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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Brooklyn Del & the Revelators "Baptized of You" © Jason Hooper
Music, Music Videos, PremieresJuly 1, 2026<July 1, 2026

“I Took My Body to the Water”: Brooklyn Del & The Revelators Wash the Past Away on “Baptized of You,” a Seductive Desert-Country Reawakening

Gareth Dunlop © Jamie Neish
Interviews, Music, Today's SongJuly 1, 2026<July 1, 2026

“Sorrow Is Love’s Souvenir”: Gareth Dunlop Sings Through Grief’s Ancient Ache on “Wish I Couldn’t Feel a Thing,” a Soul-Stirring Alt-R&B Reckoning

CR & The White Lights © Liz Sadkowski, Chris Gennone
Music, Music Videos, PremieresJune 30, 2026<June 30, 2026

“What Happened to You, My Friend?”: CR & The White Lights Revisit Lost Ties on “Yearbook,” a Dreamy Alt-Country Reckoning

Atwood Magazine's 159th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 26, 2026<June 26, 2026

Editor’s Picks 159: Lucia & The Best Boys, Soft Loft, Martin Luke Brown, TAURO, Cassia, & Bekah Bossard!

Chris Wills and Revenge Wife © Carlos Cabrera-Mayol
Interviews, Music, Today's SongJune 25, 2026<June 25, 2026

“I Saw Your Face in Eternity”: Chris Wills & Revenge Wife Chase Love Across Lifetimes on “Love Live On,” a Spellbinding Ode to Devotion’s Everlasting Flame

Samuel S.C. © courtesy of the band
Music, PremieresJune 24, 2026<June 24, 2026

“I Need a Way to Come Undone”: Samuel S.C. Turn Restlessness into Release on “I Need a Moment,” a Rip-Roaring Indie Rock Reckoning

aleksiah © Jess Gleeson
Artist to Watch, Interviews, Music, Today's SongJune 24, 2026<June 24, 2026

“If You’re Not Happy, Leave!!!”: aleksiah Turns Self-Worth into Pop Perfection on “Bullsh*t, Baby!” & Her Irresistible Third EP ‘Good On Paper’

Aquilo © Harvey Pearson
Interviews, Music, Today's SongJune 23, 2026<June 23, 2026

“Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream

Lisa Molinaro © Mary Luczycki
Interviews, Music, Music Videos, PremieresJune 22, 2026<June 22, 2026

“I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release

Adrian Lyles © Cole Ferguson
Interviews, Music, Today's SongJune 19, 2026<June 19, 2026

“All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness

Atwood Magazine's 158th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 18, 2026<July 10, 2026

Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley!

Nymphlord © Daniel Topete
Debut, Interviews, Music, Today's SongJune 17, 2026<June 17, 2026

“A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’

Fruit Bats’ Eric D. Johnson © Kelsey Gallagher
Features, Interviews, MusicJune 16, 2026<June 16, 2026

“This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’

Young the Giant ‘Victory Garden’ © Josh Aikin
Features, Interviews, MusicJune 16, 2026<June 16, 2026

“Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’

Local the Neighbour "Hard" © 2026
Interviews, Music, Today's SongJune 15, 2026<June 15, 2026

“They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession

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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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