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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Notes From Under Ground's Lachlan Caskey © 2026
Interviews, Music, PremieresJuly 13, 2026<July 14, 2026

“The Cover Story Stands”: Notes From Under Ground Skewers Music-Industry Nepotism on “Names In Blue,” a Sun-Kissed and Scathing Satire

Nora Kelly Band ‘So Wrong For So Long’ album cover art
Interviews, Music, Today's SongJuly 10, 2026<July 10, 2026

“Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart

Atwood Magazine's 160th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 10, 2026<July 17, 2026

Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven!

BendreTheGiant © Anthony Johnson
Interviews, Music, Music Videos, PremieresJuly 9, 2026<July 9, 2026

“Take a Leap of Faith, or You Can Be Brave”: Portland’s BendreTheGiant Turn a Moment of Crisis into a Spectacular Act of Empathy & Endurance

Baby Snakes & the Electric Co. © Will Von Bolton
Debut, Interviews, Music, PremieresJuly 9, 2026<July 9, 2026

“Twist the Key to a Brand New Start”: Baby Snakes & The Electric Co. Hit the Gas on Their Debut Single “Dark Horse,” a Cinematic Ode to Electric, Enduring Love

corook © 2026
Interviews, Music, Today's SongJuly 8, 2026<July 22, 2026

“Being Liked Is Nice. Being Honest Is Better”: corook Steals Their Power Back on “Kleptomaniac,” a Buoyant Pop Anthem for Choosing Yourself

Sid Simons © Will Foerster
Interviews, Music, Music Videos, PremieresJuly 7, 2026<July 7, 2026

“I’m Not Singing for You”: NYC’s Sid Simons Shakes a Bad Love Loose on “Under My Skin,” an Achingly Intimate Indie Rock Confession

Starter Car © Robyn Black
Debut, Interviews, Music, Music Videos, PremieresJuly 7, 2026<July 7, 2026

“It’s a Feeling I Can’t Shake”: Starter Car Run Headfirst Into Life’s Beautiful Mess on “Kicking,” a Rowdy Indie Rock Rush of Survival & Joy

Houndmouth's Matt Myers © Tommy Moore
Interviews, Music, Today's SongJuly 7, 2026<July 7, 2026

“Come On, Let It Out Now”: Houndmouth Unleash the Wild Within on “Tiger Blood,” a Feverish Release of Heat and Raw Animal Instinct

James Smith © Freddie Pearson
Features, Interviews, MusicJuly 7, 2026<July 16, 2026

“Life Is About the Now”: James Smith Steps Fully into His ‘Golden Age’ With a Rousing, Triumphant Portrait of Youth Under Pressure

Features, Music, Track-by-TrackJuly 2, 2026<July 7, 2026

“Heaven’s Open and True Love Is Alive”: Selve Chase Holy Fire Through Desire & Danger on ‘Breaking Outta Heaven,’ a Liberating Escape Beyond the Gates

Winyah © Harrison Hargrave
Interviews, Music, Today's SongJuly 2, 2026<July 5, 2026

“The Love Is Always There”: Winyah Chase Home, Heart, & the Cost of the Climb on “Rat Race,” a Roaring Indie Rock Anthem for Dreamers Running on Empty

Brooklyn Del & the Revelators "Baptized of You" © Jason Hooper
Music, Music Videos, PremieresJuly 1, 2026<July 1, 2026

“I Took My Body to the Water”: Brooklyn Del & The Revelators Wash the Past Away on “Baptized of You,” a Seductive Desert-Country Reawakening

Gareth Dunlop © Jamie Neish
Interviews, Music, Today's SongJuly 1, 2026<July 1, 2026

“Sorrow Is Love’s Souvenir”: Gareth Dunlop Sings Through Grief’s Ancient Ache on “Wish I Couldn’t Feel a Thing,” a Soul-Stirring Alt-R&B Reckoning

CR & The White Lights © Liz Sadkowski, Chris Gennone
Music, Music Videos, PremieresJune 30, 2026<June 30, 2026

“What Happened to You, My Friend?”: CR & The White Lights Revisit Lost Ties on “Yearbook,” a Dreamy Alt-Country Reckoning

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Recent Posts

  • “The Truth as the Mission”: The Suffers’ Kam Franklin Puts Trauma, Desire, & Defiance on the Record with ‘Land of the Neon Sun,’ Her Uncompromising Solo Debut October 1, 2026
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  • No More Forgive and Forget: Sabrina Sterling Takes Justice into Her Own Hands on ‘An American Crime’ October 1, 2026
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  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
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  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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