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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Atwood Magazine's 161st Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 23, 2026<July 23, 2026

Editor’s Picks 161: Hollow Hand, Noonzy, Nautics, Maggie Miles, Closebye, & Flowers for the Dead!

Frontlawn's Tyler Buckser-Schulz and Viv Tullis
Debut, Interviews, Music, ReviewsJuly 23, 2026<July 23, 2026

“The Fear and Joy of Being Seen”: Oberlin Folk Duo Frontlawn Hold Love and Loss Close on Debut Singles “Jenny Says” and “Commack”

Jupiter Winter © Jasmine Safaeian
Interviews, Music, PremieresJuly 23, 2026<July 31, 2026

“I Don’t Wanna Just Be Your Girl”: Jupiter Winter Seizes Her Moment on “Golden Boy,” a Dreamy Indie Pop Reclamation of Ambition

Soft Loft © Flavio Leone
Interviews, Music, Today's SongJuly 22, 2026<July 22, 2026

“Last Year Is Still All Over Me”: Soft Loft Reckon With Old Ghosts, Bad Timing, and the Gamble of Growing Up Through Restless, Radiant Indie Pop

Brooke Annibale © Sasha Pedro
Interviews, Music, PremieresJuly 22, 2026<August 8, 2026

“It Seems Too Personal When We’re Not Friends”: Brooke Annibale’s Achingly Sweet “Birthday” Captures the Awkward Afterlife of Friendship

Medium Build's Nick Carpenter © Beth Garrabrant
Artist to Watch, Features, Music, Today's SongJuly 21, 2026<July 22, 2026

“I Hate Myself, So I Turn It Into Art”: Medium Build Rips Through Every Defense Mechanism on “Armor,” a Feverish Reckoning with the Terror of Being Known

Fenne Lily "Uh Huh" © Sage Szkabarnicki-Stuart
Features, Interviews, MusicJuly 21, 2026<July 23, 2026

“The Music Is the Softest Part of Me”: Fenne Lily on Saying “Uh Huh” to Love – Even When It Hurts

Saudi Oil © 2026
Interviews, Music, Music Videos, PremieresJuly 21, 2026<July 21, 2026

“Can Someone Please Help Me Out?”: Saudi Oil Make Panic Public on “Wires,” a Jagged, Feverish Riot From NYC’s Frayed Nerves

Luca Wilding "Ocean Mother" © 2026
Music, Music Videos, PremieresJuly 21, 2026<July 21, 2026

“Hold Me Like You Used to Do”: Luca Wilding Bathes Maternal Love in Boundless Light on “Ocean Mother,” a Soul-Stirring Dream-Folk Reverie

Houndmouth's Matt Myers © Tommy Moore
Features, Music, ReviewsJuly 20, 2026<July 20, 2026

“I Was All Raw Emotion”: Houndmouth Drag Themselves Back into the Light on ‘Lordy’

Valley © Vanessa Heins
Features, Interviews, Music, Today's SongJuly 17, 2026<July 17, 2026

“Only Real Human Connection Will Save Us”: Valley Are Still Choosing Each Other as “Vending Machine” Kicks Open a Loud, Unapologetic, & Playful New Era

Debut, Interviews, Music, PremieresJuly 17, 2026<August 18, 2026

“Will the Light Still Win?”: Joshua Jensen Debuts with Grace & Thunder on “Hoping,” a Towering Folk-Rock Prayer Against Despair

cyanotype © Skyli Alvarez
Debut, Music, Premieres, Track-by-TrackJuly 16, 2026<July 16, 2026

“Metallic, Pure, & Sincere”: cyanotype Expose Their Inner Turmoil on Debut EP ‘the urge becomes the trigger’

44phantom © Jacq Justice
Features, Interviews, MusicJuly 16, 2026<August 23, 2026

“I Am the Best Artist I’ve Ever Been”: 44phantom Breaks Through on ‘IN RETROSPECT,’ a Raw, Bruising Reckoning With Himself

GRESLEY ‘Songs I Wrote Since She Left’
Debut, Features, Interviews, Music, Track-by-TrackJuly 15, 2026<July 15, 2026

“Yearning Season’s Here”: GRESLEY Lays His Heart Bare on ‘Songs I Wrote Since She Left,’ an Achingly Intimate Portrait of Love Under Strain

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Recent Posts

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  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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