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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

midori jaeger © Inigo Blake
Interviews, Music, Today's SongMarch 20, 2026<March 20, 2026

“I Want Something Unfamiliar, Unpredictable”: midori jaeger Navigates Uprooting, Identity, & the Pull of the Unknown on “exasperate” and ‘(Un)planted’

Chet Faker © Sarah Eiseman
Features, Interviews, MusicMarch 20, 2026<March 26, 2026

“I’m in the Middle of the Past and the Future”: Chet Faker Comes Full Circle on ‘A Love for Strangers,’ Returning to Instinct, Curiosity, & the Feeling That Started It All

The Maine "Die to Fall" © Lupe Bustos
Interviews, Music, Today's SongMarch 19, 2026<March 23, 2026

“Catch Me on the Comedown”: The Maine Struggle to Slow Down on “Die to Fall,” a Restless Alt-Rock Fever Dream

Atwood Magazine's 150th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 18, 2026<March 18, 2026

Editor’s Picks 150: Fantastic Cat, Maya Engen, MUNA, Stephen Sanchez, Keni Titus, & The Undercover Dream Lovers!

“Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You”
Music, Music Videos, PremieresMarch 18, 2026<March 18, 2026

“Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You”

Silverdeer "Open Mouth" © Emma Holabird
Debut, Interviews, Music, Today's SongMarch 18, 2026<March 18, 2026

“We Wanted to Make a Really Sexy Song”: Silverdeer Erupt with Pleasure and Power on “Open Mouth,” a Playful, Sweaty Celebration of Sexuality

Soda Blonde © Adam O'Regan
Interviews, Music, Today's SongMarch 17, 2026<March 17, 2026

“Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth

Maris "Body Is on Fire" © 2026
Interviews, Music, Today's SongMarch 15, 2026<March 15, 2026

“Hold My Arms, Pin Me Down”: MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire”

The Format © Carlo Cavaluzzi
Features, Interviews, MusicMarch 13, 2026<March 14, 2026

“There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World

Hayden Everett © Jeffrey Brundage
MusicMarch 13, 2026<March 13, 2026

“I’m a Canvas of the Place I’m In”: Hayden Everett Lets the Rain in on “Angela,” a Bittersweet Letter to Los Angeles

The Favors 'The Dream'
Debut, Features, Interviews, MusicMarch 12, 2026<March 12, 2026

Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music

Florentenes "Madeline" © Sam Crowston
Interviews, Music, Today's SongMarch 12, 2026<March 12, 2026

Living in the Moment with Florentenes’ Roaring Indie Rock Anthem “Madeline”

Nory © Lucy Billington
Debut, Features, Interviews, MusicMarch 11, 2026<March 11, 2026

“A Middle Finger to Music as We Know It”: Nory Embraces Tension, Recklessness & Raw Truth on ‘F**K THAT THIS THE RHYTHM’

Happy Landing © Orchee Sorker
Interviews, Music, Today's SongMarch 11, 2026<March 11, 2026

“Make That Money, Baby, Dig Your Grave”: Happy Landing Tear into the Myth of the American Dream on “The American Way”

Philine Sonny Unleashes Raw Fury on “Outrun,” a Ferocious Alt-Rock Reckoning © Emil Gentes
Interviews, Music, Today's SongMarch 10, 2026<March 10, 2026

“Echo Chamber, Promise Breaker”: Philine Sonny Unleashes Raw Fury on “Outrun,” a Ferocious Alt-Rock Reckoning

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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