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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Soft Loft © Flavio Leone
Interviews, Music, Today's SongJuly 22, 2026<July 22, 2026

“Last Year Is Still All Over Me”: Soft Loft Reckon With Old Ghosts, Bad Timing, and the Gamble of Growing Up Through Restless, Radiant Indie Pop

Brooke Annibale © Sasha Pedro
Interviews, Music, PremieresJuly 22, 2026<August 8, 2026

“It Seems Too Personal When We’re Not Friends”: Brooke Annibale’s Achingly Sweet “Birthday” Captures the Awkward Afterlife of Friendship

Medium Build's Nick Carpenter © Beth Garrabrant
Artist to Watch, Features, Music, Today's SongJuly 21, 2026<July 22, 2026

“I Hate Myself, So I Turn It Into Art”: Medium Build Rips Through Every Defense Mechanism on “Armor,” a Feverish Reckoning with the Terror of Being Known

Fenne Lily "Uh Huh" © Sage Szkabarnicki-Stuart
Features, Interviews, MusicJuly 21, 2026<July 23, 2026

“The Music Is the Softest Part of Me”: Fenne Lily on Saying “Uh Huh” to Love – Even When It Hurts

Saudi Oil © 2026
Interviews, Music, Music Videos, PremieresJuly 21, 2026<July 21, 2026

“Can Someone Please Help Me Out?”: Saudi Oil Make Panic Public on “Wires,” a Jagged, Feverish Riot From NYC’s Frayed Nerves

Luca Wilding "Ocean Mother" © 2026
Music, Music Videos, PremieresJuly 21, 2026<July 21, 2026

“Hold Me Like You Used to Do”: Luca Wilding Bathes Maternal Love in Boundless Light on “Ocean Mother,” a Soul-Stirring Dream-Folk Reverie

Houndmouth's Matt Myers © Tommy Moore
Features, Music, ReviewsJuly 20, 2026<July 20, 2026

“I Was All Raw Emotion”: Houndmouth Drag Themselves Back into the Light on ‘Lordy’

Valley © Vanessa Heins
Features, Interviews, Music, Today's SongJuly 17, 2026<July 17, 2026

“Only Real Human Connection Will Save Us”: Valley Are Still Choosing Each Other as “Vending Machine” Kicks Open a Loud, Unapologetic, & Playful New Era

Debut, Interviews, Music, PremieresJuly 17, 2026<August 18, 2026

“Will the Light Still Win?”: Joshua Jensen Debuts with Grace & Thunder on “Hoping,” a Towering Folk-Rock Prayer Against Despair

cyanotype © Skyli Alvarez
Debut, Music, Premieres, Track-by-TrackJuly 16, 2026<July 16, 2026

“Metallic, Pure, & Sincere”: cyanotype Expose Their Inner Turmoil on Debut EP ‘the urge becomes the trigger’

44phantom © Jacq Justice
Features, Interviews, MusicJuly 16, 2026<August 23, 2026

“I Am the Best Artist I’ve Ever Been”: 44phantom Breaks Through on ‘IN RETROSPECT,’ a Raw, Bruising Reckoning With Himself

GRESLEY ‘Songs I Wrote Since She Left’
Debut, Features, Interviews, Music, Track-by-TrackJuly 15, 2026<July 15, 2026

“Yearning Season’s Here”: GRESLEY Lays His Heart Bare on ‘Songs I Wrote Since She Left,’ an Achingly Intimate Portrait of Love Under Strain

“Blood Ties” and Hard Truths: Rowena Wise Is Making Peace With the Mess of Being Human Through Smoldering, Unflinching Indie Folk Songs © Nick Mckk
Features, Interviews, Music, Today's SongJuly 15, 2026<September 6, 2026

“Blood Ties” and Hard Truths: Rowena Wise Is Making Peace With the Mess of Being Human Through Smoldering, Unflinching Indie Folk Songs

Anne-Claire © Jillian Clark
Interviews, Music, Music Videos, PremieresJuly 14, 2026<July 14, 2026

“Where the Water Meets the Sky”: Anne-Claire Makes a Spellbinding Return on “River,” a Lush, Sweeping Portrait of Love and Longing

Lee Emi © Lori M Gottschling
Debut, Interviews, Music, PremieresJuly 13, 2026<July 14, 2026

“There Will Always Be Ghosts Following You”: Lee Emi Confronts the Myth of a “Clean Slate” in a Raw Reckoning With the Inescapable Past

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  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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