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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Adult Mom's Stevie Knipe © Bao Ngo
Features, Interviews, MusicDecember 17, 2025<December 17, 2025

“Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’

Timeline - Drauve
Debut, Features, Interviews, Music, Track-by-TrackDecember 17, 2025<December 17, 2025

“It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

mildred © 2025
Debut, Interviews, Music, Today's SongDecember 16, 2025<December 15, 2025

“Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”

Atwood Magazine's 140th Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 15, 2025<December 15, 2025

Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!

Dutch Interior © Julien Sage
Interviews, Music, Today's SongDecember 15, 2025<December 15, 2025

“It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”

Deadbeat Girl 'Self-Destructor' © Ashley Crichton
Interviews, Music, Today's SongDecember 14, 2025<December 12, 2025

“I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession

Savannah Conley © 2025
Columns, Interviews, Music, Today's SongDecember 12, 2025<December 12, 2025

“Rev It, Brake It, Love Ya, Mean It”: Savannah Conley Cuts Loose on “Love You Mean It,” a Fun, Feverish Indie Rock Rebirth

Barbro © Jana van Brussel
Music, PremieresDecember 11, 2025<December 11, 2025

“I Haven’t Heard That Sound Yet”: Copenhagen’s Barbro Premieres “What Men Do,” a Softly Smoldering Indie Folk Reckoning of Unlearning & Quiet Resistance

It’s Summer, I Love You, and I’m Surrounded by Snow - Dead Gowns
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2025<December 11, 2025

“Dark, Romantic, & Disorienting”: Dead Gowns Channels Desire and Grief into an Indie Folk Storm on Debut Album ‘It’s Summer, I Love You, and I’m Surrounded by Snow’

Nick & June © Luka Popp
Features, Interviews, Music, Track-by-TrackDecember 11, 2025<December 11, 2025

“Fragile, Euphoric, & True”: Nick & June Craft a Cinematic Rebirth on ‘New Year’s Face,’ an Intimate Meditation on Who We Were, Who We Are, and Who We Might Become

néomí © Liz van den Akker
Interviews, Music, Today's SongDecember 11, 2025<December 11, 2025

“Sit Back Baby, Let It Go”: néomí Embraces the Art of Release in a Soul-Stirring Mantra of Softness, Surrender, & Self-Love

Brian Dunne 'Clams Casino' © Marianka Campisi
Features, Interviews, MusicDecember 10, 2025<December 12, 2025

“I’ve Been Trying to Have a Good Life”: Brian Dunne Reckons Through His 30s on ‘Clams Casino,’ a Radiant Rock Record of Dreams, Disillusionment, & the Cost of Wanting More

JOSEPH © Gardenia Miramontes
Columns, Interviews, Music, Today's SongDecember 10, 2025<December 10, 2025

“I Wanna Be Closer to Me”: JOSEPH Turn Pain into Power as They Step into a Bold, Raw, & Reflective New Era with ‘Closer to Happy’

Atwood Magazine's 139th Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 9, 2025<December 9, 2025

Editor’s Picks 139: Bartees Strange, Spanish Love Songs, Dijon, Deadbeat Girl, Dutch Interior, & mildred!

St. Panther 'Strange World' EP
Features, Interviews, MusicDecember 9, 2025<December 13, 2025

“I’m Still Rooting for Us”: St. Panther on Leading With Empathy, Speaking Up When It Matters, & Crafting the Neo-Soulful Sound of ‘Strange World’

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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