
Music, Music Videos, PremieresFebruary 8, 2024<February 8, 2024

Premiere: Deafening and Silent, lotusbliss Blast Off With a Fiery Passion on “Tear Me Apart”

Hayley Reardon: Live at Starseed Studios © Chelsey Reardon
Interviews, Music, PremieresFebruary 8, 2024<February 8, 2024

Concert Premiere: Hayley Reardon Is Intimate, Up-Close & Personal on ‘Live at Starseed Studios’

Brown Horse © Katie Jones Barlow
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2024<February 7, 2024

Track-by-Track: Brown Horse’s ‘Reservoir’ Is a Haunting, Intimate Alt-Country Reverie

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