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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Atwood Magazine's 149th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 9, 2026<March 9, 2026

Editor’s Picks 149: MEEK, Ray Bull, The Maine, Soda Blonde, Silverdeer, & Noshows!

Almost Heaven © Kylie Bly
Debut, Features, Interviews, MusicMarch 9, 2026<March 10, 2026

“We Came, We Saw, We Partied”: Almost Heaven Debut with a Sweaty and Feverish Disco Ball Haze on ‘RAW CRANIUM’

Gabi Hartmann © Elsa Parra
Features, Interviews, Music, Today's SongMarch 6, 2026<March 6, 2026

“I’m First and Foremost a Traveler”: Gabi Hartmann’s Mesmerizing Voice Carries Wonder, Fragility, and a World of Sound

Ava Della Pietra "3am" © Georgia Nerheim
Music, Music Videos, PremieresMarch 5, 2026<March 23, 2026

“Nothing Bad’s Gonna Happen at 3am”: Ava Della Pietra Faces the Push and Pull of Love on “3am,” a Pulsing Portrait of Hopeful Denial & Late-Night Clarity

MisterWives' Mandy Lee Is Cherry Bomb - "Never Be Me" © Matty Vogel
Debut, Interviews, Music, Today's SongMarch 5, 2026<March 5, 2026

“A Defiant Declaration of Independence”: MisterWives’ Mandy Lee Debuts as Cherry Bomb With the Liberating Disco-Pop Breakup Anthem “Never Be Me (M★therf★cker)”

Feaster "Gene"
Music, PremieresMarch 4, 2026<March 4, 2026

“Like Cauterizing a Wound or Missing Limb”: Feaster Channel Heartbreak & Loss into Fuzzed-Out Catharsis on “Gene”

Mia Nicolai "Nothing Compares to This Feeling" © Joelle Grace
Interviews, Music, Music Videos, PremieresMarch 4, 2026<March 4, 2026

“You Fall Back in Love With Life”: Mia Nicolai Bottles Joy, Rediscovery, & Human Connection on “Nothing Compares to This Feeling,” a Euphoric Pop Reverie

Carter Vail "Ants in My Room" © Makayla Keasler
Interviews, Music, Today's SongMarch 4, 2026<March 4, 2026

“Yes, It’s About Ants”: Carter Vail Turns Paranoia, Loneliness, and Absurdity into an Indie Pop Earworm on “Ants in My Room”

Emory Duncan © Breigha Marguerite Duncan
Music, PremieresMarch 3, 2026<March 3, 2026

“Your Light Leaking In Pulled the Teeth Out My Fight”: Emory Duncan Follows the Warm Light of Love Toward Home on “Halifax,” a Smoldering Folk Reverie

Claire Rosinkranz "Chronic" © Sabra Binder
Columns, Music, Today's SongMarch 3, 2026<March 3, 2026

“Easy, Twisted, Comfortable”: Claire Rosinkranz Turns Chronic Illness into a Beautifully Raw Reckoning on “Chronic”

Endearments © Rita Iovine
Interviews, Music, Today's SongFebruary 27, 2026<February 27, 2026

“You’re in Love, But You’re Not Happy”: Endearments Soundtrack Romantic Disillusionment in Shimmering Detail on “Real Deal” & Debut LP ‘An Always Open Door’

Bad Tiger's Yasi Lowy © 2026
Interviews, Music, Today's SongFebruary 26, 2026<February 26, 2026

“A Brief Break in the Clouds”: Bad Tiger Finds Grace in Grief on “Do It Right,” a Clear-Eyed Folk Mantra

Atwood Magazine's 148th Editor's Picks!
Columns, Editor's Picks, Features, MusicFebruary 19, 2026<February 19, 2026

Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing!

Donovan Woods "I Talk About You" © Tiana Lam
Interviews, Music, Today's SongFebruary 19, 2026<February 19, 2026

“I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy

The 4411 "Sweet July" © 2026
Interviews, Music, Today's SongFebruary 18, 2026<February 18, 2026

“Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time

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Recent Posts

  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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  • Magdalena Bay Turn Kilby Block Party into a Mercurial World with Their Rain-Soaked Set May 28, 2026
  • “How Dare You?”: Isabelle Skye Turns a Traumatic Encounter into a Beautiful, Empowering Indie Pop Reckoning on “Subaru” May 27, 2026
  • “It’s You and the Stranger Who Wrote It”: Vansire Find Sunlit Solace on “For the Moment,” a Feel-Good Indie Pop Reprieve for Uncertain Times May 27, 2026
  • “I Want All Beautiful Things”: Emma Louise Finds Inner Strength on ‘Sunshine for Happiness’ May 27, 2026
  • Electrifying, Explosive, and Colorful: London’s Marigo Bay Arrives with Cathartic Debut LP ‘Racecars & Rockstars’ May 27, 2026
  • “These Songs Found Me”: Matt Hansen’s Debut Album ‘Orchid’ Says the Quiet Part Out Loud May 27, 2026
  • Editor’s Picks 155: Houndmouth, Fruit Bats, Nymphlord, Aquilo, corook, & Big Sleep! May 22, 2026
  • “Our Reality Is Noisy”: April + VISTA Make Comfort Music for a World on Fire with ‘Traditional Noise,’ a Cinematic & Boundary-Breaking Debut May 21, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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