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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Megan Winsor © Lauren Nieves
Music, Music Videos, PremieresMarch 18, 2024<March 18, 2024

Premiere: Megan Winsor’s Soul-Stirring “Sure” Is a Cathartic, Comforting Anthem of Perseverance & Passion

Chinwe © Erique Brown
Artist to Watch, Columns, Music, Today's SongMarch 15, 2024<March 15, 2024

“Will you be around when I come down?”: The Intoxicating Allure of East London’s Chinwe

Been Stellar © Gabe Long
Columns, Music, Today's SongMarch 14, 2024<March 14, 2024

Today’s Song: NYC’s Been Stellar Are Unleashed on “Passing Judgment,” an Unfiltered & Aching Indie Rock Eruption

Talk Show © Ash Rommelrath
Debut, Features, Interviews, Music, Track-by-TrackMarch 14, 2024<March 14, 2024

Track-by-Track: London’s Talk Show Unpack Their Debut LP ‘Effigy,’ a Darkly Alluring Post-Punk Fever Dream

Pillow Queens © Martyna Bannister
Columns, Music, Today's SongMarch 13, 2024<March 13, 2024

“I don’t want to ruin my life, but I want to go home with you”: The Fire & Fury of “Like a Lesson,” Pillow Queens’ Intoxicating Indie Rock Fever Dream

ANT ENOCH & MORETON © Xinger Xanger
Debut, Music, Music Videos, PremieresMarch 13, 2024<March 15, 2024

“Everything that makes you feel, makes me feel”: Intimacy’s Intensity Comes to Life on “Tunnel Road,” Ant Enoch & Moreton’s Smoldering Love Song

Konradsen © Marthe Thu
Features, Interviews, Music, Track-by-TrackMarch 12, 2024<March 12, 2024

Track-by-Track: Konradsen’s Sophomore LP ‘Michael’s Book on Bears’ Is a Cathartic, Shiver-Inducing Nordic Dreamscape

Abby Holliday © Samuel Greenhill
Columns, Music, Today's SongMarch 12, 2024<March 12, 2024

“Don’t turn out the light when I’m in the room”: The Infinite Ache of “Immortal,” Abby Holliday’s Gut-Wrenching Love Song

bog berries © Cooper Evello
Columns, Music, Today's SongMarch 4, 2024<June 20, 2024

“I didn’t expect to be alone this much”: The Gut-Wrenching Vulnerability of bog berries’ Wistful “Nobody Told Me”

Francis of Delirium © Holly Whitaker
Debut, Features, Interviews, MusicFebruary 28, 2024<February 28, 2024

“I hope the song encourages people to let each other in”: Francis of Delirium Is a Lighthouse of Love, Support, & Cathartic Indie Rock

The Mysterines "Stray"
Columns, Music, Today's SongFebruary 28, 2024<February 28, 2024

“Can we just rewind back?”: “Stray” Is The Mysterines’ Achingly Intense, Emotionally Charged Alt-Rock Fever Dream

piggy bank - sly jr
Debut, Interviews, MusicFebruary 26, 2024<February 26, 2024

“Life’s not all bad when I really think”: A Conversation With Sly Jr., Son of Sly

Linn Koch-Emmery © Rory Cole
Columns, Music, Today's SongFebruary 26, 2024<February 26, 2024

“How in the world can we go on?”: Trauma, Grief, & the Raw Ache of Linn Koch-Emmery’s “Ebay Armour”

Speedrun © 2024
Debut, Features, Interviews, Music, Track-by-TrackFebruary 26, 2024<February 26, 2024

Love’s Latest News: Brooklyn’s Speedrun Debuts With a Nostalgic, Introspective, & Electric Indie Rock Reverie

Kareen Lomax © Daniel Wooden
Columns, Music, Today's SongFebruary 23, 2024<February 23, 2024

“My whole life is the proof, live the life that I choose”: Kareen Lomax’s “Remedy” Is an Alt-R&B Self-Love Anthem

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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