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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Medium Build "Last Time" © Tyler Krippaehne
Columns, Music, Today's SongAugust 31, 2025<August 31, 2025

Medium Build Captures Life’s Beauty & the Ache of Endings in “Last Time,” a Smoky, Soulful, & Smoldering Seduction

Alabama Shakes © Bobbi Rich
Columns, Music, Today's SongAugust 30, 2025<August 30, 2025

“Can We Try Again?”: Alabama Shakes Return After a Decade with “Another Life,” a Seductive & Smoldering Fever Dream

Glom © Sebastian Mejias
Artist to Watch, Interviews, MusicAugust 29, 2025<August 29, 2025

“I want to feel alive”: Glom’s “Glass” Is a Fever Dream of Anxious Beauty & Indie Rock Release

Angelsaur © Ivan Campos
Interviews, MusicAugust 29, 2025<August 29, 2025

“A Chaotic Feast”: Angelsaur Are Unraveled & Unfiltered on ‘The Girls Are Stressed,’ a Raw Reckoning With Everyday Life

Atwood Magazine's 132nd Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 28, 2025<September 6, 2025

Editor’s Picks 132: Goldie Boutilier, Mothé, The Aces, Jack Garratt, G Flip, & Of Monsters and Men!

Lydia Luce "Mammoth" © Ryan Usher
Features, Interviews, MusicAugust 27, 2025<August 28, 2025

“It’s Just the Rhythm of Life”: Lydia Luce Climbs Mountains of Pain, Inner Peace, and Motherhood on ‘Mammoth’

Jackson Scribner © Brendan Blaney
Music, PremieresAugust 27, 2025<August 27, 2025

“A Self-Reflection Inside a Song”: Jackson Scribner Finds Midnight Solace in “Mr. Moon,” a Haunting Indie Folk Confessional

Luca Fogale "For" © Brandon Artis
Music, PremieresAugust 27, 2025<August 27, 2025

“For Honour, For Family, For Harmony”: Luca Fogale Premieres “For,” a Spellbinding Indie Folk Surrender to Love, Purpose, & the Race Against Time

S.G. Goodman © Ryan Hartley
Features, Interviews, Music, Track-by-TrackAugust 22, 2025<August 22, 2025

“We Are Nature’s Children, and We Should Act Accordingly”: S.G. Goodman’s ‘Planting by the Signs’ Is a Soul-Stirring Record of Ancient Ritual & Living Legacy

Bleach Lab © Alex Esden
Features, Interviews, Music, Track-by-TrackAugust 22, 2025<August 27, 2025

“Holding Up the Whole Weight of the Sky”: Bleach Lab Unleash Fire & Fury on ‘Close to the Flame,’ a Devastating Dream Pop Reverie

Atwood Magazine's Weekly Roundup | August 22, 2025
Columns, Features, Music, Weekly RoundupAugust 22, 2025<August 25, 2025

Atwood Magazine’s Weekly Roundup: August 22, 2025

Louie Blue "In The Dark" © Julian Riikonen
Artist to Watch, Interviews, Music, PremieresAugust 21, 2025<August 22, 2025

“I Wanted to Make Music That Sounds Like Music Again”: Louie Blue Shines a Light “In the Dark” With a Bold Sound and Breathtaking DIY Style

Atwood Magazine's 131st Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 19, 2025<August 19, 2025

Editor’s Picks 131: The Tullamarines, Ellur, Nadia Kadek, Couch, runo plum, & Still Blank!

The Prickly Pair © Libby Danforth
Music, PremieresAugust 19, 2025<August 19, 2025

Premiere: The Prickly Pair Embrace Love’s Gamble on “Winsome Lose Some Game,” a Tender & Timeless Country Duet

ROREY © Ebru Yildiz
Music, Music Videos, PremieresAugust 14, 2025<August 14, 2025

“I Feel Too Much”: ROREY’s Cathartic & Dreamy “Wish I Was Numb” Is the Euphoric Soundtrack to Our Existential Crisis

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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