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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Games We Play © Juan Flores-Mena
Artist to Watch, Interviews, Music, Today's SongAugust 12, 2026<August 12, 2026

“I Hope I Don’t Give Up”: Games We Play Fights the Urge to Quit on His Explosive Pop-Punk Anthem “Is This What I’m Made Of”

ARCHIE © Meg Houghton
Interviews, Music, Today's SongAugust 11, 2026<August 11, 2026

“Oh, I Put My Feelings on Hold Again”: Australia’s ARCHIE Turn Self-Erasure into Dreamy Indie Pop Catharsis on “Nine”

Atwood Magazine's 162nd Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 6, 2026<August 6, 2026

Editor’s Picks 162: Grace Inspace, lucky break, Josaleigh Pollett, Mal Not Bad, Isaac Neilson, & Sybil Creek!

Alex Izenberg © Isabella Uhl
Interviews, Music, Today's SongAugust 6, 2026<August 6, 2026

“Sing It With Me, My Love”: Alex Izenberg Finds New Light on “Old Gold,” a Sunlit Song of Memory, Wonder, & Music’s Restorative Glow

Theophobia © Dillon Edlin
Debut, Features, Music, Track-by-TrackAugust 5, 2026<August 5, 2026

“Funhouse Mirror Rock”: Theophobia Restore Possibility to Rock with Their Gleefully Theatrical Self-Titled Debut

Larlin's Maryann Hoar © Lewis Foord
Artist to Watch, Interviews, Music, Music Videos, PremieresAugust 5, 2026<August 11, 2026

“Caught Somewhere Between Numbness and Clarity”: Larlin Capture the Dreamlike Drift of Chronic Dissociation on “Sondheim,” an Intoxicating Alt-Rock Exorcism

Memorial © Sunna Ben
Features, Interviews, MusicAugust 5, 2026<August 25, 2026

“The World Often Feels Loud Enough Already”: Brighton’s Memorial Find Power in Softness on ‘Jera,’ a Breathtakingly Beautiful Alt-Folk Triumph

BAILEN "SWIM!!!" © Alex Brown
Features, Interviews, Music, Today's SongAugust 4, 2026<August 4, 2026

“Some Bridges Are Meant to Be Burned”: BAILEN Break Free with “SWIM!!!” – Roaring Back Fiercer, Freer, & on Their Own Terms

Bad Tiger © courtesy of the band
Music, Music Videos, PremieresAugust 4, 2026<August 4, 2026

“Re-Membering My Skin”: Bad Tiger Reawakens the Body on “Spin,” a Kaleidoscopic Rush of Rupture & Renewal

Ginger Winn © Brooklyn Zeh
Concerts, Interviews, MusicJuly 31, 2026<August 1, 2026

“Our Sounds and Energy Just Blend”: Ginger Winn and Lost Leaders Bring Songs & Shared Spirit to Woodstock’s Third Annual Waterfall Sessions

#1 Dads © Vanessa Bartel
Artist to Watch, Music, Reviews, This Just InJuly 31, 2026<July 31, 2026

“It’s Only Ever Been You”: Tom Iansek’s #1 Dads Celebrates Love with Sun-Soaked Devotion in “Already Something”

Paul Holland © El Leykauf
Debut, Interviews, MusicJuly 30, 2026<July 30, 2026

“Music Is Meant to Feel Human”: Berlin’s Paul Holland Melts Time into a Dreamy Haze on His Spellbinding Debut ‘SUNFLOWER’

Medium Build "Home Depot" © Beth Garrabrant
Music, Reviews, This Just InJuly 30, 2026<July 30, 2026

“Hey Steve, Who Broke Your Heart?”: Medium Build Humanizes the Emotionally Unavailable Man on “Home Depot”

Essence Martins © Gabi Du Plessis
Interviews, Music, Today's SongJuly 30, 2026<July 30, 2026

“It’s Easy to Lose Sight of What’s Real”: Essence Martins Reclaims Presence on “Can We All Slow Down,” a Soul-Stirring Reminder to Reconnect with the World

My Giddy Aunt © 2026
Interviews, Music, PremieresJuly 29, 2026<July 29, 2026

“If You Can’t Laugh, Then You’ll Cry”: My Giddy Aunt Rally Against Collapse on “Always Something Falling Apart,” a Protest Anthem for an Uncertain Future

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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